No Basis For Real [David’s blog on saturday morning smack-dab]

An MSNBC opinion piece hit the nail on the head: the reason why so many of us find this presidential campaign so uniquely unsettling is that “…so many of our fellow citizens embrace a candidate and a message so fundamentally un-American.”

“This is fascist rhetoric. More specifically, it’s Nazi rhetoric. But the crowds at [his] rallies aren’t horrified by such language. They lap it up.”

And so, here we are. These “citizens” embracing a fascist intention are our sisters and brothers, mothers and fathers. They are people we know and love but no longer recognize. They are not abstractions.

Kerri has a theory. She calls it “the flat friends”, the relationships available online that win likes and strokes for agreement. These relationships are abstractions; they are not real. They are easy, uncomplicated, and come with instant gratification. No dialogue required. No real communication. No imperative to support assertions with facts or data or…reality. Hate bubbles filled with easy lies and even easier agreement amongst flat friends. An ugly meme is all the verification needed in flat-friend-land. No real thinking required.

It’s a convenient place to run and hide when the three dimensional world, the woke world, the world of evidence and reason and thinking and questioning and open minds, asks, “What the hell are you talking about?”

In the flat-friend-world it is possible to silence me with the click of a button. And, if you think about it, all of the rhetoric spewed by the hate candidate and magnified by the faux-news-fox pander to the same idea. Easy two dimensional solutions – fodder that is only palatable to a flat world dedicated to non-thinking. Mass deportations. Banning books. Eliminating the Department of Education. Blasting women back into the dark ages. Enemies abound! Snap! Easy-peasy. Big-Red-Daddy will solve it all for you. Click.

Eliminating those that disagree is not a solution outside of flat-friend-world. It is an illusion – and laughably childish – though Big-Red-Daddy has suggested that he will use the military to silence those who criticize him. Apparently, he believes he will be able with a click of the military to un-friend 50% of the nation, the congress, the justice system…the American system of governance.

In the three dimensional world it is not so easy to silence me or the rest of us that remember how to lift our eyes from the screen and fact check what we see in flatland, those of us who still understand that agreement is a lousy test of real information, that democracy is a complex ongoing idea that deserves responsible stewards and that an easy “like” is no basis for real community.

read Kerri’s blogpost about FLAT FRIENDS

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Unify

a watercolor from 2003, House On Fire

a watercolor from 2003, House On Fire

Stay with me. I actually have a point.

If ever I teach actors again, or coach people in any endeavor, or communities/businesses seeking betterment, I will only have two things to teach: 1) Grounded-ness and 2) Focus placement on the unifiers. These two concepts are really  one looping concept but for ease and the sake of being understood, I will offer them independent of one another.

As focus placement goes, an actor on the stage has two options and depending on the focus placement they choose, they will either create the play or destroy it. A focus on how they look or sound or feel destroys the play. It is a self-focus in an art form of relationship (all art forms are made vital in relationship). A self-focus breaks the relationships and effectively locks the audience out of participating in the story. It makes the actor giddy with fear, easily distracted, alone. Conversely, the actor can focus outside of themselves, on the other actors on the stage, on the energy between, on their pursuit. An outer-focus creates relationships and serves as a magnet that pulls audiences into the story. It facilitates participation, creates relationship, and shared experiences. It unifies. Literally.

The actor who listens to him/herself pulls up their root. They unground themselves. The actor whose focus is outward, who is actively pursuing relationship, creates grounding. In fact, they must be grounded to create vital relationships. It is a first principle. Grounded-ness begets grounded-ness; it unifies. It strengthens. It invites. It clarifies truth.

The same principles apply off the stage or out of the studio. It is, however, more complex off the stage. It is much, much, more sticky.

And here’s the point: It has been said that nothing is better at uniting a community than having an enemy. It’s true. A common enemy provides an outer focus. It provides another team to defeat. It works so well that leaders across the ages, leaders who would otherwise look insipid, leaders who, like a bad actor, have a self-focus, a control need, have concocted all manner of enemies. It is a deflection. It works for a short while but what starts as false unity strips a community of its true binder. It separates and splits. It diminishes. It destroys.

Here’s the sticky part. One of the oldest tricks in the book for controlling a community is to split them, to locate the enemy within the community. And then, for good measure, magnify the split. In the early colonies – that ultimately became The United States of America – it was a strategy known as The Giddy Masses (see Ronald Takaki’s excellent book A Different Mirror). Make the people giddy with a false enemy. Uproot them. Deflect them so they cannot join in relationship and be strong as a community. Self-focused leaders cannot survive a unified, healthy populace. It is a strategy: separate the people so they cannot see the movement of power.

Today I started to read the news but stopped after only a minute. Building walls. Expelling Muslims. Enemy creation everywhere! Fox news and MSNBC are great giddy creators. It’s a bad story poorly told. It weakens all players. The primary actors do harm to their audience. Grounded-ness, a first principle, can only come to all when the actors choose to focus on the relationships, see the unifiers, to create rather than destroy. Groundedness comes when the audience engages, questions what they are being told and open (rather than close) their minds.

Grounded-ness. Focus placement on the unity. The principles that make great art also make great society. Fear, the province of the bad actor, the lot of a passive audience, although temporarily effective, can only destroy the play.

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