The Future We Plant [David’s blog on Two Artists Tuesday]

Milkweed seed pods in winter. It’s mauve flowers are by now a distant memory yet their remembrance also must serve as a desire. What would be the point of releasing its seed to the wind if there was no dream of future mauve blossoms?

Kerri and I are not so different from the Milkweed. We write everyday; our words are seeds released into the e-wind with the hope of reaching fertile hearts and minds. Who knows what blossoms our word-seeds might inspire?

Much of what we write is the mauve blossom of word-seeds sent on the e-wind by others. The thought-seed of others lands and is planted in our hearts and minds. Over time, with warmth and consideration, the seed cracks and sends new-thought shoots to the surface, seeking sun and expression. And so we write. We send. Others receive. In turn, they write or draw or dance – they send – and we receive. It’s a cycle of sharing that goes mostly unrecognized. A riot of unseen interconnectivity. It’s called inspiration.

Words, even the most casual, are more powerful than we realize. They are symbols. They are seeds of future-thought in others. Some, like invasive weeds, are capable of doing harm. They choke the inner landscape where they are planted. Some are like acorns. They land in timid hearts and produce towering strength beyond imagination.

When I listen to the discourse in our media and politics, I shudder at the seeds being planted. I marvel at the ease of misinformation, the ubiquity of lies. Words meant to mislead. Words meant to do harm. Words meant to hurt. Mean-spirited seeds.

I can’t help but wonder what fields of flowers we would produce if we understood the real power of our words. I wonder what future we plant in each other through the words we so easily release into the wind.

read Kerri’s blogpost about MILKWEED

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Grasp The Natural Truth [on saturday morning smack-dab.]

I often tell Kerri that she’s beautiful and her built-in-response is to deflect or deny it. I believe her response is learned – I’ve yet to meet a child who is overly concerned with how they look. Kerri is not unlike most of the women (and men) I’ve met in my life: they’ve learned to not like their bodies. In fact, I just spent a few moments searching my vast memory banks for the women I’ve known who loved their bodies and I can recall a whopping two.

The message-assault on a woman’s psyche is intense and begins young. Change it, mold it, shape it, cut it, starve it, lift it…The industry demands that a woman continually strive for the unattainable shape, size, color…They can never-ever look into the mirror and think, “I’m beautiful. No changes necessary.”

If I had a magic wand, I’d ding Kerri and all women on the noggin and make it possible to grasp the natural truth of these words: you are unbelievably beautiful.

read Kerri’s blogpost about BURLAP

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Sit On The Horizon [on KS Friday]

We are the first wave of humans to experience a pace of change so fast that the media of our memories becomes irrelevant – and sometimes inaccessible – even before the paint on the memory is dry. A crank driven film camera caught a toddler version of me running down the hall in my footie pajamas on Christmas morning. Images rare and, at the time, expensive to develop, our technology makes those films seem prehistoric. Kerri and I work on computers that are separated by over a decade. Mine works lightning fast and hers…is teaching her patience.

I’ve recently been pondering a quote attributed to many: “We shape our tools, and thereafter our tools shape us.” Facebook is a tool. Twitter, too. This screen that opens entire universes for me is a tool. These screens that pull us into them are tools. Our stories, our expectations, our experience of time and space and each other, shaped by our tool. This river runs so fast that front page news is less than an afterthought tomorrow. We take so many photos and movies that we can’t remember taking them. It’s a million miles from the days of precious and rare footage in footie pajamas.

Kerri found the bin. It holds many treasures. Movies that her dad recorded of her first album release concert. Early performances. Recording of movies complete with commercial breaks (before tevo was a glimmer in its inventor’s eye). Luckily, we have a VHS player. And it works! Some night, very soon, we’ll plug in the player and I will get to see her, at the very beginning of her career, long before we met, play.

Reaching back. Racing forward. Little miracles of remembrance rendered obsolete by faster and smaller miracles of moment-capture.

We sit squarely upon the event horizon, our memories both a bin found in the basement and an intentional composition – Instagram stories, Facebook memories, a story shaped by our tools, tools shaping us, a creative act.

read Kerri’s blogpost about THE BIN

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let me take you back/as it is © 2004 kerri sherwood

Honor The Line [on DR Thursday]

“We often need to lose sight of our priorities in order to see them.” ~ John Irving

Walking down the trail a few days ago, Kerri and I had a hysterical conversation. If you could go back in time, who would you tell to f**k off? There was a long list and some seriously funny stories of misplaced tolerance. We laughed at the moments when younger versions of ourselves were silent, when we should have spoken. We groaned at the moments that we let someone run over us. When we should have held a boundary but did not.

“Why didn’t I say something?” We chortled. Grace comes with time. What was years ago a violation is now head-shaking-story.

The next day, about to enter the local corner market, someone called Kerri’s name. Before she could stop it, in the middle of this pandemic, a time when we’ve been religious about social distancing, a woman threw open her arms and locked Kerri in an embrace. It was an awkward and short-lived hug; Kerri was like a stone cold post, her hand that was rising for protection was squished in the unwelcome clutch. The woman shrunk and retreated. We ducked into the store.

“Why didn’t I stop her?” Kerri asked as we walked home. There was no time. “Doesn’t she know there’s a pandemic?” A space violation.

Context is everything.

I was delighted when Kerri chose this snippet of a painting for the Melange. For her, it represented the moment that she could have interrupted the unwanted hug. She named this little morsel “Back Up!”

For me it is something entirely different. This full painting is called Pieta With Paparazzi. I’d mostly forgotten about this painting since I only showed it one time and that was over a decade ago. It is more relevant today than it was when I painted it. It is about the flattening of importance, the loss of perspective. It is about how – even a decade ago – everything seemed to be a media event. Mary contemplates the body of her dead son while the media circus swirls around her.

The shorthand phrase for our time: nothing is sacred. The line between a simple truth and a manufactured event has been blurred, perhaps irreparably. Lies are celebrated and vehemently defended. Truths discarded. Boundaries crossed. Hugs taken. Shots fired. The other day I heard someone say, “People say things on Facebook that they’d never say in person.” Too true. Social discourse and public policy are tragedies enacted on a social platform for a ready-made audience. All the world’s a stage.

In time, we might ask ourselves, “Why didn’t we do something?” or “What were we thinking?” Perhaps, in time, we’ll have the distance and the grace to see why we should have stepped back and stopped this incessant crossing of boundaries, this white house media circus. Perhaps, in losing sight of our priorities, they will someday come back into focus and we will see them again.

pieta with paparazzi

read Kerri’s blog post about BACK UP!

pieta with paparazzi ©️ 2010 david robinson