Peacehenge [David’s blog on KS Friday]

The stones are placed by human hands, as clearly as the menhirs at Stonehenge. For a moment I had the odd illusion that the smaller stones set in the amphitheater where once monolithic and time had worn them to nubs. Ancient remnants of once grande structures. A fingerprint.

At the Sanctuary, the standing stones are engraved with lyrics or wisdoms. I wondered at the human impulse to use stones – giant stones – as monuments. To memorialize. To ritualize. 4000 year old standing stones can be found in Asia, Africa, and Europe. Now they are found in North America – to be discovered by humans 4000 years from now. The lyrics may wash away over the centuries leaving our distant descendants a mystery: why did those people stand these stones in this place? What was the purpose of this henge?

It was no small task for people to erect the monoliths at Stonehenge. A mind-boggling task. Likewise, it was no small feat to create a sanctuary, a place inspiring inner-quiet in honor of a musician who sang of peace. I hope the lyrics do not wash away. I believe our distant descendants would find comfort in the discovery of a Peacehenge, proof positive that we were not all violence, divisive, warmongering and tumultuous but took the time to set standing stones in honor of a poet who believed in our better nature, who sang of goodwill and possibility.

Longing/As It Is © 2004 Kerri Sherwood

Hope © 2005 Kerri Sherwood

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read Kerri’s blogpost about STONES

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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Enter Happiness [David’s blog on Not So Flawed Wednesday]

The day brought to mind Avalon, the mythical island hidden from sight by the spells of the wise women who rule there or perhaps by charms cast by King Arthur’s sister, Morgaine. It is where Arthur was taken after he was gravely wounded in battle. To heal or to die. It depends on which version of the legend that you read. As I watched her take the picture I wondered if Avalon could pop-up off the coast of Lake Michigan. If it can be spelled and disappear from sight it certainly can be spelled to appear wherever Morgaine chooses. Magic is magic. Possibility is open-ended until doubt or belief renders it otherwise.

While I was studying the photo, pondering what I might write, Kerri played a song by John Denver. I didn’t recognize it and looked over her shoulder. It was the last song he wrote before he died. Yellowstone (Coming Home). He did not know it would be his last song. He had no expectation of dying on the day his plane dropped from the sky into the ocean. I have sometimes wondered what would be my last painting or the final piece I might write. In my imagining, I always know. “This is the last,” I think and set down my brush, one more step in preparing to enter the mist.

I read somewhere that the real key to happiness is to lose your self-importance. It’s counter-intuitive in a culture that identifies through individual achievement. Climbing the ladder. Top dog. Happiness as a by-product of achievement and possession. Yet, it seems simple if you think about it. Happiness, not as an acquisition but as as an aspect of presence. Happiness enters when we are present in our moment and, in order to actually be present in the moment, the eyes and heart and mind need to let go of the desire to be other places, future or past. Happiness finds us when enough is truly enough and everything else, all the imagined importance, the yearning and the lack, disappear into the fog of time’s illusion.

read Kerri’s blogpost about FOG

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