Hold Up The Light [David’s blog on KS Friday]

about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality, and now murder – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.

I learned something new about the Statue of Liberty. There are broken chains and shackles at her feet. “Sculptor Frédéric-Auguste Bartholdi incorporated these elements to represent liberty breaking free from servitude, a powerful message about emancipation.”  (Statue of Liberty/Ellis Island Foundation) The name of the statue standing in NY Harbor is “Liberty Enlightening the World”.

We are witness to what happens when a nation, when a people, grow so accustomed to their symbols that they forget – or take for granted – their meaning. It’s times like these that the symbol is either reinvigorated or emptied.

Especially during the dark winter months, we light candles every evening. They are comforting, calming. If you asked me what they symbolize to me I’d answer, “Hope”. I used to meditate every day and I’d begin my meditation with lighting a candle: a beacon for concentration and connection. Peace. We light candles on days that significant people in our lives have passed. The flame is a call to memory, to gratitude and, again, connection.

Light that calls to us to peace. Light that evokes hope within us. Light that encourages us and connects us. Light that guides us home.

In the past I kept a candle burning in my studio while I was working. It was a companion or perhaps a signal to the muse that I was ready. Now I have a salt lamp that serves the same purpose.

Lady Liberty holds a torch. She has broken chains and shackles at her feet. Truly, it’s times like these that our symbol is either reinvigorated or reversed, made to mean the exact opposite of what it originally represented. Will it serve to evoke in us a call to create/defend freedom and justice for all or will we turn our backs on our symbol and allow it to descend into a curiosity, a bit of bygone americana. In this historical moment we have the choice of embodying the symbol as it was originally intended, holding up the light of liberty to guide ourselves through this dark night – or to flip it over, plunge the torch into the harbor and step willingly into the shackles of authoritarianism.

[I wrote this on the morning that the current occupant of the white house, without participation or knowledge of Congress, invaded Venezuela, a resource grab not unlike Putin’s unlawful invasion of Ukraine. I’m editing this on the morning after an ICE agent murdered Renee Good in Minneapolis. It seems we have arrived at our moment of choice: to fully embody our symbols and defend our dedication to freedom and justice for all – or not. This is not an abstraction. It is not hyperbole. It is immediate.]

HOPE on the album THIS SEASON © 2005 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE CANDLE

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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Constellate [on Merely A Thought Monday]

constellation poem copy

Just outside our favorite island gem, Fair Isle Books, is this poem by former Wisconsin poet Laureate, Bruce Dethlefsen. We have stopped at the shop more than once and reread the poem.

our lonely stars though bright
and strong will quickly fade

unless we string the stars
together   choose illumination
then in constellation hope is ours

bring on another day
sing light in common song
~constellation by bruce dethlefsen

It is a lovely poem and captures perfectly how we now see our work on this island. In our short tenure it has become abundantly clear that the people in our sphere most often work as “islands.” Islands on island. That is, although very well intended, few actually recognize the impact of their actions (or inaction) on others. It is part of the evolutionary dna of the place. Everyone works multiple jobs. Divisions and territory define the island arts organizations.

I have long held (and experienced again and again) that the arts cannot thrive in a community until the artists turn to a common center, recognize a shared purpose, and realize that one cannot thrive without the other. Thriving is a team sport. If one theatre creates a large audience then it creates audience for all. If one painter sells a painting, a market is created for all. Reaching into the common space, facilitating shared experience, is what art is meant to do.

If an arts community falls into the mistaken notion that its members compete for limited resources, they will inevitably define themselves by their limitation.  The center turns to a battle ground and the art is diminished. Dog-eat-dog has no place in the sacred space of art.

It is why we visit the poem. The necessary guide star is already here. “Our lonely stars though bright will quickly fade unless we string the stars together – choose illumination – then in constellation hope is ours.”

 

read Kerri’s blog post about CONSTELLATION

 

schoolhouse beach k&d website box copy