For The First Time [David’s blog on DR Thursday]

As I have previously written, probably ad nauseam, I am a fan of the mythic tale of Parzival (not the opera) mostly because I sometimes feel that I am living the story. Completely bungling the opportunity in the Grail Castle by doing what he was taught to do, feeling full responsibility for the ensuing wasteland, fighting every ogre in pursuit of redemption, his trusty secret weapon shatters in a crucial moment leaving him unprotected and vulnerable to death. Stripping off the armor – his “role” – he walks away grieving the full-realization of his folly. Now, completely lost he follows a hermit who has no answers…and in his lostness, no longer trying to be found, he finds himself for the first time. The Grail Castle returns; he enters to meet again the Grail King, this time without armor or title or role or status or expectation. Fully exposed.

We walked a beach that merely a year ago was rocky and secluded. In a miracle of modern machinery, in record time, the state covered the beach with tons of sand and built a protective breakwater. It is transformed. Now, much more friendly for families and safer for swimming, for boats and jetskis, it is popular and populated. We strolled it as if we’d been transported to another era. It was at one time the same beach and a wildly different place. It is beautiful and protected, its natural rocky state completely covered over with appearance. “No worries,” I thought, “time has a way of washing away the facade, revealing the truth of everything.” In the meantime, the joy-squeals of children racing into the water was a delight.

“Can you see the dinosaur?” she asked, showing me the picture of the tiny breaking wave.

“A Tyrannosaurus Rex!”

“Yes! Look at its tiny arms!” she said, laughing.

Our feet in the sand, lost in time, nowhere else we’d rather be.

“Surrender to what is. Say ‘yes’ to life – and see how life starts suddenly to start working for you rather than against you.” ~ Eckhart Tolle.

read Kerri’s blogpost about THE SHORE

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Expect The Meadow [David’s blog on Not So Flawed Wednesday]

I was a doubter. Over the winter, heavy machinery eradicated invasive species – and seemingly everything else – from the forests and meadows of our beloved trail. It left a wasteland of splintered wood and debris. “It will take years to recover,” I mumbled, saddened.

I was wrong. With spring, new green shoots poked through the mud and detritus. The frog chorus returned with a vengeance to a marsh that just weeks prior had been little more than a scar. Slowly through the summer, the mayapple and coneflowers flourished.

And then there’s the meadow. In the waning weeks of August and the coming of September it has burst with yellows, purples and subtle blues. “Unbelievable,” I utter each time we pass through. Were I a plein air painter of landscapes, I’d spend many days seated on the trail, peering beyond my canvas, dabbing paint in an attempt to capture the riot of color.

The meadow is now my go-to metaphor for the power of renewal. In just a few short months, what seemed like utter devastation has revealed unstoppable regeneration. The wisdom of necessary disruption as seen in nature.

It gives me hope as we stand in the debris of our current wasteland. Just beneath the scorched earth of our circumstance, a vibrant meadow is preparing to burst forth. In a few short months, from this eradication, this intensive stripping of our invasive species, new color and life will bloom. And I will be most happy to utter, “Unbelievable,” in the face of my doubt and share with you the tale of our extraordinary rejuvenation.

read Kerri’s blogpost about THE MEADOW

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Unroll And Renew [on DR Thursday]

During the past weeks I have rectified a wrong that I did to myself. A few years ago, after several water disruptions in my basement studio, with the space in disarray and too full of stuff, I had a fit of “what-am-I-going-to-do-with-all-of-these-paintings. With no thought to the future, I rolled several of my canvases. There are many, many paintings so I made multiple heavy rolls. And then I stacked them. The stacking was my crime. The weight of the top rolls pressed those on the bottom. Left too long and the canvas warps; the paint cracks.

I feel as if I am emerging from a dream. The past. Dried flowers in springtime.

At breakfast on Monday, Liam asked if I had been painting. I blinked, not ashamed of my reply but mostly shocked at the truth of it. “I just finished a painting,” I said, “the first I’ve completed in three years.” Three years ago I rolled my paintings to keep them out of the water – to get them out of the way. Broken wrists, lost jobs, pandemic, an uncanny series of water issues…A pause. Or, I feared, a finish?

I carefully unrolled the paintings. Flattened the waves in the first canvas roll with books. I built successive layers of flat paintings, using the weight that caused the problem to my advantage. Opening the rolls was like taking a walk back through my life. Two of the rolls were paintings from the early 1990’s. A self portrait in orange on an Oregon beach. I recognized the paintings but had to reach to find the painter. Dried flowers. A dream. The past.

Kerri wrangled carpet tubes from a big box store. We cut them and carefully rerolled the paintings, now with a solid center so they cannot be smashed. We devised a strategy to stand the tubes, protected from any future water problem.

Emerging from the dream. Perfect timing. It is the season of renewal. Spring.

read Kerri’s blogpost about DRIED DAISIES

Have Fun [on Not So Flawed Wednesday]

I’ve been working on my painting, Train-Through-Trees. It’s been a while since I painted so I have one intention: have fun. I’m using big brushes and tools Master Miller sent so I don’t too soon lapse into nit-picky detail. It’s in the detail that I begin to take myself too seriously.

It’s harder than you might imagine to “play” after such a lengthy hiatus. Like all artists I puffed myself with fear-fog and wondered if the muse had left the building. This interruption was circumstantial and not a dry-spell. It’s lasted longer than any dry spell I’ve experienced and has left some doubt-residue. To play is akin to re-entering childhood. To not care about the outcome and follow the paint rather than try and control it. The tools from Master Miller mandate the equivalent of finger painting and help my “fun” intention.

Like all fog, fear-fog isolates. It’s a heavy blanket that descends and fools you into thinking that you are alone. It leads you the believe that the landscape is barren – that you are barren.

I am not alone. Master Miller is in NYC recharging his artistic batteries. He’s sent images, paintings of Lucian Freud and Nabokov’s synesthesia. Dwight sent a right-on-time-book. Rob shared his latest 10 minute play. Mark discusses with me what he’s writing and his movie ideas. Kerri wanders into her studio, sits at her piano, and plays; each time I am transported – out of the fog. Enlivened.

These people are like the sun to fear-fog. Their good hearts and dedicated artistry dissipate the wet blanket and warm me to the bone. They open the landscape and infuse me with energy. They remind me that there is really only one intention: have fun. And that is best done with others.

read Kerri’s blog about FOG

Throw A Pillow [on Two Artists Tuesday]

pillow collage - d paintings copy

The artists’ dilemma in 3 Acts (or, the story behind the pillow collage):

Act 1: Early in my life as a painter I copied master paintings for display in model homes. I’d alter the colors to match the couch. Something was dreadfully wrong with altering master work to match a couch. The world seemed upside down and I was young enough to think perhaps it was me that was upside down. I doubted what I knew. I doubted my inner compass.

Act 2: Later, when I first moved to Seattle, my gallery hunt brought little interest in my work but I was offered the same piece of advice at every stop: Tone it down. The images were “too strong” or “too colorful.”  The reasoning made my head spin: “No one wants to buy a painting that dominates a room! A painting should add to the over all impact but not be seen.”

“Kind of like a throw pillow,” I’d respond.

“Yes! Like an accent piece.”

This time, I knew that I was not upside down, just peddling my wares in the wrong market. Or the wrong century. I trusted my compass yet stood without direction in what felt like a vast wasteland.

Act 3: Waving the Design Within Reach catalogue in front of my face Kerri was on a full blown rant. The page waving before my eyes was a collage of throw pillows. “These are boring!” she  shouted, “Who designs this stuff?” I knew what was at the heart of her tirade. She’d spent the last several months designing her heart out. Her line of pillows – those based on my paintings and a fleet of others – is unique, different. “Why do people buy this stuff? It’s the same as everything else!” she fumed.

I responded with studied calm. “One. How many people see this catalogue versus how many people are seeing your designs? No one is seeing them.”  She scrunched the catalogue. “And, two, perhaps the designs are too bold and too different.”

“That’s what makes them interesting!” she protested. “Beautiful art doesn’t just have to be on the wall!”

“Ah.” I said, “That’s the problem! A flawed premise! Turning the art into a throw pillow still does not make it an accent piece. That’s a good sign!”

“I’m making my own ad! It’ll be a collage! It’ll be a piece of art!” she waved the destroyed catalogue in the air and stormed to the computer.

There is no wasteland here. Her inner compass, and mine, is just fine.

 

see all of Kerri’s designs from my paintings

 

read Kerri’s blog post about PILLOWS

 

www.kerrianddavid.com

 

pillows designs ©️ 2018 kerri sherwood & david robinson