Die To The Past

683. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today, Diane and I talked at length about dying to our pasts. She shared a potent meditation image – looking from her grave and in death no longer being invested in the limitations and attachments that previously confined her life. Her fears no longer mattered. She let go of her past and in so doing opened the way for growth and a new relationship with her future.

In story cycles, a character must leave behind all that they know in order to step into unknown territories. It is the movement away from the known, the comfortable, and the safe that is the metaphoric threshold to adventure and transformation. Leaving behind what you know is “story language” for dying to your past. Frodo will always return to the Shire but he will be a greatly changed. The Frodo that leaves on the adventure is not the same Frodo that returns. He knows too much about middle earth and himself to resume his former identity.

The caterpillar’s body does heroic battle resisting the cell replication that will eventually bring re-formation to a new way of being called butterfly. The caterpillar’s body reads the sweeping tide of change as cancer and fights back. This classic struggle within the caterpillar’s body of change meeting the conservative impulse ends when the resistance ends; the caterpillar can fight no more and surrenders the struggle. The imperative for change overwhelms the old identity; the caterpillar’s body releases the known and collapses into mush. Only then can the new form materialize and the new form is beyond the caterpillars capacity to imagine.

Diane’s meditation, Frodo’s journey, and the caterpillar’s process of transformation are the same metaphoric image. Each had to die to the past to step into the possible. The lesson over and over again, whether in story cycles, nature or human transformation, is that the new identity will always be greater than our wildest dreams. The only requirement is that we surrender the struggle, leave behind all that we know, experience the little death, and take a step.

Take One Step

671. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I watched the sun come up this morning. I was sitting in Alan’s sun room sipping coffee, marveling at the winter colors of the sky: salmon pinks, lavender, and ice blue. And then, beneath the tree line, in a specific spot, the branches began to shimmer. I expected Merlin to materialize. And then the shimmer warmed, became orange and round and instead of Merlin, the sun lifted above the horizon, streamed through the trees, and washed me with the warmth of a new day. Were I a plant my leaves would have opened and I would have taken a might drink of the light of the new day. As a human, I had coffee on the inside, sun on the outside – I was warmed through and through.

I do not know what this day brings. Alan and I will teach a class, that much I know. Then, I will dash to catch a plane and then if the timing is right I will catch a train. If not, there will be an entire day between the plane and the train. Planes and trains are sometimes on schedule and sometimes off schedule depending on Mother Nature and the nature of machines. Tonight I could be in one of 5 different cities. I recognized as the sun rose that I am in presence training. I am learning to trust. For the next several months there will be no daily pattern that repeats itself. I will be mostly on the move; my suitcase is my home. Sometimes I will be with loved ones, sometimes I will be in isolation, sometimes with new friends, sometimes in another country. I am throwing my work away, tossing the patterns of my life as I knew them and re-imagining things. I couldn’t be more alive and present to my moment. My inner gypsy stubbed out his cigarette and hissing smoke through his nose said, “It’s about time.”

It is about time. We count our days, our minutes, we measure our lives, check our lists, stay on our schedules. We count ourselves into desperation when we forget what we are counting. Each breath is life giving. Each breath is unique and never to happen again. I watched the sun rise again and it was no less a miracle today than it was yesterday. It was not the same. Another year just turned over (if you recognize the same calendar that I do) and I can look to the past and think, “This and this happened.” At least that is the story that I tell, none of it is true for anyone but me. I realized an amazing thing about personal edges and story this week. The scary edges are only visible if you are oriented to the past; anchored into and trying to maintain the known. Orient to the unknown, anchor into present and there are no edges, only experiences. I think that is what I mean by learning to trust – I am learning to orient according to what is with me right now as opposed to what has been, what should be, or what might have been. Those things are mental abstracts – as are scary edges….the edges certainly exist, the “scary” is a story I can tell. Here is presence school, I am taking one step at a time, something I have done since first learning to walk only now, as an experienced walker, I am paying attention to the steps as I take them.

See The Elegance

659. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Bryan and I talked tonight about the elegance of design. He told me that many years ago he became interested in the Golden Mean, which led him to research the Fibonacci sequence, which led to an interest in eclipses. He became fascinated by the simple elegance and paradox of astronomer’s capacity to precisely determine when an eclipse would happen and the impossibility (due to weather) of predicting if we would be able to see it. The Golden Mean and the Fibonacci sequence are simple equations that, when replicated, maintain the integrity of design throughout very complex structures and calculations. They are fractals. Much of classic architecture is based solely on the Golden Mean. Much of what you will learn in contemporary art school about composition is based on the Golden Mean.

Our physical bodies are complex structures based on a simple cell design. We are at the same time miracles of complexity and simplicity; more space than solid, more water than mineral, reducible to a small pile of dust and yet expansive beyond all imagining. We are elegant in our design, as nature only designs elegant forms from the same simple notion and very simple (yet complex) building blocks.

Our thoughts run according to the same principle. I once read a statistic that showed that we think mostly the same thoughts each day, day after day (don’t ask me how you measure such a thing….). We build our thought on a few replicable principles and then go holographic with them. A few simple assumptions will lock you in prison or set you free. Check out the pattern of the story you tell yourself each day. Are you locking yourself in or opening the cage? I realized years ago that the epicenter of my coaching work – or any other form my whacky work takes – was really about story change. I often say this to groups: change your story and you will change your world. They mostly respond, “It can’t be that easy!” or “Pie in the sky!” I didn’t say it would be easy – we are after all deeply invested in our stories; we are great fighters for our limitations. The wrong assumption is that it need be complex. We are elegant in our design, even down to our repetitive thoughts. Change the simplicity and you will some day be capable of manifesting an entirely new soaring cathedral of thought.

Change Your Story

653. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I just finished reading Thom Hartmann’s book, The Last Hours Of Ancient Sunlight. It’s now on the top of my, “If you want to understand the forces that are shaping our world and thought, you have to read this book” list. Turn off the television and get this book. It’s that relevant; it’s that important. I’ve been diddling around these past few years with my observations and beliefs about power-over and power-with cultures and his book has slapped me into immediacy.

On the front page of my website is the banner, “Change yourself, change the world.” I work with people to change their personal story and it follows that they will then inhabit and create a different world. In reading Thom Hartmann’s book, my words are coming back at me with a force that takes my breath away. It’s not just a good idea to change your story and change your world; it is a necessity. It’s the second time in as many weeks that I’ve been smacked with a call to urgency. Kevin Honeycutt said, “Our kids are dying in our schools. What are we waiting for?” His call to action was a few days before New Town. He meant it metaphorically and the literal horror happened yet again. It is not that we do not know what to do; it is that we do not believe that we have the power to do it. The wall between our political will and the corporate dollar, something our forefathers warned us to keep distinct and well maintained, has disappeared. Is anyone truly in doubt about what force drives our national debate?

I realized this morning that my previous two posts have been about bullying. In a power-over culture like ours there are predictable and horrible impacts on the community. These things, bullies, school shootings, gun violence, disenfranchisement, gang warfare, stupidly high teen suicide rates, etc., are expressions of a power-over culture not anomalies of that culture. Manifest Destiny is a story of violence visited upon others. The narrative of a chosen people is a story of violence perpetrated against others. Power-over cultures wreak havoc on others but ultimately the sword cuts both ways: it is a cancer that eats the communal body from the inside out. Haves must have have-nots. It will always create a resource gap and separation that collapses the center, luxuries are confused as values, money with morality, and resources are exhausted in the insane pursuit of perpetual growth (consumption). Historians will surely write of us that yet another power-over culture relegated itself to the trash heap. We are playing the story perfectly.

I used to teach that there was a radical difference between self-help and self-knowledge: the difference, of course, is where you seek your answers. In a self-help world we look for our answers in other people; we want to be saved (savior stories are big in dominator cultures). In the pursuit of self-knowledge the answer is sought and found within your self. You don’t need saving because you are not broken or separate from the nature that surrounds you. In a power-with culture, your nature is not corrupt so there is nothing to tame or suppress or deny or control. These stories are fundamentally different; they are fundamentally different orientations into life. Cultures of power-over breed stories of self-help as a power-over culture is comprised of people who seek power from others. A power-with culture necessitates seekers of self-knowledge and is comprised of people who know that power is something that is created with others; all are powerful or no one is.

Our challenge is not about guns or violent video games or Hollywood movies; these are expressions of the story we tell and nothing will change, no matter the laws we pass or fingers we point until we decide to tell a different story. It begins with you and me. No one is going to save us. Change your story, change our world.

Truly Powerful People (452)

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Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

In mid-form today, Saul-the-Chi-Lantern swirled from the practice and into a tale. We were midway through class and midway through the form and apparently being on the midway inspired a story in him that reminded me of old masters and why our ideas of learning are so far off the rails.

His tale was of a certain school of thought in Tai Chi in which a newcomer will practice the form for 2 years before being allowed to do exercises with another person (he called them circle exercises). After practicing circle exercises for 13 years a student might advance to the status of beginner and be allowed to actually touch another person in the practice; to work with the energy of another. 15 years of continual practice to consider yourself a beginner. That’s akin to a college senior saying, “Now, I am ready to begin.” Imagine a diploma, not as a completion, a marker for arrival, but as an acknowledgment of readiness to begin.

When I was young the only thing I wanted to do was paint. I used to dream about being shipped off the to the master, to learn by apprenticeship. I’d sleep under the bench, I’d spend the first few years learning to clean the brushes and mix the paint and watch. I might, at age 9 be allowed to hold a brush, to do exercises on used canvas. I might at 12 be allowed to gesso the canvas, to prepare the ground and glue and perhaps paint the under-layer. I’d be drawing all along and learning color and technique and perhaps at 15 I’d be allowed to paint the sky or the clouds in the master’s paintings. And, if I started at 7 years old I might, by the time I was 25, be accepted into the guild. I might be ready to begin. And if I continued to grow, to paint everyday, when I was 50 I could take students of my own. This was my little kid ideal. Learning by doing has always made more sense to me than incarceration in a desk and abstractions. I’ve always understood mastery was so much more interesting and rewarding than arrival.

At the end of his tale Saul-the-Chi-Lantern stepped back into the form as if he’d never left it. He is a master. He was a beginner 40 years ago after 15 years of practice. He is poetry and power and humor and lighthearted. At 70 he could throw me across a room using my own aggression. He assumes nothing. He reminds me each week what a human being can be when they give up the idea that the wealth is in the acquisition; Saul knows the wealth is in having a story to tell.

Truly Powerful People (444)

444.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Megan-the-brilliant, she that is far too wise for one so young (but does not yet know it – so kindly don’t tell her) takes me to task on the details of my posts. She asks for clarification, challenges me on the fine points of my rambling, and knits her brow with such ferocity of thought that it would knock the “P” off of most PhD’s. I count myself fortunate to have eschewed higher education, stopping with an M.A.; her thought ferocity has obliterated the “A” so I am left with a vapid “mmmmmmmm,” in response to many of her questions. “What does that mean?” she exclaims. I bite my lip – a stall tactic to give my synapsis a fair chance to fire. I wish my brain was better organized; clutter slows me down.

Recently I wrote something about discomfort being necessary for movement. Discomfort is a story starter. I can’t think of a single story worth telling that is about comfort. Comedy is not comedy without some serious discomfort. Tragedy is uncomfortable by definition. The Buddha tells us that the key to a good life is to participate joyfully in the sorrows of the world; sorrow is the premise of the story. Stories of illumination, adventure, mystery, love, historical, pastoral, historical-pastoral, hysterical-historical-pastoral are not known for comfort.

Megan-the-brilliant cautioned me that I was too general in my assertion. She knit her brow (there goes my “A”) and asked me to distinguish between movement to get out of the discomfort vs. using the discomfort to move the story forward. They are two entirely different intentions. Mmmmmmmmmmm. Actually, a synapse fired. It was close at hand. In fact, it was so close it is the name of this blog: The Direction of Intention. Moving to get out of the discomfort is to push against what you don’t want – a negative direction of intention. Movement fueled by discomfort that propels you toward what you want – is a positive direction of intention. She’s right!

It seems we have a choice in what we do with our discomfort and perhaps that is the point of every life story. Joyful participation, denial and frustration, pushing against the cage, giving up or finding a way to pick the lock are choices. They are directions of intention. We can choose to hate what we don’t understand and plant our heads in the sand or walk toward what we don’t know – and learn.

Even with the loss of my “A” I can see that Megan-the-brilliant is aptly named. Don’t tell her. Mmmmmmmmmmmmum’s the word.