Gaze Inside [David’s blog on Two Artists Tuesday]

I suppose most people would first notice the beautiful glaze and transfer pattern on the outside of the cups. We were caught by the beautiful color, the glaze on the inside at the very bottom. Gorgeous. Simple.

The cups were a wedding present from Kerri’s good friend and long-time collaborator, Heidi. Together, they toured the country. Heidi telling the story of her breast cancer journey. Kerri performing her compositions written for the cause of cancer research and celebration of life. I was not in the picture when they were doing their good work but I can hear in their stories the potency, the absolute epicenter of the power of art, their art: inspiring, encouraging, healing, up-lifting spirits.

It is the same spirit that Rachel Stevens, the potter of the cups, imbued in her work. It’s why we were immediately captivated. The free flow of her artistry lifted our spirits. A perfect talisman for our union, a reminder of my favorite day of life – our wedding.

We brought out the cups for our wine. I love the delicate weight and textures, the feel when I hold them in my hand. Before pouring, I gazed again at the inside color and had a minor revelation, the kind that will simmer over the next few months:

I’m sitting in a quiet space with my artistry. The imperative to create remains as strong as it has ever been, but it is the time to journey into the root. Early in my life I created for myself, for the pure pleasure of the presence it provided. The gift of solitude. Another kind of union. Later, the root required a reaching out, a branching relationship with others, to light the dark path, ask the unanswered question, explore the uncharted territory. Yet another kind of union. The cycle is coming back around; I am returning to the pure pleasure of creating. The root. Now, there can be – there is – no other reason.

Simple. Gorgeous.

read Kerri’s blogpost about THE CUPS

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buymeacoffee is a beautiful glaze at the bottom of a delicate pottery cup that, when you hold it, makes you feel good to be alive.

Seek Solitude

from my Yoga series of paintings

from my Yoga series of paintings

It is easier to sail many thousands of miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private sea, the Atlantic and Pacific Ocean of one’s being alone. ~Henry David Thoreau, Walden

I remember watching a documentary of the painter Lucien Freud. He said he couldn’t understand why anyone would choose to be a painter because the choice meant living a solitary life. His comment struck me as odd because, for me, solitude was necessary for the muse to come through. I often yearned for solitude. I always looked forward to my time with the muse.

More than twenty years ago, for a period of time, I was painting exclusively. I had an abundance of solitude. Each evening my dear friend Albert would show up at my door, force me out of the studio and take me to a coffeehouse. He told me that he feared my isolation, that without human contact and conversation, I might twist. His fear, although probably valid, also struck me as odd.

A solitary life can be quiet, prayerful; it can be full. A solitary life can also be lonely and empty. The difference, of course, is in the presence of a relationship. Most painters that I know, most artists, feel as if they are a “channel to something bigger.” Something comes through and it is in the solitary moments that the channel opens. It is in the solitary moments that the relationship becomes available. The relationship with the muse can be full, rich, and three-dimensional. I imagine monks, nuns and ascetics of all spiritual traditions know this relationship, too. Solitary need not be lonely just as, paradoxically, the loneliest place on earth can be in the middle of city teeming with people.

The exploration of the private sea, the Atlantic and Pacific Ocean of one’s being is the province of the artist. The relationship with “something bigger,” with the muse, is the seed from which all art forms grow. The seed is visible in the adornments found in pyramids, in the harp of Orpheus, and in the paintings of Marc Chagall. It is present when children with gusto run their fingers through paint or dance all alone in the grass just because it feels good.