Send The Cash [on Not-So-Flawed Wednesday]

Evidently, we’ve made it to the swanky-wine-promotion-(scam)-list. This came as a text. No words. At first, we treated it as a mystery. A quick Google of the bottle reveals this wine is more expensive than both of our cars combined. “Ooooh, Maybe this is a heads-up! Maybe They’re sending us a bottle!” I suggested.

“Maybe we should call them and tell them to keep the bottle and just send the cash,” Kerri replied.

Victor is Betsy Ade’s manager. He recently posted an attempted scam. Someone wanted to hire Betsy to do a show. They needed to pay with a check and also needed to make it out for a larger amount (insert ridiculous scenario) and requested that Victor return the difference. In the scam world, it’s an old saw. You may or may not be amazed at how many people have reached out to buy paintings but, since they were sailing in the North Atlantic on a scientific expedition, needed to send a too-large-amount-check. After deposit, would it be possible to return the difference?

I’ve thought of papering my bathroom with the schemes, a hall-of-fame for imagination gone bad. To do it, I’d have to print the emails and photos, including the bottle of wine – but I want my paper to be used for worthier causes so I’ve rejected the idea. Plus, the ink would fade over time. I’m having enough trouble with my eyes as it is and don’t want my future self to have to squint to have a chuckle.

“Don’t they know that we’re incapable of enjoying a bottle of wine that costs that much?”

“Yes. We’re goats,” I agreed. “We’d never be able to discern the difference between our wine and this bottle. But, maybe that guy in the North Atlantic would be interested!”

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read Kerri’s blogpost about WINE

See The Present

photo-4From the stacks we pulled out every painting and considered it. A buyer, those rare and colorful birds that occasionally fly in unannounced, interested in my work generally, wanted a piece. He wanted a selection to choose from. The studio became a hodgepodge gallery organized around possibilities for purchase. I have digital images of every piece but our enthusiasm propelled us into the studio. It had been a long time since I’d spent time looking at the full body of my work.

“This one goes upstairs!” Kerri announced.

“Why?”

“It belongs in the Held-In-Grace series,” she replied.

The Held-In-Grace paintings are my newest series, each completed within the last 5 months. The painting she held was six years old. I told her it was old (obviously) and couldn’t possibly belong in a new series.”It belongs and it’s going upstairs,” she said, giving me ‘that look,’ saying only, “I think it is called PRAY NOW.” I know when I am bested. The old painting with a new name went upstairs to join the current series.

In its former life the painting was named JOHN’S SECRET. John framed all of my paintings during the Seattle years. He was one of those rare people that had no secrets. John was industrious, generous, practical, direct, and artistic. He was a collision of contradictions. He saved my artistic bacon more than once, showing up at just the right moment with just the right tool or just the right sentiment. He was as close to pure as a human can be. No pretense. No mask. No power game or hidden agenda. Just John. He was a rare ally, a consistent angel. I lost touch with him when I moved to the shores of Lake Michigan.

I named the painting JOHN’S SECRET to tease him. To tease me. “Someone’s whispering in your ear!” I quipped. “I’ll never tell,” he replied as he helped me fit the painting into the frame.

It is oddly appropriate that, at this time of my life, JOHN’S SECRET would be renamed PRAY NOW and join the HELD IN GRACE series. It has been too long since I spent time looking at my full body of work. I saw old pieces with new eyes. Some of the paintings deserve to step back into the light, to go upstairs and be seen. I found them surprisingly beautiful, something I would not have been able to admit a few short years ago.

a detail

The buyer, it turns out, was a scam. He was not interested in my work at all. It took two days of negotiations for me to catch on; I am sometimes slow in the uptake. Buyers, those rare birds, it turns out, are truly rare. For a few moments I wanted to cry (only for the amount of time it took me to drink a scotch – “Pa told me to pour you this,” Kerri said when she saw the crush of scam-realization hit my heart and show up in my face). I took my scotch and my wound into the studio to restock the paintings and realized that the scammer had done me an enormous favor. He helped me look at the long-body of my work. He helped me see with new eyes the beauty of my previous life’s work, something that I had not before been able to see. And, he helped me recognize the great good fortune that surrounds me in my present life. He helped JOHN’S SECRET find a path back into the light of day, a new life, renamed – or perhaps, at long last, finding its true identity.

a detail from my painting, John's Secret

 

 

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