Shadow Singular [David’s blog on KS Friday]

She began taking pictures of our feet when, early in our lives together, we traveled to The Netherlands, Belgium and France. The point was not to capture our feet, rather it was to record the variety of surfaces we walked upon. Cobblestones and ancient wood. Mosaic tile. The unusual and the seeming ordinary, though, when traveling, no surface is ordinary. For awhile we entertained assembling a collage of the many many surfaces were we found our feet standing. A quirky memory wall.

Adding to her series of traveling feet she began capturing our shadows. It’s now common for her to say, “Wait!” I know exactly what to do. No questions required. My job is to hold still until she snaps the latest edition to her shadow collection. I love them. To me, they are our version of the Balinese shadow puppets. Wayan Kulit. At best we are aware of the shadows we cast, the projections of our minds. Our lives a moving grand illusion.

Like the feet series, the shadow collection serves as markers of our life together. Trails we’ve hiked. Bridges we’ve crossed. Friends who entertain without question our odd request for a shadow portrait.

I just read a story about a man who tried to outrun his shadow. He was, as you might imagine, unsuccessful. It was a particularly poignant story for me since I spent many of my younger years trying to escape my shadow. I was, like the man in the story, unsuccessful. Though, unlike the man in the story, I stopped running. Some small grace whispered in my ear to stand still, to turn and look at it. To really look. To walk with it.

Isn’t it poetic that after all that time running, I now hold hands with a woman who regularly stops me on the trail, not only to look but to capture our shadow – singular – as it stretches out before us, leaning in, two people blending together as one?

Good Moments on the album This Part of the Journey © 1998/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SHADOWS

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Add A Stone [on Not So Flawed Wednesday]

southport cairn copy

I am fond of a labyrinth tucked into the woods at The Whidbey Institute. I’ve spent many a sunrise and sunset walking the meditation path to its center and back again. After each trip into the labyrinth, I’d add a small stone to the cairn that stood adjacent to the entry point. A ritual to mark my passage. A location stone.

I hadn’t thought of the labyrinth for years.

Last week, on a stormy day, we took a long walk through our neighborhood and emerged on to the beach at Southport.  We were stopped in our tracks by what we found there. A field of cairns. Someone – or many someones – had created dozens of stacked stones. Each unique. Some playful. Some sorrowful giants. Markers of the way home? Funeral stones? Sculpture merely? The intention didn’t really matter. They brought us peace.

We approached silently just as I used to approach the labyrinth at Whidbey. We entered the field with a reverence that surprised me. We wandered through them, spent time with them. Some were massive, towering over us. Some very small, a few stones stacked at our feet.

Pebble and red brick trails ran like crazy lines connecting the cairns, a mixed up maze that begged us to follow, to make sense of the impossible. This labyrinth had no center. This meditation maze led nowhere specific, looping back, a dead end here, a path to the water, and over there, a line that stopped at a heart made of rock, a spiral. A wish. A message. An inspiration.

I could imagine no better monument to this pandemic. A shattered labyrinth. Burial monuments. A field of markers standing ready for the day when we might find our way out. A quiet reverent place where we are called to add a stone, a simple gesture to remember our passage through.

 

read Kerri’s blog post about CAIRNS

 

 

cairns website box copy

 

 

Let Me Bring Peace [on DR Thursday]

croppedandsharpenedINSTROFPEACE copy

I identify the chapters of my life through specific paintings. There was the era of August Ride. There was the era of Shaman. Iconic marks a remarkable and productive period. This morsel is from An Instrument of Peace. It is the painting that marks the most recent phase, a creative left turn when alphabets and images ran together. It marks a time of paradox, tighter constraints and spontaneous freedoms, a time when I wandered lost in the only place I’ve ever known as home.

Midway through the painting process, working fast and loose, I picked up my charcoal and scribbled in one long string of letters The Prayer of St. Francis. I randomly repeated some words and phrases, ran them off the canvas.  I sealed them in acrylic, smudging some of the characters.

Just like all the others, I knew An Instrument of Peace was a life-marker when I painted it. I knew it was the end of a cycle, a little death. Now, as I work and wait patiently for the new cycle, sometimes I go into my studio and tack this very large painting on the wall and sit with it. In this era of division and discord in our country, I think there might not be a better aspiration, a more relevant sentiment than this painting and poem suggest: where there is hatred, let me bring love.

 

read Kerri’s blog post about PEACE

 

www.kerrianddavid.com

 

peace/an instrument of peace ©️ 2018/2015 david robinson & kerri sherwood

August Ride

 August Ride

 

ELDERS

Shaman