The Pizza Thing [David’s blog on DR Thursday]

My latest painting I did for Kerri. It is a painting of invocation. I did not paint it from knowledge or plan. I felt my way through it.

On the day I thought I’d completed the painting I asked her if she wanted me to make any changes. After staring at the image for a few minutes she said, “I love it,” and then asked, “But what’s up with the pizza thing?”

In the many art openings I’ve had in my life I’ve learned that what I paint is rarely the whole of what a viewer sees. I used to be surprised by what others saw in my paintings but now I expect it.

“Pizza thing?” I asked.

“You know, the thing they use to put pizzas in the oven. A paddle.”

“Where is it?”

She pointed to a series of connected shapes on the canvas.

Once someone sees something in an abstract image – like a dragon in a cloud – they can never again not see it. I knew the painting was not-yet-done. She would always see a pizza paddle in the painting if I didn’t alter the shapes. “Do you want me to change it?” I asked. She nodded, afraid I was offended.

It is the great challenge of perception: people rarely look in the same direction and see the same thing. We do not share experiences until we…share them, talk about them, compare notes, come to a common perceptual ground.

A younger me would have defended the painting as I saw it. This older version of me feels no need to defend what I see since I don’t expect others to see what I see. I want to learn what they see. I want to step into a common ground, a space of collaboration. That doesn’t mean that I necessarily must change the painting. It does, however, afford me the opportunity to make it better if I so choose, if my question, “What do you see?” actually opens my perspective.

It’s why I feel the need to shout into the winds of our current political and national circus. It is unimportant whether or not we see eye to eye. It is most important that we share notes, ask questions, discuss discrepancies…discern what is fact from what is fiction. We have to want to step into common ground.

When we walk she often stops and aims her camera at the ground. “What do you see?” I ask.

She snaps the photo and shows me the screen. “A heart,” she smiles. “Do you see it?”

“Now, I do.” I say. I would have stepped over the stone and never seen the heart. And aren’t I fortunate to walk through life with someone who is surrounded by hearts and takes the time to show me what I do not see?

In Dreams She Rides Wild Horses (finished, without the pizza thing)

read Kerri’s blogpost about HEARTS

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Meet The Expectation [David’s blog on Two Artists Tuesday]

In our house they are called “happy lights” because they make us happy. And, because they make us happy, happy lights can be found in almost every room of our house. They wind around the headboard of our bed, they outline the window in the sitting room, they wind around the aspen log in our dining room. They wind around the big branches in our living room.

On particularly dark days, after opening the shades, the first action of the day is to plug in the happy lights. All of them. It’s a task that requires moving room-to-room, intentionally inviting happiness into the space. It’s not a bad way to start the day. It’s not a bad practice to stumble around the house, half awake, and expect happiness to turn on with the lighting of the happy lights. And, not surprisingly, happiness meets the expectation.

At the end of the day the last act of closing-up and tucking-in the house is to unplug the happy lights. It’s become a ritual of gratitude, a thankfulness for the happiness brought by the lights. Our headboard happy light, always the first light of the day, is the last light we turn off before sleeping, the last whisper of appreciation for the day.

In these past few months I have grown more conscious and grateful of our happy light ritual. The intentional invitation and invocation of happiness, the deliberate practice of gratitude, seems more and more necessary amidst the national dedication to maga-animus. If there is nothing to be done about the indecent darkness descending on the country, we can, at the very least, invite light into our home, and perhaps share some small measure of the happiness and kindness that our happy lights inspire.

read Kerri’s blogpost about HAPPY LIGHTS

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Goblins After All [David’s blog on Not So Flawed Wednesday]

“To me, every hour of the day and night is an unspeakably perfect miracle.” ~Walt Whitman

It’s called Goblin Valley and for good reason. It’s a vast landscape of rock sprites of all shapes and sizes. They beckon. They are impossible to deny. We tried not to run down the hill but could not wait to frolic among them.

We tried but failed to maintain our adulthood in their midst. That is their magic. That is the power of their spell: unfettered playfulness. We giggled and rollicked as we explored their world. The goblins conjure an irresistible charm that prohibits all serious matters. Their enchantment provides an immediate return to childhood, a refreshing return to wild imagination. Time dissipates. Lists dissolve. Future fear and past regrets melt away; they are no match for the goblin’s mojo.

We were with them for a moment or an hour, I do not know. These mischievous beings restored our spirits, enlivened our fancy, and then released their hold on us. Having planted the seed of our return, they knew with certainty that we would someday be back. We will not be able to help ourselves from answering their summons. Their call to our better nature, their invocation of our artistic child-heart-enthusiasm, cannot be denied.

We are, like them, goblins after all.

read Kerri’s blogpost about GOBLINS

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Live Inside The Altar [on Merely A Thought Monday]

Dear reader, you have done me a great service. You’ve connected my past to my present.

I’m not sure why but, initially, I numbered rather than named my blogposts. My 623rd blog post was about a practice I’d all but forgotten. Building an altar of gratitude.

Someone out there read #623 so it popped up in my analytic. “This is old!” I thought, staring at the screen. A numbered post! Another era. “I wonder what I was writing about?”

2012. Thanksgiving. Among the darkest days of my life and yet, on that day, I was deeply, profoundly grateful. Life had chased me to a cliff. There was nothing to do but leap. I remember like it was yesterday wandering the streets of Seattle placing notes of gratitude in the cracks of walls, at bus stops, at coffee shops. I felt as if I was invoking. I wanted a better world. If I wanted it, I needed to offer betterment to the world. It was a prayer. A weaving. It was the last time I built my “altar of gratitude.”

A year later I lived in an entirely different world. Everything went to ashes.

2022. Kerri and I are walking our trail. We’re giggling because we just planted a painted rock in the elbow of a tree. “Do you think someone will find it?” her inner 5 year old asks, too wiggly with excitement to stand still. I expect her to skip in circles of enthusiasm.

“Yes,” I laugh. “Someone, someday, will find it.”

As I reread #623 I realized that, in rising from the ashes, I was no longer building my altar on a single day in a single season. I was no longer invoking gratitude. I was no longer hoping for a world that might someday come into being.

I am creating it. Not on a single day or special occasion. I’m practicing gratitude every day. I’m living gratitude every day. Painting rocks, making dinner, watching sunsets, buying groceries, writing blogposts.

Because you sent #623 back to me, a marker in time, I’ve realized I’m living inside my altar. All the world….

read Kerri’s blogpost about EXPLORE

Follow The Map [on KS Friday]

wait a while songbox copy

These days I am more interested in the rough draft than the finished piece. Recently, 20 gave me a great gift as we sorted through Duke’s old sketches and throw-away paintings. Duke was brilliant and his explorations were free and full of art-frolic.

When Kerri brings out the box of rough cuts I secretly clap my flippers. It means I am going to hear the story behind the composition. We listen and she tells me of the day she recorded the piece or about the problems she and her producer faced. The unforeseen, the discovery-in-the-moment.

My favorite days in this life happen when I am down in the studio and, upstairs, Kerri begins to noodle on the piano, when she allows herself to fall into composing. Our house fills with an enchantment, an invocation of all that is essential. A creative pilgrimage that has no leader and no follower, only the pull of the impulse.

WAIT A WHILE, a rough cut, will give you some sense of what it feels like to be in my studio when Kerri begins the pilgrimage. Like Duke’s free flowing sketches, this rough cut is a map to the sacred place.

Listen to WAIT A WHILE, the rough cut piano track here:

https://www.kerrianddavid.com/ks-friday

 

Kerri on ITunes

 

picnic table website box copy

 

wait a while: rough cut ©️ 1995 – 2019 kerri sherwood

Invite Magic [on DR Thursday]

NapMorsel

We are going on an adventure. Our adventure comes with a house on the lake. It is work and although some people might not consider work an adventure, we are not those people. The challenge is great. The work seems oddly destined. It “fits.”

Among the first things we moved into our adventure-home was this painting, Nap On The Beach. One of the quirks of being an artist is investing in the belief (or, perhaps, the cultivated-and-embraced-delusion) that the art you make sometimes carries “power.” This painting is autobiographical. It carries a good memory. It evokes a way-of-being. An intention for living. Once, early in our lives together, we fell into a magic sleep on a beach. We were so comfortable, so at ease entering our new life together.

Magic.

We wanted to invite magic and this way-of-being-together into our adventure-home and our next phase of work. And, so, we hung this painting. There are other paintings poised to join Nap On The Beach. They invite a different spirit. Unfettered, free. But, for now, there is this: comfort. Ease. Peace. Giving over to something much, much bigger. An invocation. An adventure.

 

 

preadventure painting sale box copy

 

read Kerri’s blog post about NAP ON THE BEACH

 

feet on the street WI website box copy

 

nap on the beach ©️ 2017 david robinson

Catch A Glimpse

741. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Deep in the alcove of the side entry to an old building lurked a man wearing a faux bear hat and a too big worn out raincoat. He was doing a slow dance, in invocation and I stopped to watch him. Our eyes met for a moment, just long enough for me to know that he did not mind my witness. His slow pushing and pulling of the air seemed out of joint with the pace of commuters racing to get somewhere. This man seemed to come from another era. He was not of the city; his dance was a nature dance. After a while I left him dancing in his alcove.

I passed a family hunkered down in a doorway. They were tourists. They were dressed for Florida and seemed surprised that it was cold in Seattle. They were confused by the rain; their map of the city was dissolving into mush. “What do you want to do now?” the father asked his kids, trying to buoy their wet spirits. There was no reply. They wanted to be warm. “How about finding that glass blowing place?” he asked.

As I crossed Pioneer Square I saw, laying near the memorial to firefighters, an empty jacket, pants, socks and shoes. It was as if someone had lain on the ground and disappeared, leaving their clothes behind. I wondered if this was the work of faux bear hat man. No one else seemed to notice so I walked on.

A man stepped in front of me and asked if I was up to doing a good deed today. Then, he asked me for a quarter. I imagined he must be a genius marketing executive gone destitute. As it turned out I was up for a good deed this day and thought his ask was too low so I gave him all of the change in my pocket. I had a lot of change in my pocket. He looked at me like I was a slot machine when I handed him a fist full of coins. He smiled when I said, “Great pitch!”

Worlds collide. I once saw Stephen Hawking talk about multiple universes, like bubbles that sometimes brush against each other. In those moments of bubbles touching, we catch a glimpse into the reality of the other universe. Today it seems that we are, each of us, a bubble universe. How else can I explain these strange and wondrous glimpses?