Clean White Slate [David’s blog on Two Artists Tuesday]

The snow fell and the world grew quiet. It seemed that the universe was affording us a much needed pause, an opportunity to be still and reflect. The snow appeared to be our ally, a guardian made of ice crystals wearing a blanket of muted white.

And so, we rested. We agreed that no decisions needed to be made, no projects required completion, no questions needed to be answered, no horizons needed to be explored or ideas pursued. No experience needed defending. No choices required justification. We welcomed our exhaustion and sank into it like a soothing warm bath. Prior to rejuvenation, we recognized the utter imperative of emptying space, the necessity of draining the glass completely so it might someday be fully refilled.

Later I marveled how rare it is in my experience to rest. To truly rest. To just rest. To give myself permission to be. To hold no thoughts, to hold no grudges, to hold no importance, to hold no intention. To open hands and heart and let go. It is not in either of our natures to do nothing.

On a sunny day we would not have been capable of absolute rest. Had it been a sunny warm spring day, our empty tank, our need for rejuvenation, would likely have taken a different route. We would have walked. We would have recounted and debriefed. We would have puzzled. We would have made pictures. We would have turned our faces toward the warm sun piercing the cool breeze.

Instead, the snow-ally brought us a surprise gift. A rare and welcome opportunity. A noiseless mind. A quiet heart. A clean white slate made of a deep appreciation for the essential things.

read Kerri’s blogpost about SNOW

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Giggle Across The Threshold [on Not So Flawed Wednesday]

This one acted like a threshold guardian. Usually, when we come upon snakes on the trail, they want nothing to do with us and quickly slither away. This one, stretched across the trail, soaking up the sun, sensed our presence, and rather than escape, coiled into a defensive posture. “You shall not pass!” I almost expected it to hiss a riddle in our general direction. Ready to eat us if we failed to answer correctly.

It was a garter snake. Much smaller than this picture portrays. Not poisonous. All bark and no bite. Like a little chihuahua that imagines itself alpha to a german shepherd, this snake had much more attitude than body. It was serious.

I imagine there are few things more humiliating for a threshold guardian than for a sock-and-sandaled tourist to completely miss its ominous threat and enthusiastically take a picture of it. ‘Lookit!” Kerri smiled, knelt and began snapping photos. The snake flexed its machismo and Kerri giggled, “Why do you think he’s doing that?” The snake doubled-down. Kerri’s delight escalated.

It was like watching a Monty Python movie. Threshold humiliation. I imagined The Sphinx encountering a couple of Wisconsin tourists clad in khaki cargo shorts who guffaw at her scary posture, her incomprehensible riddle. They put their arms around her, ask her to pose for a nice selfie. “Smile!” they chime, two thumbs up to the camera. They invite her to a hot-dish dinner.

The Sphinx lets them pass and hopes no one was watching.

And so it was with the snake and Kerri. The more threatening it became, the more laughter it invoked in her. The more photos she took.

We moved on. Thrilled, she showed me her snake series. I couldn’t bear to look back and watch the mortified snake slither into the grass, deflated.

[I stop here. It is too tempting to suggest this an effective strategy for dealing with all the puffed up political snakes and slithering pundits on our trail. So I won’t do it. I won’t suggest it. I’ll keep it to myself. Really.]

read Kerri’s blogpost about THE SNAKE

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Greet The Sentinel [on Two Artists Tuesday]

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On the backside of Bristol Wood, on the winding green trail, there stands a new sentinel. Dedicated to her role, she watches over the path, guarding the safety of all walkers.

Similar to the Queen’s Guard at Buckingham Palace, try as you might, you can mock, make faces, do silly dances,… this guardian will not flinch. This guardian will not break from her duty [note: I’m only supposing. Kerri and I DID NOT do silly dances on the green trail at Bristol Wood! Ridiculous! Who would do such a thing?].

I am comforted by her presence. I find solace in the dichotomy between her serious role and her whimsical uniform. In a time of too much seriousness, I feel encouraged in her dedication to bringing smiles to strollers as part of her mission as sentry of safe passage.

Each time we pass her, I think, this watchwoman has much to teach us in the time of pandemic, in the time of fear and isolation. We can, each and everyone of us, keep the trail safe, take our role of guardian-of-the-other very seriously while, at the same time, inspire smiles and silly dances [note: okay, truth? Kerri MIGHT have done an abbreviated silly dance before the Guardian but I held my integrity intact and showed the utmost respect for the difficult job of the Guardian. Really.].

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Read Kerri’s blog post about THE BRISTOL GUARDIAN

 

 

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Listen For The Splash [on DR Thursday]

I’ve shown this painting more than a few times and it always generates interest. More people have considered buying this painting than any other in my catalogue. Yet, it remains the bridesmaid. Angels At The Well.

What a crazy title! I can’t remember why I painted it or why I thought angels at a well was such a compelling subject. In fact, I chose it for this week’s Studio Melange because I pulled it out of the stacks and thought, “Really, what a bizarre subject! What was I thinking?”

In mythology, wells are sources of rejuvenation, places of fate, the future can be read in the waters, omens uttered, they are holy, cursed, or a place where wishes are cast. Spirits get caught in them. Stories begin or end at the well. They reach into the earth, the element of  water disappearing deep into the element of earth.

Angels are messengers (remember that the next time the postal person delivers the mail). They are liaisons between gods and people, between the vertical and the horizontal realms. They meet you at the crossroads. They stand watch. They announce. They fall.

Perhaps symbol collision is why Angels At The Well piques so much curiosity but is consistently left behind? What kind of well? What kind of angel? And, maybe that is why I found it compelling enough to paint. Or, it occurs to me that it might be this: drop a pebble into the well. Listen how long it falls. With the splash will come new knowledge, an answer to a wish, a question, or there may be no splash at all. Then what?

 

read Kerri’s blog post about ANGELS AT THE WELL

 

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Happy Thanksgiving (for all of you USA-based angels)

 

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angels at the well ©️ 2004 david robinson