Drop The Veneer [on KS Friday]

It was common during coaching calls, for clients, especially at the beginning, to self-diagnose. Essentially saying, “This is what is wrong with me.” It was an odd start to a process that is about fulfillment of intention or creation of desire. A coaching relationship isn’t therapy and a good coach – one that knows what they are doing – is careful not to let the relationship become about fixing-what-is-wrong. Moving through a creative block or clarifying a fuzzy vision in not an indication of a character flaw. The post-it note on my desk read, “Nothing is broken. Nothing needs to be fixed.”

The self-diagnosis was a veneer. A protective layer, like armor. People have innumerable strategies for hiding their fire, for blunting their passions. Succeeding or creating often implies exposure. Being seen. Stepping into the light can be scary business.

Rather than deal with the diagnosis, a useful and often surprising question to ask is, “What’s beneath that?” What’s beneath the protective layer?

It was also common, after taking the time to take off the armor, after dropping the I’m-broken-veneer, to hear a voice whisper, “You know what I really want? I want to be a writer.” Or a painter. Or a dancer. Stepping into the light is scary business and hearing your voice say what you really want, even in a whisper – especially in a whisper – is powerful stuff!

I loved those moments. Their world spins. The eddy of “fixing” slips into the current and there’s no turning back. Their path forward may be gnarly and steep but that tiny whisper clarifies the picture, releases the desire.

Careful not to be too effusive, I’d say, “Good. Now, what’s the next step?”

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost on VENEER

holding on/letting go on the album right now © 2010 kerri sherwood

Dream [on Not So Flawed Wednesday]

When does a dream turn into a goal?

Lately, I’m having conversations that confuse me. Business thinking, engineer minds, make models for creation. Creativity plans as action templates and guides.

Screen writers make plans, too. Step outlines. The difference is in the process. A creative mind makes models and plans with full intent to throw them away. To discover the best story, their plan involves making space for the better idea. Open up by tossing the model. Clear the deck by shuffling the plan. Sketches and rough drafts. It’s a conversation with the muse. Muses are notoriously structure resistant until the story makes an audience sit forward. Movement first. Then, the structure begins.

The engineer mind works in the opposite direction. The dream must wear the mask of a goal or it is considered invalid. Too squishy. Construction begins immediately with targets and tasks. Order. It is, in fact, the same process as the creative mind, only it is less forgiving of space. It forces the muse to move. Time is of the essence. Structure first. Then movement. Efficiency is a tree with shallow roots.

It confuses me. Dreams do not wear ties or leather shoes, yet, scrape the blueprint and you’ll find a dream every time. Perspective requires stepping away from the canvas. Standing too close for too long and loss of vision is the result. Every time. It’s not a mystery or voodoo. It’s physics. Great ideas and idea-break-throughs happen in the shower or walking on the trail. A clear mind. A different focus creates space. Too tight thinking, too close in for too long, sucks energy.

Once upon a time I worked with organizations and educators. They also confused me. Squeezing the air out of their space they’d gasp, “We can’t breathe.” A little bit of space, some play, a refocus on the relationships was good medicine. Fresh air. Step back and see the painting. The point of perspective is to see. The secret: permission to remove the status games and need to be an authority and, for a moment, reconnect the players to their dream.

At the nucleus of every goal beats the wild heart of a dream.

read Kerri’s blog post about DREAM