How We Fit [David’s blog on Not So Flawed Wednesday]

Yesterday it rained all day. We tossed out our plan-for-the-day and decided to hunker down at home. After cleaning everything that was possible to clean in the house, we turned our attention to the Enneagram. Kerri already knew her number. During his visit, she and Dwight compared notes and learnings. He not only knows his number but studies the Enneagram. I listened to their enthusiastic conversation but could not participate because I was ignorant of my number. They each had notions of where I would fall in the 9 types but refused to offer their suspicions; they did not want to unduly sway my discovery. Now, after a rainy day inquiry that included a test and some text queries with our chief-Enneagram-informant, I am certain of my number. The core character traits described in my number fit me like a too tight glove. “No wonder!” I sighed more than once while reading the narrative on my type.

We had fun during our rainy day pursuit. We read about ourselves and the compatibility of our respective numbers, the potential trouble-spots and issues. We laughed when reading general descriptions that might have been written specifically about us.

The exercise sent me down a rabbit hole. I wondered at the real-desire to type ourselves into a connected system. What makes the Enneagram or astrology any more or less valid and valuable than the minute marketing data that tracks my movements, my interests, my purchasing patterns and types me into a neat predicable category? Boomer. GenX. Progressive. Liberal. Conservative. Extrovert/Introvert…Judging/Perceiving. Survey upon survey. Sacred numbers. Archetypes. Where do I fit? Where do you fit? It’s a layer-cake of association. The rabbit hole? In a nation that is so hell-bent on defining itself as divided, irreconcilable in our differences, we are – on a much deeper level than the political – intensely interested in how we fit together in the web.

Scrape a layer off the noise. On the next rainy day, sit on your raft (bed) and take note of how much energy you and your world-o-technology are investing in weaving a greater web of interconnectivity. Pay attention beyond the toxic rhetoric of the stream and you just might see that we are, as a species and as a nation, much more interested in how we fit than how we are irrevocably broken.

read Kerri’s blogpost about THE SHADOWS

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Mix Harmonious [David’s blog on DR Thursday]

Harmony in color. The place where the language of music finds a home in the visual arts. Synesthesia.

Harmonious color arrangements, like harmonious sound arrangements, must share at least one common “note.” Mix a little yellow into each color on the palette and the colors will work like chords. They’ll be compatible. Pleasing.

It’s probably obvious in my paintings. I’ve never really studied color. I use what pleases my eye (like a musician who plays by ear). Now, I want to know. It’s counter-intuitive; after decades of painting I to want to understand the basics. I want to know what I know and discover what I don’t know. I suspect what I don’t know is monumental.

Long ago, Mike sent me a color study that DeMarcus did when he was in art school. The image is of a cactus. At the base of the painting is the palette that he selected. He framed this piece and kept it on his wall over the course of his very long life and artistic career. It must of been a reminder: don’t forget the basics. It hangs in my studio though, for me, it carries a different reminder: don’t forget your lineage.

Dropping into an episode of Home Town recently, I laughed aloud when Erin Napier said that the only useful thing she learned in art school was the color wheel. I am, as is true of every artist that has been at work for decades, finding my way back to the simple basics.

When I was a kid, pre-internet, I had a cardboard color wheel with a rotating “locator” window meant to help a budding artist know what-color-goes-with-what-color. I didn’t pay much attention to it. It felt like study and I was impatient. I needed to make messes. I didn’t appreciate it at the time but I knew intuitively that I needed to move around to learn. I made swatches for days. I made some terrifically ugly color combinations. I painted some perfectly awful paintings. I still do.

The bubble-of-learning is moving from my body and slowly – ever so slowly – floating up to meet my brain. And, in this contentious world, I’ve decided that the best place to start is with harmony. Harmony in color. A little intentional recognition of sameness to create some pleasing compatibility.

read Kerri’s blogpost about MAUVE AND OLIVE

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buymeacoffee is a “tip jar” where you can help the slow-witted-artists you appreciate learn at long last what color goes with what.