abstract expressionism | The Direction of Intention

Voluntarily Contemplate [David’s blog on DR Thursday]

Posted on December 7, 2023 by davidrobinsoncreative

It’s tempting to say that the snow is white. A second look, a better look, will prove otherwise. Purples and cool blues with some muted green and pink thrown in for good measure. A subtle festival of color. In general the light on the trail painted the snow – not surprisingly – ice blue, so the burnt orange in the leaf made for an eye-popping compliment. Some abstract expressionist might use this bit of natural composition for inspiration. Helen Frankenthaler or Joan Mitchell. Monumental paintings with the power to force contemplation. Well…to force voluntary contemplation.

Forced contemplation! A great phrase, to be sure, and another name for “problem solving.” Take a moment and look around during this busy holiday season: everyone you see elbowing their way through the crowd will be deep in forced contemplation. Rushing to the next. Making a list and checking it twice.

I’m a few pages into my fourth reading of Zen and The Art of Motorcycle Maintenance. It fell off the shelf and hit me so I took that as a sign that it was time for a revisit of Robert Pirsig’s novel. The subtitle is An Inquiry Into Values. I’ve learned that the books I read are forms of voluntary contemplation. What has value? What does not? And why? I regularly ask myself a question that comes from the title of another favorite-book-of-the-past: How Then Shall We Live. Wayne Muller’s voluntary contemplation on meaning, purpose, and grace. Given what I know – that I shall die – how then shall I live this day of my life?

There are very few answers to the question but there are values that, like a marble sculpture, take shape and emerge over time. The single value that consistently dominates my voluntary contemplation: walk through this day slow enough to see that the snow is not white. Rather, experience the full celebration of color and live inside – rather than rush through – the perfection of this composition.

meditation, 48×48, mixed media on canvas

read Kerri’s blogpost about SNOW AND LEAF

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buymeacoffee is a slow walk of appreciation through a world that holds more magic than any single mind can conceive.

Filed under: Art, DR Thursday, Gratitude, Identity, Seeing, Transcendence | Tagged: abstract expressionism, artistry, color, composition, contemplation, david robinson, davidrobinsoncreative.com, grace, Helen Frankenthaler, How then shall we live, inquiry, Joan Mitchell, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, meaning, meditation, purpose, Robert Pirsig, slow walk, story, studio melange, the melange, values, Wayne Muller, zen and the art of motorcycle maintenance | 1 Comment »

See The Exact Center [on Two Artists Tuesday]

Posted on April 26, 2022 by davidrobinsoncreative

Kerri took this photograph a week ago. We’d set up our pop-up table in the middle of the woods. We had a small cooler with cheese and crackers, tabouli and chips and wine. It was cold. We needed to take off our gloves to eat a bit of our snack and then put them on again, fingertips stinging. Since she is a photography maven, I knew to stand back after setting up so she might take shots of our snack-laden table. She finished, sat, and then pointed her camera to the sky.

Despite what you see in the photo, the trees did not reach to a common center. That is an illusion. Perspective as taught in art school. The point of view of a lens. “Lookit!” she said, red fingertips holding the camera so I could see the image. “We must have found the exact center of the forest,” I thought and smiled.

I often feel like that these days. We must have found the center.

Last night, on an all-too-rare warm evening, we sat with friends on their deck. The Up North Gang. We ate dinner. We laughed. I had my first ever sip of salted caramel whiskey. Dessert as a drink. Time stood still for me and I studied the moment. I wondered if anyone on earth was as fortunate as Kerri and me.

Perspective as taught in art school. Points converge creating the illusion of distance. At one time in history, a crossroads of art and mathematics, this simple recognition was a revolution. Linear perspective. A unique point of view. The accurate portrayal of three dimensions on a two-dimensional surface was powerful – the creation of illusion, shape and distance, produced new intentions and mathematical rules.

It also changed forever the viewer. To see the illusion one must occupy the illusion of a unique center. A new psychology. It’s possible to draw a direct line of descendancy from the hard perspective of the Renaissance to our abstract expressionism. The artist’s point of view, unconscious expression without limit or rule, is all that matters. Two ends of the same pole.

I told Horatio that I am, at long last, learning to keep quiet. To share what I see when asked, and not before (he says as he writes a blogpost about what he sees). I have made a career out of too adamantly trying to get people to see what I see. My adamancy might be traced to the Renaissance and the notion that I occupy a unique center, a specific point of view that makes my illusion of shape and distance somehow privileged and necessary.

Age is helping me challenge and release my investments. It is also a grand teacher of movement and moments. Nothing stands still, especially time. The best we can do is savor the spaces between, always shifting and moving. Children become parents become grandparents. A warm night. A cold day on the trail. It matters less and less what I see and sense-make with my unique hard lines and more and more that I taste the tastes and see the colors, my lens aimed at a common center, sharing the passing moments with others.

read Kerri’s blogpost about THE WOODS