Scratch The Soil [David’s blog on DR Thursday]

For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.

There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.

It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.

Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.

read Kerri’s blogpost about CORN

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Have Second Thoughts [David’s blog on DR Thursday]

A comment on how my brain works: I saw this photo and thought, “This is a record of a life path.” What? Where did that come from?

Note: I didn’t think “My life path.” My random reflection was in no way personal. Though, to be perfectly honest, I am only familiar with one life path and it is mine. This jumble of hose, running this way and that, lines running over and under, does vaguely resemble my movement in the world. Or a freeway interchange as seen from the air.

Note on the note: No life path is straight. Circumstance has a way of making lines into loops. Growth has a way of revealing side paths that surprisingly become main roads. Yes, I’m making the assertion that a straight life path indicates a boring-no-growth existence. It would be an excessively mean assertion except, to reiterate, no life path is straight. Loops and surprises. Forces beyond control, leading to the wild eye-and-heart-opening recognition that very little is under our control. Fantasies fall revealing a life that shimmers in its day-to-day-ness as it spirals uncontrollably through the universe.

My second thought: “This reminds me of a Jackson Pollock painting.”

Another comment on how my brain works like most other brains: Second thoughts usually make more sense than first thoughts. That’s the key to sense-making: second thoughts respond (or recoil) from the nonsense of first thoughts.

A note on first and second thoughts: It’s best not to give voice to first thoughts. Wait for the second, more sensical thought for show-and-tell. Editors are involved. You’ll have more friends that way. Also, the authorities won’t need to lock you up. So, forget what I said about life paths and selectively remember my second thought about Jackson Pollock.

Remember: I warned you. This is how my brain works.

[I wish you could see Kerri’s eye-roll as I read to her this post:-) ]

read Kerri’s blog post about THE HOSE

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Burst [David’s blog on KS Friday]

If there is a metaphor for Kerri and me, it is this. A seedpod filled to bursting, ready to release into the world an abundance of the new.

We write more than most people care to read. I’ve calculated that, at this point, we’ve written the equivalent of ten full length novels. We have readers all over the globe – yesterday someone in Mongolia showed up. “Why would someone in Mongolia want to read what we write?” we asked, delighted. No matter. It’s what happens when you love what you are doing.

Yesterday, in a fit of no-duh, I reformatted the Smack-dab page on our site so it might be readable (I’m not sure what took me so long…) and I was astounded at our output. I fell into it. Smack-dab joins the comic canon of Chicken Marsala, Flawed Cartoon, At the Door, Flip, and the KnowNow series.

We love to share what we love. Sometimes I see-just-for-a-moment that our ordinary is extraordinary.

We have the third of Beaky’s books to produce. Kerri’s written a children’s book that someday she will allow me to illustrate. I have new ideas every day that get written on slips of paper and tossed in a bin called Someday.

Our Roadtrip is ready to roll and join The Lost Boy in our canon of plays performed together. I am working on a draft of a new play that I’ve been thinking about for years. I allow myself an hour of space away from the job hunt to write or work on a scene. One scene a week. I’m awaiting the decision whether or not my Last of the Old Gods will be rescheduled into the PCO season. It’s a timely story. It needs performing and I need to perform it.

Kerri stares at her piano. There is so much more music to make. I know it. She knows it. I can personally attest to the fact that some of her best vocal pieces have yet to be recorded. I am the sole recipient of such riches.

Each day I stand in my studio and close my eyes and feel the pulse. There are so many more paintings to paint.

Years ago, Joyce, staring wide-eyed into my future, said to me: You express what is true. You reach people through their hearts. You help them to believe.

It’s not a career. It’s an imperative. Seedpods. Ready to burst.

That Morning Someday/The Best So Far © 1995/1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SEEDPOD

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Let It Run [David’s blog on DR Thursday]

Following the heavy rains, the mushrooms appeared. They came in all shapes and sizes with colors ranging across the spectrum, yellows and reds, taupe and black.

There’s something other-worldly about the mushrooms. They seem like alien creatures. Like cicadas, living deep in the soil until one auspicious day, when the conditions are just right or their inner imperative whispers, “Now,” they step into the moist air, appearing as if from nowhere.

Some look like a colony of creatures on the march. Some look like gnome condos. Some take impossible architectural shapes, sound receivers listening to the pulse of deep space. Some form a perfect circle, a commons of strange beings.

Mysterious and intelligent, ancient and earthy, they appear magically and disappear just as mysteriously. Fungi,”…genetically more closely related to animals than plants.”

“What is that?” she exclaimed, pointing at the huge orb reaching above the grasses. “It’s a mushroom,” she gasped. “Can you believe it?”

Imagination runs wild.

Earth Interrupted III, 48x36IN, mixed media

read Kerri’s blogpost about MUSHROOMS

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See The Bounty [David’s blog on Not So Flawed Wednesday]

I doubt that our bird feeder experience is different than most people. The chipmunks and the squirrels get most of the bounty and the birds play clean-up.

In another life, were I to aspire to be an acrobat or gymnast, I’d study the amazing antics of chippies and squirrels. They scale the impossible pole. They leap the impossible leap. And then they fill their cheeks to bursting, kick gobs of seed to the ground, and fling themselves – fully loaded – into space and somehow catch a limb or bit of fence and escape into the great unknown. They are fearless.

The birds alight on the feeder, too, but mostly they find their fortune on the ground.

Over the summer, directly beneath the feeder, corn plants appeared. We let them grow for a while. I confess, the corn made us smile. “We have corn!” we’d giggle at the absurdity even though the origin was obvious. Apparently we are easily amused.

And then the corn plants sprouted across the yard. A stalk grew right next to Breck-the-Aspen-Tree. And then we found a few lively plants pressing through the tall grasses in the front yard. We’d unintentionally set into motion a small-sample-experiment of corn migration as carried by birds and mini-beasts.

Across many cultures, corn has long been a symbol of prosperity and representative of the cycle of life. It’s easy to understand why. The fields are magical places. In our film mythos, baseball teams of yore emerged from the corn, bringing good fortune to the family that built a field on their farm. Giver of dreams. Fulfiller of hope. Ancestors return to the corn.

In addition to the summer of the bunny and the surprise frog-named-Hope, this is the summer of corn-on-the-move. As the leaves begin to turn, as the harvest comes in, we take comfort knowing that we are surrounded by so many symbols of plenty.

read Kerri’s blogpost about CORN

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Lay On Your Side [David’s blog on Not So Flawed Wednesday]

“We are fragile creatures, and it is from this weakness, not despite it, that we discover the possibility of true joy.” ~ Desmond Tutu, The Book of Joy

The heart-leaf lay on its side. Light peaked through its cracking surface. I was afraid to touch it lest it crumble in my fingers.

Only a few short months ago it was vibrant green, connected, durable. It’s destiny was -and is – as certain as mine. My surface is beginning to crack. Only a short time ago I felt myself vibrant. I thought of myself as indestructible. I am, and always have been, on my way to brittle.

It is this very fact that reminds me to slow down, to turn and feel the sun on my face. It is my limited time on earth that prompts me to lay on my side on warm grass so I might see the full beauty of the delicate tilted heart. To feel the warm hand that squeezes mine.

read Kerri’s blogpost about HEART

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Re-Realize The Beauty [David’s blog on Two Artists Tuesday]

I have thrown old journals into the fire. Letters from long lost friends have gone into the flames. Paintings, too. More than once, at a retreat, the facilitator asked us to write about fears or obstacles and ceremonially commit them to the flames. A statement of release. A marker in time: letting go.

When I was young I spent many nights in the mountains. The campfire was primal. Light and warmth against the cold dark of night. The fire was safety. In an experience that, to this day, makes me laugh and blush, camping with my brothers and dad, the fire having burned to soft embers, we climbed into our sleeping bags. Deep in the night a large animal crashed through the brush, sent us scared and scrambling to reignite the embers. We stoked a mighty roaring fire. The savage creature circled our camp for hours, snapping branches, staying just beyond the light. Running low on wood and still hours from dawn, we debated what to do. At the height of our anxiety, the peak of our fear, the imagined mountainous hungry bear moooooooo-ed. Our fire kept us safe from a wayward cow.

In our backyard we have a fire pit (a solo stove), a flame tower (propane), tiki torches of all sizes, and a chiminea. No matter the source, we light the flame and inevitably all conversation ceases. We stare, lost in thought, the flames having danced our monkey minds into quiet peace.

In the story, Prometheus steals the spark-of-life from Zeus. Fire. He wants to ignite the hearts of his creations, his humans, made from clay and sticks. He knows that Zeus will disapprove because he’s made his humans beautiful rather than the crude forms Zeus commanded him to make. That’s why he had to steal the fire. To ignite beautiful hearts, capable minds, generous souls. He was successful though Zeus, according to the story, has worked diligently to corrupt the beautiful humans and infuse them with ugliness, keeping them distant from their true nature.

Staring into the fire, with a quiet mind, it’s possible to hear Prometheus’ whisper. In the flame dances the possibility of safety, quiet mind, the capacity to let go the hurt, and for a moment, to re-realize the beauty, ignited by the spark, beating in the hearts of his humans.

read Kerri’s blogpost about FIRE

This is the first painting in a triptych I created for my performance of The Creatures Of Prometheus – with The Portland Chamber Orchestra. This is “Prometheus:Creation.” 48 x 96IN

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Expect The Meadow [David’s blog on Not So Flawed Wednesday]

I was a doubter. Over the winter, heavy machinery eradicated invasive species – and seemingly everything else – from the forests and meadows of our beloved trail. It left a wasteland of splintered wood and debris. “It will take years to recover,” I mumbled, saddened.

I was wrong. With spring, new green shoots poked through the mud and detritus. The frog chorus returned with a vengeance to a marsh that just weeks prior had been little more than a scar. Slowly through the summer, the mayapple and coneflowers flourished.

And then there’s the meadow. In the waning weeks of August and the coming of September it has burst with yellows, purples and subtle blues. “Unbelievable,” I utter each time we pass through. Were I a plein air painter of landscapes, I’d spend many days seated on the trail, peering beyond my canvas, dabbing paint in an attempt to capture the riot of color.

The meadow is now my go-to metaphor for the power of renewal. In just a few short months, what seemed like utter devastation has revealed unstoppable regeneration. The wisdom of necessary disruption as seen in nature.

It gives me hope as we stand in the debris of our current wasteland. Just beneath the scorched earth of our circumstance, a vibrant meadow is preparing to burst forth. In a few short months, from this eradication, this intensive stripping of our invasive species, new color and life will bloom. And I will be most happy to utter, “Unbelievable,” in the face of my doubt and share with you the tale of our extraordinary rejuvenation.

read Kerri’s blogpost about THE MEADOW

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See Green [David’s blog on Not So Flawed Wednesday]

If we call someone “green”, we mean that they are inexperienced. Innocent or new. The term “green-on-green” implies a team that has little experience. Young pilots. Mixed doubles swatting at tennis balls. Newly minted detectives. New growth. Immature. Seedlings.

A green issue is environmental. Renewable energy. Wind power. Green is the color of nature.

In street slang, green has two possible meanings. Money. Green is the color of currency. Or, weed. Green is the color of marijuana. A surprising twist on green-on-green!

I can be green with envy. Or green with jealousy. Green is the color of illness. Apparently coveting makes us sick. “Do you feel okay? You’re looking green.” The Romans thought so. Shakespeare, too.

Google the meaning of green and you’ll find it symbolizes peace, hope, and harmony. Optimism.

In spiritual circles, green refers to fruitfulness and fertility. New leaves. New growth. And so, a full-circle return to the first meaning of green, only “new” need not imply ineptitude as much as promise. Hope. A weave of the many meanings of green!

I’m left pondering why I rarely use green in my paintings. Van Gogh did not shy away from green. He was bold enough to smear his green adjacent to vibrant reds and orange. Opposites on the color wheel. A bang to the eyes. Perhaps there is some green in my future.

On our hike today I can say with all honesty that I was completely taken with the many shades of green.

read Kerri’s blogpost about GREEN

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Clear Your Mind [David’s blog on Merely A Thought Monday]

There’s nothing like a walk in a garden to clear your mind. It was the end of the week – or was it the beginning? In any case, our brains were overloaded. We sought a garden.

So the story goes, Adam and Eve lost their spot in the garden. They ate from the tree of knowledge and started to think about things. They became self-aware, a by-product of apple-eating, they had to tell stories of where they’d come from. They had to tell aspirational stories of where they wanted to go. They made rules. Look back. Imagine forward. Neither direction is true in the absolute sense of the word. Memory and imagination are not fixed. They are fluid, changing, like a stream.

Listening to our stories it’s easy to conclude that this good earth couldn’t possibly manage without us. As global weirding progresses, it’s likely that we’ll learn the opposite of our control-story is the case: we can’t possibly manage without the good earth. We may have to adapt our narrative! We may have to consider that the garden and its many inhabitants didn’t really need names; we invented knowledge-management to suit our purposes. We might need to recognize that we invented all forms of management to suit our narrative.

We like to tell stories of being in control, of being at the top of the pyramid. We especially like narratives placing us at the center of the universe – and the micro level variety: being the chosen ones. Believing that it all spins around us is, well, comforting. Or hubris. Or both.

Of course, our story is pocked with kill-joys like Galileo. Though, to be fair, even though his telescope proved beyond a shadow of a doubt that humanity is NOT at the center, it’s had very little impact on our dedication to being all important. Above it all. We are a tenacious bunch when our story of primacy is threatened.

I was especially moved by the sign in the garden and wondered what it would take for us to turn the tables and imagine ourselves as part of the spinning universe rather than above-it-all. There are plenty of examples to draw from, humans in symbiotic relationship with their garden. Listening rather than instructing. Spinning with.

I think that is why, when our brains are overloaded, we head to the garden. A return to our senses. We breathe. We listen. We feel. We clear our minds and, even for a moment, re-enter a naturally healthy relationship.

read Kerri’s blogpost about HEALTHY RELATIONSHIPS

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