See It. Feel It.

I call this painting "Sleepers"

I call this painting “Sleepers”

Tom spoke of small actions, the gift of peanut butter to a food kitchen for the poor. He asked, “Will it change the world?” and answered his own question, “I don’t know. In some small way, bringing a bit of hope to anther person, or providing food for a day, maybe it will.” Tom has been meditating on the many ways we enact love but perhaps do not see. He has been wondering if small acts of generosity serve as small acts love. Are not these small acts of generosity capable of changing the world.

For the past year, since moving from Seattle and leaving my work with entrepreneurs, I’ve been pondering this impulse toward change and the ubiquitous desire to change the world. I learned last year that, in business start-ups, the intention to change people is the great sign of folly. Changing people is impossible. If the central intention of the new business is to change people, don’t invest. It’s good rule of thumb.

People pray for a world without violence, a world free of disease and poverty. People read the paper and wonder what has become of the world. Someone recently said to me, “It’s overwhelming. What can I do?”

Tom’s meditation has brought him to this: it is not the doing that ultimately matters. It is quality of the being that matters. If your doing changes your being, you have changed the world. If some small act of generosity or compassion opens you, it changes the world. In the year prior to my move, I walked across the city of Seattle twice each day. I made it a game to count the small acts of kindness I saw each day during my crossing. There were always too many to count. People opening doors for others, making space in line, helping someone who dropped their packages, blocking traffic for an elderly person to cross the street. My walks were steeped in otherwise small invisible generosities.

The mistake we make when desiring change in the world is to think of change as a bottom line, change as an outcome or end result. Change as a forced march or dose of castor oil. Changing the world is not an arrival platform. It is within every act of kindness. It is every generous thought. It is fluid, on going, never ending.

One thing I learned from my walk with entrepreneurs is that every single start-up came about because someone saw a way to make life easier for others. What makes an idea good is how effectively it helps others. And so, in pursuing their idea, in every small action, they change themselves. They play in the field of possibilities. In changing themselves, they cannot help but change the world.

Will a donation of a jar of peanut butter to a food bank change the world? Perhaps. If it feels good. If it changes you. Small acts do not exist in isolation. To change the world you need only change yourself. People do not exist in isolation. The river flows. Each act impacts others in small ways and large.

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Feel The Ripple

Baby Cat settles in

Baby Cat settles in

“The fabric of creation ripples when people love each other,” the leader prayed. I opened my ipad to capture the phrase. I liked the image of creation as a dynamic living fabric, a weave responsive to the heart.

Yesterday, Jim said with gratitude and love in his eyes, “Life can change in an instant.” His wife was in a brutal head-on collision a few days ago. She survived and will eventually recover. “The crash was 900 feet from our driveway,” he said, adding, “You never know.”

You never know.

Tripper Dog-Dog-Dog jumped onto the bed. He brought his bone and settled at our feet. We were having the first cup of coffee of the day and talking about things to come. Baby Cat leaped up to the window sill and settled in.

Creation ripples.

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Eve, by David Robinson

Eve, by David Robinson

Carry Your Story

I call this painting, "Canopy"

I call this painting, “Canopy”

Since writing my post yesterday I’ve been rolling around in my mind the image from this quote from Deepak Chopra’s book, Life After Death: “Every former self you have left behind is a ghost. Your body is no longer the body of a child. Your thoughts, desires, fears, and hopes have changed. It would be terrible to walk around with all your dead selves holding on.”

All day I’ve been looking at people as if they are walking around with all of their dead selves hanging on. And, technically, we are. We define our present moment through the eyes of the past. I suppose the number of ghosts we carry depends upon the definition we carry about ourselves.

Definitions are stories. Thoughts, desires, fears and hopes are contained in the form of a story. Any thought you have is actually a form of storytelling. When we worry if this will happen or that, we are telling a story. When we tell our friends about being stuck in a traffic jam, we are telling a story. When we say, “This is who I am,” we are telling a story. When we say, “That is who they are,” we are telling a story. In a week, my family will gather to memorialize my grandfather; we will tell his story.

I’ve found in many parables and myths that an inner monologue (the story you tell yourself) acts like a fog. It obscures the present. For instance, in the Sisyphus tale, Sisyphus goes to the underworld and watches the souls of the newly departed cross the river Styx. Each soul thinks it is alone even though they are with many others; they cannot see the others through the curtain of their ego story. To enter the great “I am” they must first stop telling a story of separation.

Stories obscure.

We carry our stories forward. That is a legacy. Carrying a story forward is how we connect to our ancestry. Jean Houston once used an image that I like: we are the burning point of the ancestral line. We carry the story-torch forward. Like the Olympic flame our fire was ignited by a spark that stretches back eons. And through us, this flame will reach far into the future. We burn now. This story-torch, the family story, is the root story. It illuminates us.

Stories enlighten.

In both cases, obscuring and illuminating, stories can be heavy to carry. Or, they can be light. It may not be so terrible to walk around with your dead selves holding on if your dead selves tell a story love and connection, a story of hope and aspiration, a story of yearning and possibility. If illumination is the act of transcending your story, a step toward illumination certainly includes a story of love, and usefulness, and a deep appreciation of the ordinary moments that we story to fill our extraordinary days.

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Embrace The Mess

circa 2011

circa 2011

I did not intend for this post to be a continuation of yesterday’s but when Amy climbed the stairs into the choir loft and said, “I don’t do change very well,” I laughed. It was word-for-word the same phrase that Kerri had just spoken.

For some reason, we’ve come to expect change to be comfortable and breezy. We expect ourselves to be paragons of reason in the face of imbalance. I find this ridiculous expectation of centered-off-centeredness to be suspiciously corporate. Apparently all change needs management and if it is not managed smoothly and without feeling or emotion then it is not well done.

Emotion is messy. Change is hard. The seed cracks before the tender shoot finds its way to the sun. The seed needs to crack in order for the new form to emerge. Hearts are broken, like seeds, to allow new forms to emerge. Even the “right” relationship is dynamic, messy, surprising, joyful, disappointing, filled with fear, the heights of elation, tenderness, quiet, and at the core is this volatile thing called love. Love burns hot during transformation; love is snuffed when excessively managed. Love is transformative when not unduly controlled.

Everyone does change well because change is the nature of our existence. Energy is always in motion. If humans are expert at anything it is change. We do change well because we can’t avoid it. What we do not do well is afford ourselves the grace of feeling the grief, the insecurity, the frustration, the anger, the joy, the exhilaration, and the dizziness that comes with change. We limit our emotional color palate when we confuse change with control. We do not allow ourselves the mess, the unpredictability, and the loss of balance that necessarily comes with this rolling vibrant transformation called life.

Amy would have been more accurate had she said, “I don’t do control very well.” I didn’t tell her the secret: no one who experiences the fullness of life does control well. In the face of her messy, volatile, change process, she wouldn’t have appreciated my counterpoint. When someone is standing in the middle of the muck it is cold comfort to tell them that they are in the right spot. So, I simply laughed, nodded my head, and said, ‘I know….”

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Give As Love

The stack of paintings sitting in my basement waiting for me to show them.

The stack of paintings sitting in my basement waiting for me to show them.

Sitting in the choir loft this morning I was at first disappointed that the stained glass window was silent. I was so full of questions – and have lately been so full of questions – and have come to look forward to hanging out in the loft, conversing with the window, while Kerri plays a service.

When I bring my questions the window always has something to say. The window offers a better set of questions or a startling reflection or a slap of insight. The window’s responses always come in the form of a message of return (return to heart, return to forgiveness, etc.). If I get quiet and ask my question, out of the peace, a conversation always ensues. Today, from my quiet, I asked my question about artistry, about my artistry, and I was met with an unusual silence. I wrinkled my brow. I wondered if my conversation with the window had come to an end or if perhaps my question was out of the scope of topics for a stained glass window.

There was a visiting pastor, an elder who’d been preaching for over 50 years. I sat up and paid attention when he began his sermon this way:

“Artists have a special gift. They help others see in a new way….”

His message was about love. Love, he told us, takes many forms and the form that love takes depends upon the unique gifts of the lover: a symphony is a gift of love, a painting is a gift of love. A plumber fixing a broken water main late into the evening is a gift of love. “What is your gift? he asked. Do you recognize it as love?

A few years ago, on New Year’s Eve, I visited a tarot woman at a bookstore in Denver. During our session she asked me a question that felt like a cold slap in the face. “You know god’s voice,” she said. “Why do you not use it?” I mumbled a lame excuse that dribbled into silence. “Why do you not use it?” she asked again.

Sitting across the table from the tarot woman, I knew without doubt that I have, my whole life, been a great servant to other people’s artistry but a lousy servant to my own. In my life I’ve been the midwife to many people’s gifts while mine have remained mostly unrealized.

The window whispered, “A painting is a gift of love. So is a play. So is a book. These are your forms of love. Your gift is a gift of love. Love is god’s voice and you know god’s voice.”

“I do know it,” I said, timid to admit it. “Don’t we all?” I asked the window.

“Access is open to all. Few actually listen,” the window replied. “Few know how to listen. Most fear their gift and plug their ears.”

To offer my gift without inhibition is how I best express love to the world? That was old and new for me at the same time. I asked the window, “How many artists need to hear that message? How many people need to hear that message?”

“You are deflecting. You deflect your gift by serving other people’s purposes before your own. These questions you ask are the wrong questions,” said the window. “Yes, of course, all people need to hear the message. But, is it your purpose to deliver the message or is it your purpose to fulfill your gift? Helping others hear their message is not yours to do. Yours is to fulfill your gift and, in that way, help others to see their gift in a new way. You need do nothing but give your gift. They will see or not without your intervention. Love by giving your gift. It is simple. Give your gift, give your love, without reservation or doubt.”

“Love can be how you listen to a friend in need,” the pastor said. Love is not about the rules or the restrictions. Even when you try to alienate love, it will always find its way back to you. It will find its way back through you.

“You know god’s voice,” the window continued. “And you know it. Return to the truth; return to your truth. The question, ‘Why do you not use it,’ no longer matters. It, too, is a deflection. Asking ‘why’ merely delays the giving. Use it. Give it. Give as love.”

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Ponder The Pieces

Kerri's head exploding.

Kerri’s head exploding.

My beautiful Kerri’s head just exploded. I am currently surrounded by exploded head-bits and a dog-dog running loops around the house from the thrill of experiencing his first head explosion. Baby cat had the good sense to hide. There’s nothing for me to do but drink wine and write this post. And drink more wine.

Heads explode when the world ceases making sense. Beaky, Kerri’s mom, 93 years old, is no longer capable of crossing the room with her walker. Mobility is a problem and the source of Beaky’s despair. For months Kerri has been working to get Beaky an electronic wheelchair. Her doctor prescribed it. A physical therapist diagnosed it. A bevy of nurses recommended it. A mountain of paperwork was filled out and filed for it. Medicare did the expected and requisite thrice denial before begrudgingly approving a lesser model (apparently, Beaky looks like a reckless driver and can’t be trusted with too much speed). At long last, after hours of phone calls, pleading, cajoling and begging, the chair was ordered and scheduled for delivery. And then there was Jose. The man who measures aging bottoms to make sure the chair is a perfect fit decided that, while measuring Beaky, she was not yet ready, at 93 years of age, to have an electronic wheelchair. His reason: Beaky is too mobile.

Kerri playing for her mom and the other ladies.

Kerri playing for her mom and the other ladies.

I wish I had filmed Kerri’s head explosion. I’d send it to Jose, the man with the measuring tape and the power to explode heads. As I watched the pieces of her mind drift back toward the earth I couldn’t help but remember the statistic – relative to the rest of the developed world – of how much Americans pay for their health care and how little they actually receive. Our costs are astronomical. Jose just showed me why. I wondered how many man/woman hours of work that Jose just annihilated. As Kerri said to the electric wheel chair supply company representative, every day of Beaky’s life is an extra inning or like a dog year. It is a gift. To tell this woman that it will only be a few more months before she will be approved is cruel. It need not make sense. It is merely cruel.

On another related note, today was Josh’s first day of work as a nurse in an emergency room. He wrote that he had a very good first day. The highlight was extracting a penny from a young boy’s nose. Apparently, the boy tried unsuccessfully to swallow the penny and coughed it up and into his nose. A hole in one! What are the odds of such a perfect shot? If I ever have a penny up my nose I want Josh to do the extraction. He cares for people. He is kind. Mostly, I want Jose, the man with the tape measure, to meet Josh, the man who helped a kid with a penny problem, so that Josh can explain to Jose how to recognize a person in need and what it means to serve. Service often requires dropping the tape measure and looking at the person being measured.

I suppose this is yet another tribute to Doug whose wisdom is worth repeating: “Your problem,” he said to me, “is that you want it all to make sense.” The path to happiness, according to Doug, is to cease the expectation of sense. No mother can make sense of a penny lodged up the nose of her son and Kerri will never be able to make sense of the man with the tape measure. It was her attempt at sense making that caused her head to detonate. I’ll keep that bit of information to myself until all the pieces find their way back to earth. In the meantime, let’s have more wine!

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Have A Chat With Erling

Kerri with her dad.

Kerri with her dad.

It seems as if the theme for the week is lost conversations. It occurred to me that, after writing yesterday’s post, there is, in my life, another conversation that I wish I could have but never will. And, because I never will have the actual conversation, I am reaching into the void and having another form of dialogue.

I wear on my right wrist, wrapped three times to form a bracelet, a pull chain for a light fixture that I found on a workbench. Kerri wears on her left wrist, wrapped three times, the rest of the chain. I found the chain during our first trip to Florida. We were visiting Kerri’s mom in an assisted living facility and, in the evenings, cleaning out her parent’s home. Kerri’s dad, Erling Arnson, died a year before we met, and she’s often said to me, “I wish you could have known my dad.”

I found the chain on Erling’s workbench. He was a watchmaker and a jeweler. He worked with his hands, rebuilt cars, machined new parts for things, and was the master of a quick fix. He liked to build things. He liked to tinker. You can tell much about a person by the way they keep their space and I spent a long time standing at Erling’s workbench. It had been mostly picked apart, scavenged, but the organizing principle was still in tact. He liked to re-purpose things. He liked to make things out of things; every bolt and scrap was filled with potential. I could feel (and understand) the simple joy of creation apparent at his bench.

When I saw the chain (discarded by the scavengers) I knew it would be a way for Kerri and I to bring her dad forward with us. We secured the chains on our wrists and because it is there, I think about Erling everyday. I wonder what I might have learned from him. I like to tinker, too. I like to make things.

Me at Erling's resting place.

Me at Erling’s resting place.

On the second anniversary of his death, Kerri said, “Daddy will show up, today. I don’t know how, but he will.” A few minutes later the faucet in the kitchen broke. Evidently Erling had a wicked sense of humor. As I replaced the faucet (the first faucet replacement of my life), a lengthy affair requiring a call to the neighbor for tools, I felt a deep sense of patience. I remember my grandfather telling me that a person can figure anything out if they just take the time to do it. “You don’t need to know how, you just need to give yourself the time to figure it out.”

Kerri was on the phone with her mom when I finished the job. I was feigning machismo, peacocking my plumbing prowess. Kerri’s mom said, “I think he passed Erling’s test.” She smiled and I thought, “Thanks for the help, Erling. Now, how do I fix the plaster on the ceiling?” His response: I don’t know. But, let’s figure it out.

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Have The Conversation

A painting I did twenty years ago of my dad. I call him Columbus.

A painting I did twenty years ago of my dad. I call him Columbus.

When Bob died I wrote his wife, Ruby, a note saying that I’d give anything to have another conversation with Bob. Just one more conversation.

When Jim wrote to tell me of Doug’s passing, we had an email exchange.

I signed off the email with this phrase: “Yet another conversation I will never have….” Jim answered with a warm reminiscence of Doug, a recounting of their meeting as young teachers, watching Doug navigate and ultimately heal the psychological wounds from war. Jim signed off with this thought:

War is not just hell.  It is eternal hell.  Particularly for those with first hand experience. Why the race continues to tolerate it may be the greatest mystery. Another conversation I will never have with Doug.

I remember in vivid detail the last conversation I had with Tom. He was already sliding into the hell of his dementia and knew it. He desperately wanted to tell me a story, something that was vitally important for me to know though he did not know why. I sat attentive in his small cabin home as he told me the story of the lost boy, a story that together we’d spent years developing into a play. I’d heard the story a thousand times and he no longer remembered. He forgot everything but the imperative to tell me the story, to transmit the history to me. So we enacted the ritual as our final conversation.

Columbus fishing at his 80th birthday celebration.

Columbus fishing at his 80th birthday celebration.

Many years ago I traveled home to spend time with my dad. I wanted to know who he was and felt as if I’d missed it, as if I didn’t really know the person behind the role. He was generous and vulnerable and spent three days with me answering all my questions, sharing the inner sanctum of his thought and being. It was the greatest gift I have ever been given and, at the same time, the greatest gift I have given myself: I asked if he would spend time with me.

One of the things I learned during those days with my dad is that there will always be the yearning for one more conversation. There is no bottom to the magic and mystery of the people that we love and who give order and richness to our world. This year I am learning that although there will always be the yearning for just one more conversation, there will of necessity be a last exchange. And, because that is an inescapable truth, there is nothing more important on this earth than to take the time, make the space, to ask, “How are you doing? What’s happening in your world?”

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Share A Poem

An old painting from my archives. This is "Hermes."

An old painting from my archives. This is “Hermes.”

One day, out of the blue, Doug came out of his office, stood at the door to my office and asked me to follow him. Doug was a bull in a china shop, gruff on the best of days, and his request was more of a command than an invitation. He’d spent his early life in the military, did two tours in Vietnam, and a piece of him was still fighting that war; the rigor, structure and discipline he’d acquired as a soldier was still saving his life. I’d worked with him long enough to know that he was soft to the center. Doug was a big heart wrapped in pit bull clothes.

I followed him back to his office and he asked me to close the door, a sign that usually meant battle was to ensue. I closed the door and sat opposite his desk, curious that the lights were off. The dim room was illuminated by a single thin window partially obscured by a bookcase. He sat. He took a deep breath and looked around as if he was worried that others might be listening, and said, “I want to show you something.” He took another breath, slid open the bottom desk drawer, and pulled out a book so worn and deteriorated that it was barely recognizable as a book. I knew immediately what it was and caught me breath. “I want you to see this,” he said. I gently held the tattered brittle pages and read the first poem in the book and, as I read it, Doug recited it. Tears came to my eyes.

I’d heard the story of the book many times. Doug told the story when he was in pain, when one of his students was self-destructing or when he was once again standing at the edge of his own personal abyss, a place that was never far away. He told me the story each time he was trying to find a shred of humanity in his very dark world.

When Doug was on his way to his first tour in Vietnam, he was not yet 18 years old, he was angry and alcoholic, and for reasons he could never explain, he stopped in an airport bookshop and bought a book of The World’s 100 Greatest Poets. When telling the story, Doug would say, “I’d never read a poem. I hated poetry! I was nearly illiterate! But I bought that book and stuffed it in my bag.” He told me that the guys in his platoon teased him the first night he brought out the book of poetry and read it. Initially he read the poems aloud to bother his mates. They’d shout and throw stuff at him. Every night he read poems aloud. Soon, after the horrors of the day, after the fears of being killed or having killed, they asked him to read poems to them. They had favorites. They made requests. They talked about what the poems meant. They asked him to find a good poem to send to their loved ones at home. Over the year, Doug learned to recite by heart each one of those poems.

Doug told me that poetry saved his life. The book saved his humanity. That day in his office we spent nearly an hour reading poems to each other; each poem had a story, a memory. He told me that people don’t understand the reason for art, the necessity of poetry. “It’s not a luxury,” he roared, “it’s the goddamn center.” He carefully placed the book back in the drawer and pushed it closed. I thanked him for sharing it and he waved me off. The moment had passed; he closed the drawer on his sharing, too. It was too much.

That day was nearly twenty years ago.

Doug Durham

Doug Durham

Jim sent me news that Doug passed away this week. The last time I saw Doug he showed up at my apartment in Seattle just as he’d showed up at my office door: out of the blue. He sat in my living room for fifteen minutes, fidgeting, unable to sit still. “I just wanted to see you!” he trumpeted. “I wanted you to see that things are good with me!” He was deciding whether or not to open that metaphoric desk drawer. He had something to share or say but had not yet decided whether it was the right time. He had cancer even then but was on top of it.

“Well!” he announced, standing, “it was good to see you.” I asked him what he wasn’t saying and he gave me the “be careful” look. He wasn’t ready and I knew better than to push him. “Stay in touch.” I said, as he climbed into his big red truck. “You know better than that!” he smiled, waved, and drove away.

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Rap With B-Cat

Baby Cat daydreaming

Baby Cat daydreaming

It occurs to me, as I sit in the studio on this cool spring morning, that there is a fourth member of my household that has yet to be introduced. We have a cat, an elder statesman, a worthy companion and sparring partner for Tripper-Dog-Dog-Dog. He has a name that no one uses because, early in his life, he became a rap star and dumped his given name. He is now known to all the world as Baby Cat.

When I first met Baby Cat I called him Sumo. He is a very large cat, a formidable kitty. Late at night I have more than once thought there was a burly intruder in the house but it was only Baby Cat pacing as he worked out his latest rap. It is an understatement to say that he is heavy on his feet. Sometimes the room bounces when he leaps from a windowsill.

photoBaby Cat is teaching me about clarity of intention. He leaves no doubt about what he wants (food or pets) and is relentless until he gets it. Truly, he is relentless. He does not know the word “try.” Baby Cat gets. He meets me every morning and guides me to his bowl. If I deviate, he wraps his hulk around my feet or herds me like a shepherd. If physical action is not enough to direct me to his bowl, he begins a verbal assault that would make his mother blush. He wants what he wants and he wants it now. Black and white. In addition to Sumo, I also call him Terrorist Kitty because he resorts to biting ankles as a last resort. Yoda would be proud of Baby Cats force of will. Were he not a rap star I’m certain that he’d be a Jedi. Actors would be well served to study with Master Baby Cat.

Baby Cat is teaching me about simple contentment (yes, like all things true, it is a paradox: intention and contentment are bedfellows). He shows me how to linger in sunny spots or stare out the window for hours, just because. He has reintroduced me to the fine art of daydreaming. He joins me every morning as I stretch and do a bit of yoga, shamelessly positioning himself in the optimal petting zone close to my feet and gives himself over to my affections. And, because he is so capable of presence and pleasure, I’ve found that my morning yoga has transformed. It is no longer a discipline, something I do that is good for me; it has become a practice of simple attention and loving. I am more capable of presence and pleasure. I rest in it. Like Baby Cat, my body tells me what it needs, and I breathe.

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