Know Your Pilgrimage

Arnie owns this one. A watercolor from days past.

Arnie owns this one. A watercolor from days past.

I keep notes and short phrases to spark thoughts for future posts. The notes are scattered everywhere: scribbled in margins of my notebooks, written on Post-it notes stuck to the wall or in a helter-skelter line running the length of the table, or cryptic messages typed at the bottom of other documents. This morning I caught sight of this prompt:

Pilgrimages are supposed to be arduous.

During facilitations I used to tell groups that people without challenges create challenges. These created challenges are called hobbies. Or, really bored people create drama: drama is a unique challenge otherwise known as gossip.

People thrive when challenged. People grow when challenged. When I was a teacher I used to love the skateboarders. They’d dedicate hours and hours of repetition, broken wrists and ankles to master a move. Every athlete and artist knows the journey to their personal Everest is fraught with challenge and impossibility. That is why they do what they do. One of the people I admire most on this planet is John Kirschenbaum. He is a master woodworker. His criteria for taking on a project: it has to include something that he does not know how to do.

The idea that a good life is safe and easy is a marketing idea meant to sell you a suburban house in a gated community that includes a hot tub. It is also a recipe for boredom and frustration. It is also a lie. A good life is not without obstacles just as a good story is driven by challenges. A good life is not safe or easy. A good life is passionate. A life well-lived has a bliss-center that is focused on fields of potential and not fears of failure. A life well-lived does not avoid challenges; it embraces them. It courts them. It celebrates them.

Pilgrimages are meant to challenge you. They make your feet ache while they open your eyes and heart. They are meant to help you recognize what matters and what does not.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Give As Love

The stack of paintings sitting in my basement waiting for me to show them.

The stack of paintings sitting in my basement waiting for me to show them.

Sitting in the choir loft this morning I was at first disappointed that the stained glass window was silent. I was so full of questions – and have lately been so full of questions – and have come to look forward to hanging out in the loft, conversing with the window, while Kerri plays a service.

When I bring my questions the window always has something to say. The window offers a better set of questions or a startling reflection or a slap of insight. The window’s responses always come in the form of a message of return (return to heart, return to forgiveness, etc.). If I get quiet and ask my question, out of the peace, a conversation always ensues. Today, from my quiet, I asked my question about artistry, about my artistry, and I was met with an unusual silence. I wrinkled my brow. I wondered if my conversation with the window had come to an end or if perhaps my question was out of the scope of topics for a stained glass window.

There was a visiting pastor, an elder who’d been preaching for over 50 years. I sat up and paid attention when he began his sermon this way:

“Artists have a special gift. They help others see in a new way….”

His message was about love. Love, he told us, takes many forms and the form that love takes depends upon the unique gifts of the lover: a symphony is a gift of love, a painting is a gift of love. A plumber fixing a broken water main late into the evening is a gift of love. “What is your gift? he asked. Do you recognize it as love?

A few years ago, on New Year’s Eve, I visited a tarot woman at a bookstore in Denver. During our session she asked me a question that felt like a cold slap in the face. “You know god’s voice,” she said. “Why do you not use it?” I mumbled a lame excuse that dribbled into silence. “Why do you not use it?” she asked again.

Sitting across the table from the tarot woman, I knew without doubt that I have, my whole life, been a great servant to other people’s artistry but a lousy servant to my own. In my life I’ve been the midwife to many people’s gifts while mine have remained mostly unrealized.

The window whispered, “A painting is a gift of love. So is a play. So is a book. These are your forms of love. Your gift is a gift of love. Love is god’s voice and you know god’s voice.”

“I do know it,” I said, timid to admit it. “Don’t we all?” I asked the window.

“Access is open to all. Few actually listen,” the window replied. “Few know how to listen. Most fear their gift and plug their ears.”

To offer my gift without inhibition is how I best express love to the world? That was old and new for me at the same time. I asked the window, “How many artists need to hear that message? How many people need to hear that message?”

“You are deflecting. You deflect your gift by serving other people’s purposes before your own. These questions you ask are the wrong questions,” said the window. “Yes, of course, all people need to hear the message. But, is it your purpose to deliver the message or is it your purpose to fulfill your gift? Helping others hear their message is not yours to do. Yours is to fulfill your gift and, in that way, help others to see their gift in a new way. You need do nothing but give your gift. They will see or not without your intervention. Love by giving your gift. It is simple. Give your gift, give your love, without reservation or doubt.”

“Love can be how you listen to a friend in need,” the pastor said. Love is not about the rules or the restrictions. Even when you try to alienate love, it will always find its way back to you. It will find its way back through you.

“You know god’s voice,” the window continued. “And you know it. Return to the truth; return to your truth. The question, ‘Why do you not use it,’ no longer matters. It, too, is a deflection. Asking ‘why’ merely delays the giving. Use it. Give it. Give as love.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

What Do You Value?

One of the windows by Max Ingrand at Saint Pierre de Montmarte

One of the windows by Max Ingrand at Saint Pierre de Montmarte

What has value? What has merit?

Or, here’s a better question: What is value? What is merit?

During our travels I looked at a lot of art and architecture from across the centuries and across many different cultures. There is a very old church, Saint Pierre of Montmarte, one of the oldest in Paris, seated adjacent to Sacre Coeur high on the hill overlooking the city. This ancient church has been outfitted with stained glass windows, designed by Max Ingrand, that I can only describe as cubist. The collision of ancient church and modern window is breathtaking and perfect. The windows were so beautiful (to me) that they brought tears to my eyes. It was hard for me to leave the church as I was so taken by the windows yet I was also aware of the number of people moving through that were not impacted at all. Later, I entered Sacre Coeur and felt nothing. To me, it was impressive, impersonal, and left me cold – yet I watched others catch their breath with its scope and grandeur. They were moved to tears.

Is value purely personal and subjective?

I remember listening to a recorded lecture by Joseph Campbell. He said that you could tell what a society valued by the buildings constructed in the city center. For centuries, churches occupied the village center. Financial institutions occupy our village/value center. Is value an agreement? Is it a focal point of worship? Take a gander at the titles in the local bookstore and you will find that money, morality, spirituality, and success are odd bedfellows. Is a good life richly lived demarcated by the size of a bank account? Tourists in the distant future will visit the holy sites occupying our village center and read placards about what we valued.

Near Sacre Coeur is the cemetery at Montmartre. We descended the hill to the cemetery and walked the paths through the monuments and graves. They fascinate me. They are essences, value statements distilled to a thick concentrate of marble and stone. There are angels and gargoyles, draped figures in repose and riders of the apocalypse. There are statements: loving father, devoted mother. There are roles: composer, writer, soldier, painter, baker, philosopher, politician. The famous are interred next to the ordinary. In a cemetery, all lives are even. Standing amidst the graves I see lives lived, dreams dreamed and realized or unrealized, and I wonder what each person valued during their allotment of days, and what they valued on the very last day.

Value is relative and passing? An extraordinary moment, when conscious, is valuable.

This is from Rumi: Spirit is so mixed with the visible world that giver, gift, and beneficiary are one thing. You are the grace raining down; the grace is you.

Value is grace? You? What surrounds you?

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Story Your Life

title_pageI’ve received a few questions this week about life stories and rather than blather…here’s another snippet from my book, The Seer:

Stories often deal with the collision that arises when learned patterns blind us to our natural impulses. Living according to what we “should do” or “should think” inevitably collides with what we desire to do and this provides a hot crucible for growth. When Virgil asked me to practice “not knowing” he was poking a hole in my story of “should do” so that I might once again hear what I intuitively knew to be true. Stories show us how to get out of our own way. As Virgil recently wrote:

Virgil: You are at one time the source of your yearning and your greatest obstacle. What you think that you should do IS the obstacle to your desire.

In my latest chat with Virgil I told him of my revelations about ‘not knowing what I DO know,’ about my memory of my client, and how I convinced her that she didn’t need me and could do the work by herself. I wrote:

Me: At the time I really needed the money. I needed the business! And I spent that morning convincing a potential client that she didn’t need me. It’s the story of my life!

He responded:

Virgil: Oh, you are dangerously close to the third recognition.

I decided I needed to stop being careful with how I said things to Virgil. I’d just learned that my language mattered so I might as well write what I was thinking:

Me: Well, maybe you should tell me before I trip over something and hurt myself. You must have an answer or two in there somewhere…

Virgil: I’m woefully low on answers but I do have a question for you: What did you mean when you wrote: It’s the story of my life?

Me: I don’t know. It was just a phrase, an attempt at humor.

Virgil: What if it’s not just a phrase?

Me: You mean that convincing people that they don’t need my services is the story of my life? That is why my business crashed?

Virgil: No. I’m not inferring, interpreting or implying anything. You used this phrase: It is the story of my life. I’m asking you to consider that this is more than a flippant phrase. Are you aware of the story of your life?

I was getting angry again. And I was beginning to recognize that my anger was a pattern that flared when I felt lost. I get angry when I am driving and miss my turn or can’t find where I’m going. I wanted a map. I wanted Virgil to be my personal GPS and tell me where to go. Where were we going with this? Sometimes I can’t help my sarcasm:

Me: You mean I only get one story?

Virgil: Your story is not something you get. Remember, your language matters. Choose your words more carefully and you might see the third recognition before you trip over it. Connect the dots. Tripping over it will not hurt you. It’s the choice to be blind that causes your pain.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, Seeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Locate Your Self

title_pageHere’s a short excerpt from my book, The Seer, dealing with the dance between investments, limitations, and the roles we play in life. This conversation is a kind of coaching session and is happening via online chat:

Me:…All week I’ve asked myself, “why?” Why the dramatic shift in experience from role to role? I’m a bit shocked to realize that I play many, many roles each day. In each role I want something and what I want is different depending upon the people I am with. I realized that my roles are not about me in isolation – and what do I mean by that? I mean that I define my role by how I define the relationship I am in at the moment. For instance, in my workshop, I assumed the role of “guide” and I wanted to lead the young people to some new insights that might help them create their businesses. In my conversation with my parents, in the role of “son,” I wanted them to be pleased with my work. I wanted to share and I wanted their approval. So, my role is defined by relationship and in each different relationship I tell a specific story based on what I want or need. I’ve “cast” myself in these little mini-stories. Or to use your term, “role” is the way I “locate” myself in the story.

Virgil: And how does this knowledge help you with your questions about business?

Me: The first thing that occurs to me is that I have the capacity to locate myself in a different way if I don’t like the role I’m playing. I can change how I locate myself. Also, there is a dance with the words “limitation” and “investment.” I took notes all week and realized that I was using the verb “to invest” over and over again to describe my experience of different roles. So, for instance, during my dinner with my friend Bruce I invested in helping him. I wanted Bruce to know that I cared about his challenges. Then, I watched Bruce invest in being the wine expert. It was his way of caring for me and demonstrating his expertise. I began to see my investments as keys to discerning my limitations. In some roles I’ve invested in the idea that I can’t do something or that I’m not good at something. In some roles I diminish myself; my limitations are investments in being small.

Virgil: Just a caution: as you explore further the dance between investment and limitation, remember to practice suspending your judgment. Remember: you are having experiences first so you can see how you make meaning and begin to choose how you make meaning.

Me: Thank you. It’s a good reminder. I was beating myself up every time I     realized I was investing in being small.

Virgil: We tell ourselves stories. We locate ourselves within the stories. In fact, that is the next recognition: you locate yourself within your story. We do it physically (like your description of choosing the table in the restaurant); we do it through the roles we assume – specifically our assumptions of how we need to play our roles, what is ours to do, etc. Locating is simply a way of establishing comfort. We sort to the known. If you judge how you locate yourself, you miss the opportunity to change how you locate yourself.

Me: Right. Judgment blinds me to the choices I am making.

Virgil: Judgment is always a version of the “things are happening to me” story. In fact, judgment is a way of locating: it is the warning signal when we step too close to discomfort. When I judge myself and say, “I’m an idiot,” I’m actually locating myself, pulling myself back into my comfort zone. When I judge others, “They are idiots,” I’m locating myself in a higher status position. The action of diminishing “them” elevates me back into a comfortable status position. Thus, suspending your judgments removes the easy step back to comfort and allows you to stand in “not knowing” and see what is there beyond what you think is there.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, Seeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

Clear The Channel

Something else from the archives.

Something else from the archives.

It is the day before we fly to the Netherlands. We started the day early with a long walk, coffee, and a chat about everything but our prodigious to-do list. We’ve learned that it makes a huge difference to our day if we start slow. It makes a difference if we make a conscious choice about where we place our focus in the day.

For years I rose early and read something that inspired me. I read sacred texts, philosophers, artists, seekers, children’s books,…, anything that pulled my mind from my to-do list and grounded me in things that seemed more important to give my thought space. It was a form of meditation. I learned early on that my readings influenced what I saw during the day and, so, influenced my experiences; I interpreted my life according to my meditation instead of my to-dos. I opened to experiences instead of predetermining how I should feel about the list.

Now, after so many years, I have developed an automatic response to the flotsam that might catch my attention. When some clutter catches my attention I say to myself, “I don’t want that to occupy my mind.” And, like a cloud, it evaporates. I want to keep my thought channels clear. I want my thoughts focused on attention to and appreciation of the moment, creative processes, or noodling with cool ideas – and not snagged on the news of the day. Thought channels are like arteries and too much gunk will jam the flow. Gunk is a great source of depression. Last year I went on a news moratorium when I started my walk-about and found that I had a lot more thought space without the news-cycle-chatter. I learned that without turning on the news or opening a paper I heard everything worth knowing. I learned that I  had no need for the endless cycle of breaking news to be well informed; 24 hour news is like bad cholesterol. It is an addiction. It is a false high. I learned the necessity of questioning what I was plugging in to (what I was plugging into my mind).

Knowing what you don’t want clogging your mind necessitates becoming clear about what you do want occupying your thought. Thought requires a focus and focus is a choice. Mostly, my answer is no thought. I want silence. I want presence and presence requires almost no interpretation.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Summit

A painting from the distant past. For some reason I wanted to reach deep into the archives for this post.

A painting from the distant past. For some reason I wanted to reach deep into the archives for this post.

The theme for the workshop in Holland is “team.” I’ve never been linear about how I think about anything and this time of planning has been exceptionally circular. I complimented Alan the other day; he has a genius for immediately reducing complex concepts into easily graspable models. I, on the other hand, have to circle and circle in an ever-tightening spiral in order to articulate what I see to others. I generally live in the stratosphere and have to grab ahold of a stone in order to touch the ground.

It’s been over a year since I gave much thought to the corporate world or any form of facilitation. I left it when I went on my pilgrimage. Walking away affords space and perspective. I wrote my book, The Seer, during the first months of my walk-about. It served as a shorthand story for all the things I’ve so far learned. It also served as a “letting go,” a release of all the things I thought I knew. All of my previously held sacred assumptions dissipated. What was known is now unknown. I am certain that I know nothing at all so it is the perfect time to begin a discovery process with a group of people. My worth to any group has been my perspective, my capacity to say, “I don’t know. Let’s find out together.” I need to be an outlier to be able to see. I need to stand on the margin to serve.

I’ve come to recognize that my pilgrimage is not over. It entered a different phase. It is not a path to a cathedral or holy land, it is the ascension of a summit. My lengthy walk took me to base camp merely. For many months I’ve been acclimating to the altitude and now it is time to travel toward the summit. For the first time in my life I am asking myself a better set of questions about my unique pursuit. I can see how my unique K2 is distinct from all of the other peaks. I’ve climbed other people’s mountains. I’ve helped carry lots of other people’s stuff. This peak, this summit is mine.

As I spiral in tighter and tighter, coming to understand what is so allusive about this simple word, “team,” I am amused to realize that what was once charted territory is now the outland. The wilderness into which I step is the very field I left behind. What was known is now unknown. I am certain of two things and recognizing both lets me know I am ready to move forward: 1) I know nothing at all. 2) No one summits alone.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

Remember The Fire

this is the first painting in a triptych I did for The Creatures Of Prometheus, a performance I did with The Portland Chamber Orchestra. special kudos to Jen and Brad for housing these enormous paintings for me.

This is the first painting in a triptych I did for The Creatures Of Prometheus, a performance I did with The Portland Chamber Orchestra. Special kudos to Jen and Brad for housing these enormous paintings for me.

With the spring the storms have come. Brilliant blinding flashes of lightning followed by thunder that rolls and rolls for minutes without ceasing. Joseph Campbell once posited that the voice of the thunder was humankind’s first experience of the godhead; as I listen now to the sky roil and rumble, watching Tripper-Dog-Dog-Dog look for a safe place to hide, I am grateful to be inside protected from the god’s displeasure.

Last week I learned that the phrase, “blinding flash of lightning” was more than poetry. Kerri and I were taking our usual late night stroll. There were distant rumbles of thunder, but nothing close or threatening. The crack and flash seemed to come from nowhere. I ducked. Kerri screamed. It felt like we were inside the lightning rather than beneath it. The ground rumbled in concert with the sky. For blocks around us, car alarms whooped and beeped like Chicken Little. I imagined the cars were as taken by surprise as Kerri and I. For several moments after the flash, I was literally blind.

We were already running when sight returned, we laughed and squealed and kept our heads down as if that would make a difference. It seemed as if the storm was far distant one moment and on top of us the next. The sky spit hail. It rained for a moment. And, as suddenly as it was on us, it was gone. We stood still in the wake of the storms departure. I wondered if I’d imagined it except the parked cars were still sounding their alarms.

Once, when I was in high school, I hiked with a friend to the top of a peak. We were above the timber line and although I knew enough to be off the mountain top before the afternoon storms rolled over the divide, the thunder clouds came fast and we were caught in a powerful storm in a meadow just beneath the peak. It seemed as if we were literally inside the cloud as the lightning made the hair on my head stand on end. We wedged ourselves in a sitting fetal position between some boulders, and reflexively closed our eyes and covered our heads. Each flash sent a jolt of fear through me. I’ve rarely been as frightened or exhilarated as I was that day. The storm roared over the mountain top and descended into the valley. It was gone as fast as it came. It was awesome.

In one of the versions of the Prometheus story, Zeus charges Prometheus with the task of creating creatures for the sole purpose of worshipping the gods. Zeus wants the new creatures to be crude and stupid. Prometheus, instead, creates something beautiful and smart: humans. From clay, he sculpts a female and male form. Knowing that Zeus will never give life to his beautiful creatures, Prometheus steals the immortal fire, the lightning, and sparks the human hearts to life. To punish Prometheus, to keep his beautiful creatures from knowing their own beauty, Zeus introduces them to warfare, both the internal and external variety; he makes them doubt. He infuses them with fear. He makes it easy for them to focus on their ugliness so that they might misdirect their awesome power and forget the creative fire burning in their hearts.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Give Joy

This is an illustration from my as yet unpublished children's book, Play To Play.

This is an illustration from my as yet unpublished children’s book, Play To Play.

The question was, “What gives you joy?” People responded with things like, “family,” “the sunrise,” and “community.” Someone offered, “Other people’s laughter gives me joy.” There were nods of agreement all around.

It is hard for me to hear a question like, “What gives you joy?” and not think of Viktor Frankel. As a young Jewish man in Nazi Germany, he somehow survived years in a concentration camp. He emerged believing that, other than sheer chance, the line that divided the survivors from those who perished was a capacity to give meaning to life – as opposed to seeking meaning from life. He noted that the prisoners who sought meaning from the experience perished. Those who made meaning from the experience were more apt to live another day; they storied hope instead of looked for it.

Viktor Frankel famously wrote that, “Happiness ensues.” Happiness follows. It is not something sought. It is not found on the outside. Happiness is a response. It comes from within. We bring happiness to a moment. We do not get happiness from the moment.

Joy is like happiness. As I listened to the responses to the question about joy, I thought about the language of “seeking” and “ensuing.” In the English language it is hard not to create a paradigm of separation. We rely heavily on our nouns. Things are distinct. Dissimilar. “It” is found outside; “it” is located inside. “I give meaning” versus “I get meaning.” Give. Get. Either way, within or without, there is a line of division; “it” cannot be in both places. I wondered if the experience of joy and happiness (or sadness and grief, for that matter) are co-creations. I wondered if the language of us/them, within/without actually obscured the other option: we seek it and it ensues because we engage life. We open and life opens. Joy, like happiness, is generated in the relationship space, the space between, and in the relationship space there is no separation. Your actions and my responses are intimately connected. Where is the line between my action and the impact it creates?

After the conversation about joy, Kristi talked about being empathic. She said, “I can feel other people’s pain and then I carry it.” Earlier in the week, Kerri and I had the same conversation. She told me that she wanted to learn how not to take on other people’s stuff. I told her about the time I sought a teacher named Anna Christensen who showed me how to feel but not take on other people’s pain. “We are all empathic to various degrees,” Anna said. “Most people, to survive, need to numb their capacity for feeling. It’s necessary for most people because they need to know where they end and other people begin. They need the illusion of the individual. But, that comes with a cost; it creates the terrible experience of aloneness,” she added.

If other people’s laughter gives joy, and we can universally agree that is true, then my laughter and your laughter give joy to others. Isn’t it really just that simple?

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

Look Up And See

Another painting from my archive. Today I call this, "The Other Side Of Yearning."

Another painting from my archive. Today I call this, “The Other Side Of Yearning.”

The fire in the fire pit was waning. The party was over and everyone had gone. We sat staring into the small flames, quiet, exhausted from the day yet exhilarated from the amazing people and conversations that filled our evening. It was a cloudless night sky and I sat back into my chair and lost myself in the stars.

Once, many years ago, I went to Kitt Peak Observatory outside of Tucson and spent a long evening looking into deep space. I saw stars and star clusters, asteroids, black holes and ice fields. We ended the evening looking towards Andromeda, the nearest galaxy to ours; it was so distant that its stars appeared to me as a mist, a shadow that shimmered. I was overcome with emotion that night. I’ve never felt so small and yet so undeniably connected. I was a universe within a universe within a universe. I was nothing and everything.

As I sat last night in my chair looking at the little points of light in the sky, I thought about all the things that seem so insurmountable on this earth. There are economies of exclusion, wars and markets that depend upon wars to prosper, slavery and drought and poverty, there are broken lives, broken hearts, and broken dreams. There are closed hearts and closed minds. There are people killing people over conflicting definitions of god. There are so many tug-of-wars over possessions and power and resources and boundaries that, from ground level, appear vital, real and important. But the moment you gaze into the night sky, the moment you place yourself in the context of the enormity, the moment you recognize the paradox of existence, the smallness of separation and the infinity of connection, you see how mechanical and rote most of our dramas really are. They are mostly made up. They are patterns of our creation. They are, each and every one, built upon the ultimate cop-out answer: we do it this way because we’ve always done things this way.

Once, in high school, I was at science camp in the mountains on the night of a meteor shower. We lay on blankets in a meadow oohing and aahing at the dance of stars happening in the heavens. I remember being awed. I remember thinking that the only real purpose people serve is to make up stories about the things we can’t explain. We are witnesses to miracles everyday and because we must somehow contain it, we reduce it. That night I understood that all belief systems were just that: systems. They are mechanisms to help us contain what we cannot comprehend. We need them to function, to orient ourselves in infinite space but forget that we invent them. In the face of the sheer magnitude of our existence, we reduce ourselves, too, and forget that what blinks at us in the night sky, is a force, an energy that transforms, and we are an expression of that force. We are part of it. Our role may be to witness, to appreciate, to interpret, to sense make, but mostly, gazing into the sky, I think our role is to recognize ourselves in it. If we are capable of losing ourselves in the stars we are equally capable of finding ourselves in the enormity of it all.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies and Kindle.