The Direction of Intention

“Isn’t it funny,” she said, “that we trust what comes out of the government of Pakistan more than we trust what comes out of our own government.”

Habitual lying destroys credibility. It is the point of Aesop’s fable, The Boy Who Cried Wolf. It’s a story as old as, well, Aesop, who walked the earth and told stories in the 6th century BCE.

Our current unfolding fable begs the question, “What happens when the wolf and the lying boy are one and the same?” Like the fern in our garden the story is unfurling right before our eyes. What moral lesson might Aesop have spun into our developing fable? This lying boy/wolf is certainly feasting freely upon the sheep, all the while crying, “Wolf!” – as if he himself was under attack from every quarter. Has the point all along been to blunt the villagers’ response to genuine urgent warnings? To so completely break down communal trust that the people refuse to believe what they see with their own eyes?

Of course, Aesop has a caution, a moral reminder prepared for our rescue: abuse of trust always backfires. It’s a consequence as predictable and as old as, well, Aesop. The lying boy/gluttonous wolf will have his reckoning. Yet, the villagers will suffer the greater loss. No sheep. Broken trust. A fractured community wondering how to put the pieces back together again.

read Kerri’s blogpost about THE FERN

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Filed under: DR Thursday, Identity, Metaphor, Story | Tagged: Aesop, Aesop's Fables, artistry, authoritarian, david robinson, davidrobinsoncreative.com, gaslighting, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, lies, story, studio melange, The Boy Who Cried Wolf, the melange, trust, truth |