“The end is in the beginning and yet you go on.” ~ Samuel Beckett, Endgame
When is something finished? Beckett wrote Waiting For Godot in 1953; characters waiting for what will never arrive. A finish. A completion. Beckett’s life spanned both wars-to-end-all-wars, Korea, Vietnam. He wrote about humanity’s dedication to nonsense. His work has been called bleak and dark. His work is shelved with the canon of The Theatre of the Absurd. And, yet, given the news of the day, these days, who doesn’t feel as if they are living in a Beckett play?
What is often missed in his absurdist plays is the beautiful human capacity to keep walking, to keep trying. Waiting and walking through tragedy, mostly of our own making, with unwavering hope. We story ourselves with nobility even when wrapping ourselves in a lie. We make rules and laws that apply to some but not to all and then we set about to justify the inequality. Money and morality are not the same thing though there’s plenty of storytelling meant to have us believe that wealth only flows to the worthy.
Art is not supposed to make sense because life doesn’t make sense. We make sense of life through the stories we concoct. Emperor’s buried with thousands of statues to keep them company in the afterlife, an artist painting the ceiling and walls of the Sistine Chapel, gods and angels and saints. How many people died building the great pyramids, tomb for a pharaoh? Who would possibly spend their life in abject poverty smearing color on canvas? Van Gogh. A legion of others not known. Are we better for it? I cried the day the Taliban blew up the Buddhas of Bamiyan, 6th century statues that I had not seen in person and was likely to never see. Were my tears more or less absurd than the Taliban’s animosity toward carved stone?
Matters of the heart. When are they finished? Where do they begin?
It was a gorgeous day, perhaps the last warm day of the season. We met our pals at the Chicago Botanical Gardens. Throughout the gardens, preparations were being made for the annual holiday light exhibit. A tree of shiny stars. Giant flowers. Faux candles floating in the waterway. Strings of colored lights were being placed along the walkways. Even during the light of day it was impressive.
In this time of transition, many of the gardens were being prepped for the winter, the pathways were packed with people cooing at the wave of the grasses, the shape of the trees in the Japanese garden. I was gobsmacked by the color of the moss on trees, the shock of red leaves against vivid green. No matter which direction I looked, someone, some special gardener and designer, had crafted beauty. They knew that their work would stop me in my tracks and allow me to whisper, “Unbelievable.”
Winding our way back to the Visitor’s Center, I told Brad that, seeing so many people out enjoying the gardens, excited to walk in beauty, filled me with hope.
To walk in beauty. Dollars and cents can’t reach the reason. Data can’t touch the impulse. There is so much light in this theatre of the absurd. Beckett knew it, writing about the stories we tell, the relationships we create, waiting for something – a beauty – that by definition, will never arrive because we are surrounded by it each and every day.
read Kerri’s blog post about RED SCULPTURE
Filed under: Art, Creativity, DR Thursday, Identity, Metaphor, Seeing, Story | Tagged: aarp, absurd, afterlife, artistry, beauty, begin, Buddhas of Bamiyan, Chicago Botanical Gardens, david robinson, davidrobinsoncreative.com, end, Endgame, equality, funerary art, heart, hope, humanity, inequality, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, light exhibit, light show, pyramids, Samuel Beckett, sculpture, Sistine Chapel, story, storying, storytelling, studio melange, Taliban, the melange, Theatre of the Absurd, tragi-comedy, van gogh, Waiting for Godot |
The Direction of Intention 
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