See [on DR Thursday]

HH sketches copy

These days, I draw to sort out a composition. That’s it. I open my sketchbook if I need help seeing beyond what I am thinking.

I used to draw everyday. It was a rule. It was an essential part of my daily life and artistic development. I now know that, during that phase, I was teaching myself to see.

Nowadays, I take my sketchbook when I go on vacation. For a few moments every morning, I open it and do a series of quick gesture drawings. 10 seconds max. I rarely look at the page. Quick gestural lines of what’s right in front of me. Quick capture of a memory I want to record. Eating watermelon on the deck. Picking up a shell to see if it’s occupied. Seeing the moment. Seeing the memory. I close my sketchbook and later in the day take a peek at what I drew.

Once, long ago, I was jammed up. A blocked artist. Liz had me do 100 paintings in an hour. Ink and a brush and no time to think. No separation between the seeing and the movement of the brush. It was fun and fast. No thought means no judgment means no blockage. It bears repeating: seeing = no separation. My block disappeared in a single night. My artistic well sometimes goes dry but since Liz’s lesson I have never again been blocked. She reminded me that artistry is about seeing and not about showing.

I sat on the deck overlooking the ocean. The morning sun, hot coffee and a few pencils. I opened my sketchbook and my eyes. As my hand moved quickly across the page, the world sparkled, and I knew that I was the luckiest man alive.

 

read Kerri’s blog post about HILTON HEAD SKETCHES

 

juiceglassesonHH website box copy

2 Responses

  1. Thank you, David! I’ve been painting, but not even close to enough. Maybe this’ll kick me gently into more.

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