A Refresher [David’s blog on DR Thursday]

Jim E guided us – actors and directors – through an exercise he called The Spirit of Play. He was a master teacher. Afterward I made copious notes so I, too, might lead others to their spirit of play.

Through my time in the theatre I guided many groups through the sequence. Later, in the corporate world, finally understanding the essence beyond the progression of steps, I led lawyers, business folk, teachers, coaches, consultants…through variations of Jim’s original workshop, all meant to bring people back to themselves, back to their spirit of play. It was my north star, “People just want to play,” I assured my doubtful collaborators.

Play is an umbrella big enough to safely contain the serious stuff. The serious stuff by itself is too small a container to allow for play. The inspiration-well will always run dry if play is banished from consideration. Unfettered imagination, freedom of exploration and expression, so natural as a child, is shackled when the spirit of play is burdened by a purpose called win or lose.

I recently reminded myself that cloud gazing feels good and requires no other purpose for doing it.

Clearly needing a refresher for my own spirit of play, I went into the studio, pulled out eight canvases, mixed a bucket of paint, grabbed several big tools, scrapers and rags, and to the tunes of Jerry’s jazz band, I spattered, pulled, rolled, scraped, smeared. No thought was allowed, not goal was considered. Nothing serious was entertained. I dropped my very-important-role of “artist” and laughed and laughed.

KDot & DDot See An Owl, 24″x48″, acrylic

read Kerri’s blogpost about CLOUDS

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Go To The Shoe Room [on Two Artists Tuesday]

When I managed the theatre conservatory at PCPA Theaterfest, I occasionally gave backstage tours. It was great fun because the favorite stop on the tour – on every tour I gave – was the shoe room. Visitors always enjoyed standing on the stage, they were impressed with the scene and costume shop, they delighted to watch the prop master at work, but the moment we entered the shoe room, they were transcendent. Wide-eyed and giggling, pulling period shoes from the shelves to show their companions, it was as if they’d entered a candy store. The magic was released through the shoes.

The shoes, I suspect, harkened back to a time of dress-up. Childhood. The shoes touched their spirit of play. They beckoned to be worn and, as any actor knows, the shoes will inform how a character moves. The sooner you don the shoes, the sooner you will “find” the character. The shoe room was a portal to possible-other-lives.

I am more enamored by sketches than I am by final drafts. I delight in watching master craftsmen and craftswomen work. Theatre artists do not create illusions, they provide access to other worlds, unknown paths. They invite us to the shoe room to try on another life, even for a moment. The process, to me, is more beautiful than the performance.

As we walked the paths of the Botanical Gardens, the technicians were preparing for the festival of lights. Walkie-talkies crackled. Connections were checked. Battery packs were carefully placed. Multi-colored light strands ran like rivers up the trunks of trees. E-candles on armatures floated in the waterways. Magic was in the making. During the daylight, the entire expanse of the Garden is backstage – exposed wires and explicit design. At night, the mechanics will fade behind the light curtain. Backstage will become fore-stage. The light will invite us into another world. The light will touch the spirit of play.

I have always believed that people, lurking behind those serious faces, really just want to play. It’s the reason I kicked off my shoes every time I entered a room to do a facilitation. Lose your shoes and it’s no longer a serious affair. Play threatens. Play is suddenly a real possibility. The spirit of play cracks even the most harden entrenchment. Play necessitates collaboration and sharing. Pirates and Princesses need mates and parrots and knights in order for the world to be complete. Lawyers will take off their ties and wear them as headbands when the shoes come off and the serious topics are approached in socks and bare toes.

I recently – as we all have – been privy to an endless contentious debate about what this nation needs to do to get back on track. I believe it is not so complicated. We can carry on our oh-so-serious-division, but the single rule should be that no one can open their mouth – politician, pundit, and pedestrian alike – before first taking off their shoes.

read Kerri’s blog post about LIGHT STRANDS