Steep! [David’s blog on Not So Flawed Wednesday]

“The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image.” ~ Thomas Merton, The Way of Chuang Tzu

After I finish reading my latest book, The Denial of Death by Ernest Becker, I have decided to steep myself in life-affirming reading, the likes of John O’Donohue, Philip Gulley, Pema Chödrön, Mary Oliver, Krishnamurti, Rilke, Rumi, Thomas Merton…I meditate on what I read -whether I want to or not – and in our angry chaotic times I’m feeling the need to wrap myself in the warmth of poets and other lovers of life. People who’ve transcended their small lives and looked into deeper space. I will begin my steeping with Thomas Merton’s The Way of Chuang Tzu – a Catholic Monk translating the voice of the Tao.

I read the quote above and wanted to alter it slightly: “The beginning of self-love is the will to let ourselves be perfectly who we are, the resolution not to twist ourselves to fit into another’s image of who we are supposed-to-be.”

The real challenge in letting ourselves be perfectly who we are is that most of us have no idea who we are. Few of us fit into a box called “me.” Who we are is dynamic and ever-changing. Self-discovery is a life-long affair and we are most fortunate if it is a life-long love affair.

Kerri says that we don’t really-really change as we move through life, we just become more of who we are. The outer layers of illusion and social concoction drop off until the core is revealed. I don’t know if I agree but I love the image. And, I confess that these past few years have felt like a ferocious layer-stripping. If she is right then I have to be…we have to be…close to the core.

In the wake of the layer-stripping I’m finding that the simple things in this life bring me great satisfaction. We found the old sun-tea jug in the cupboard. With the mint growing in the yard and slice or two of lemon, each day we smile and drink the summer sun from a jelly jar. We tell stories of sun-tea from the past.

It’s the sensual things, like the taste of tea brewed from the sun. On a hot humid day, the sudden shift of cool wind off the lake. The sound of cicadas. Fireflies. Laughter at dinner. The taste of good wine. The stuff of poets. The witnesses of “the eternal now.”

It’s as simple as sun tea, this desire to steep my thoughts in the awe-of-life (as opposed to the awful). And, as the ancient saying goes, as I continue the quest to discover myself: where I place my thoughts my life-energy will follow.

read Kerri’s blog about SUN TEA

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Cozy In [on Not So Flawed Wednesday]

New flannel sheets in winter are down-right-Dionysian. Yummy, snuggly and warm.

I thought about the god of pleasure, sensuality, and wine the first time I cozied into our new flannel. There is no way a Puritan mind was involved in the invention of something so seductive. “These sheets are pure-Greek-hedonistic,” I thought as I burrowed in for the night.

Life leads with the senses. We experience – and then we story the experience. That means we feel, taste, touch, hear, smell…and then we make sense of what we’ve sensed.

As someone who’s spent an inordinate amount of time trying to make sense of things, I’m inclined to believe that the ever-elusive meaning of life will never be reduced to a tidy sentence or contained in a big book, but is certainly available in the stories we wrap around our messy experiences. We don’t find meaning, we bring it.

My story, as I nestle deeper and deeper into my delicious new flannel sheets on a cold winter night with Kerri at my side and Dogga laying on my feet: beyond words. New flannel perfection. I am the luckiest man alive.

read Kerri’s blogpost about NEW FLANNEL

Divine It [on Two Artists Tuesday]

loves me loves me not copy

[warning: Kerri just said this post is ‘heavy’ so enter at your own risk]

And, who hasn’t pulled the petals off a daisy in an attempt to divine the love of another? Loves me, loves me not, loves me… Perhaps a silly childhood practice but, truth be told, I’ve yet to meet a person who doesn’t secretly, unconsciously, or otherwise, put their right shoe on first for good luck, throw the I Ching, look to the stars, whisper a prayer for guidance, follow their intuition, avoid stepping on the crack, read the Tarot, plumb the sacred numbers, sit in the forest and listen for the ancestor to whisper.

I read an article yesterday that frightened me. Sometimes the statement of the obvious is more frightening than the monster peering from within the closet. The use of the behavioral sciences “to determine the news we read, the products we buy, the cultural and intellectual spheres we inhabit, and the human networks, online and in real life, of which we are a part.” Invisible Manipulators Of Your Mind. Techniques that appeal to “… our non-rational motivations, our emotional triggers, and unconscious biases.”

Techniques. A cold word. Manipulation. Perhaps manipulation is the central action and natural endpoint of capitalism. The reduction of the meaning-of-life to something that can be bought and sold. The church we construct and inhabit is built upon a hard sale and requires a made-up-reality to realize its fulfillment. The ritual of the market, the ringing of the bell, calls the worshipers to trade. We watch the numbers in an attempt to divine a fast moving future.

There is a tug-of-war happening now as the information age eats itself. “The pressures to exploit irrationalities rather than eliminate them are great and the chaos caused by the competition to exploit them is perhaps already too intractable for us to rein them in.”

Can you feel the chaos? Are your relationships fracturing along lines defined by red and  blue? What forces are determining your belief about the pandemic? The science is simple enough for a child to understand; the seeds of doubt, the ubiquitous exploitation of emotional triggers and unconscious bias makes us a behavioral sciences petri dish. It seems our division is not accidental, our tribes are rigged, our information is bubble-wrapped and packaged. Our division is also, we are told, increasingly irreparable.

Exploit irrationalities? Scary! Eliminate them? Scary, too! Why must we either exploit or eliminate our irrationalities? Think about it. The war on our irrationality might be a sign of our real root rot, our actual dis-ease.

The pursuit of pure reason. Cut yourself in half and toss the dream-side in the bin? Creatures who fight multiple world wars, build economies on weapons sales, send their kids to school during a raging pandemic, soil their nests with plastic, cut down their rain forests (lungs of the earth) for more grazing land, exploit each other…are not following the signs on the path to pure reason. Exploitation of others is not a characteristic of reason, pure or otherwise.

Creatures that make art and prize beauty are not purely reasonable.

Rationality is not the goal. It’s a sick tease to promise the elimination of fear and mystery. It’s hubris to desire to transcend nature, to promise dominance over creation. No one really wants to be Mr. Spock. Staring into the Milky Way with wonderment, standing with your back to a warm brick wall while facing the sun on a cold winter day is gloriously human. Sensual. Not rational. Mystical and mysterious. The dark side of the moon is as necessary as the light.

Sensuality is as necessary as rationality. Why strive to build a gate with a single post?Why close the gate on the middle way? Maybe the word we need to strive to achieve is “sense.” Common sense. Shared sense. It may lead to common good, shared responsibility and other wild ideals built on bedrocks of trust rather than sandy deceit.

There’s nothing rational about generosity or kindness. They are, however, specifically human and vitally irrational, made even more plentiful when not exploited for small change.

Loves me. Loves me not.

 

read Kerri’s blog post about LOVES ME

Kerri remains in the FACEBOOK penalty box for unspecified crimes against e-humanity. If you enjoy reading her musings, please consider subscribing to her blog. It will keep you (and her) out of the daily trawl of horrors.

 

 

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icarus ©️ 2004 david robinson

Visit [on Two Artists Tuesday]

birch in winter copy

All this week I’ve been lost in memories of childhood. Nothing indoors, my remembering is outside. Running through fields. Aspen trees. The sound of snow. The smells of coming spring in Colorado. The intense blue sky. Standing against a brick wall, face to the sun to drink in the warmth on cold day. These memories are more sensual than story. It’s as if, this week, I need to remember the feeling of being a child.

I’ve always loved to draw and paint. I’d spend hours drawing eyes and faces. I drew portraits of Colonel Sanders from the empty chicken bucket. I spent hours inside of National Geographic magazine drawing the figures I found there. I drew again and again and again a cabin in the woods that lived only in my imagination. I knew the place the first time I scribbled it on paper. There was a period of time in my mid-life that I thought I might someday happen across the cabin-of-my-imagination.  I forgot the feeling of being happily lost inside the world of my imagination. This week, I remember.

Up north, walking on a frozen lake to see the eagle’s nest, we passed this stand of birch trees. Andy Goldsworthy could not have placed them better. White and fragile against the forest, they glowed in the afternoon sun. They shocked me into presence. I was surrounded with people I love, the sun was warm on my face, the creaking of the ice, the smell of pine, Kerri’s delight. “Remember this feeling,” I told myself. Remember this moment. Someday, after you’ve long forgotten this day, you will reach back and be thankful to have this place in memory, this feeling, to visit again.

 

read Kerri’s blog post about BIRCH TREES

 

footprints in sunlit snow website box copy

Look Close-In [on DR Thursday]

EI7Morsel copy

Georgia O’Keeffe was a master painter of paradox. Her paintings open the expansive universe by focusing close in, approaching the mystical, the sensual through the minute. She expressed so much through minimal strokes. I suspect her paintings are an expression of how she lived. Standing still in the arroyo, listening. Moving inward to reach the outer spaces.

I am a artist of a by-gone century. While I appreciate the digital world (you would not be reading this without it), I love the visceral, the deep inner driver, the instinctual. I am tactile. I am fed by the feel of the brush moving across the canvas, the smell and splash of the paint, the dance.  A world of possibilities and paths open when mistakes are not easily erased. Kerri calls this analog.

This is a morsel, a close-in crop of my painting, Earth Interrupted VII. Look closely and you will see the meeting ground of the methodical and the spontaneous, the controlled and the improvisational. I am learning from looking close-in. I see forces merged that used to be at odds, now good dance partners. Compliments. I, too, am learning to stand still, not in the arroyo but on the shores of Lake Michigan. Visceral. Listening. Moving inward in the hope of reaching the outer spaces.

read Kerri’s post about this MORSEL

 

www.kerrianddavid.com

 

earth interrupted VII/morsel ©️ 2018 david robinson & kerri sherwood