A Little Bit Of Light [David’s blog on Two Artists Tuesday]

The holiday around our house is like a daily treasure hunt. I never see her do it, I never catch her in the act, but each day, a bauble or bulb or ornament shows up on a windowsill or in a flower pot or hanging from a shelf in the kitchen. A little bit of light found in an unlikely place.

Today is the eve of Christ mass. It is also the eve of Hanukkhah. It is the eves-eve of Kwanzaa. A birth, the rededication of a temple of belief, a celebration of culture. Symbols and rituals of hope and renewal, showing up everywhere. A little bit of light popping up in kitchens and family rooms, places where people gather when they are seeking light and love.

A few years ago she wrote a song in what seemed to me only a minute or two. She needed another piece for a cantata she was rehearsing and couldn’t find anything that she liked. It’s called “You’re Here”. It exists only in the roughest of recordings. I caught it on my iPhone. This morning, while searching for another piece of music, we came across it and, as is true every time I hear it, I was saddened that this little bit of light is not known far and wide. A song of brokenness healed. A sunrise. A wish of hope.

I’ve posted it before – probably this time last year. But this morning, given the brokenness of our nation, the dedicated us-and-them-ness, the splintering of family, pundits and politicians fueling-rage-for-gain…I found it much more relevant now than when she wrote it.

If it is not of your faith tradition, you only need listen beneath the words to find the purity of her intention. A little bit of light found in an unlikely place.

Merry eve. Happy eves-eve.

You’re Here © 2018/2024 Kerri Sherwood

read Kerri’s blogpost about UNLIKELY PLACES

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Just Gorgeous [David’s blog on DR Thursday]

It wore a small plaque, a designated historical landmark. Even so, it’s a study of contradiction in decay. The building is a little worse for wear. Like an old skin, weathered tar shingles crack and peel from the corners. Pieces are falling off. And yet it is beautiful in its collision of textures. The weather-beaten wood carries the same green and orange as the copper hinge.

And, oh-the-hinge! Made in a time when function was an opportunity for ornamentation, now grown more beautiful with the patina and wreckage of age. It’s missing part of the pin. It’s crudely screwed into the wood, an after thought. Still, it is the first thing we noticed when we walked by the decaying structure. “Look at that hinge!” she gasped, reaching for her camera. Its imperfections make it a siren, a luring call to an aesthetic eye.

There’s a beauty that only age and imperfection can muster. Wabi-sabi; the riches of imperfection. The glory of transience. The building was happy to be noticed. It was more than patient with our photo shoot and made no attempt to hide its bumps and barnacles. “You see me!” it seemed to say, so used to people passing-by with nary a glance.

“You’re gorgeous,” she sighed, her lens focusing tightly on every intricacy, reveling in the smallest detail. “Just gorgeous!”

All My Loves (newly reworked), 24″ x 41 3/8″ mixed media on hardboard

read Kerri’s blogpost about THE HINGE

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