Welcome This [David’s blog on DR Thursday]

My series, Earth Interrupted, is as yet incomplete. I started it like I start most things – a happy accident – or more accurately, my brush giving voice to something rising from the deep that had not yet hit my brain. I completed five canvases and then stepped away. It needed to simmer. I needed to simmer.

The Lost Boy – my play with-and-about Tom Mck – took over a decade to germinate and find its place on the stage. My new play, Diorama, is an idea that has been with me, stewing, for many years. Last fall it rolled out of me in a process that felt easy though I know better. It took a long time to find “easy”. Now the real work comes: finding the path to performance and release into the world.

I spent the morning looking at my Earth Interrupted series. I’ve not visited these pieces since just prior to the pandemic – so it’s been awhile. The original impulse must have stewed long enough because the series is calling me back – though not in the usual sense. I have no images in my mind. I have no real passion to explore the initial notion behind them. I do, however, want to get lost in what I know will be the slow evolution, the process of allowing the image to find me, not through my mind, but through my quiet. I yearn for the quiet. I quite literally ache for the stillness that I experience when I paint. It’s the process that calls.

This series began as a meditation. It feels as if the sun is reaching through a thick layer of clouds. I am lucky. I listen for the voice rising from the deep. It’s been a long time. I welcome this meditation returning, breaking the surface at long last, and signaling that it’s time to come back home.

Earth Interrupted 1, 48″x53″, mixed media

read Kerri’s blogpost about THE SUN AND CLOUDS

share. like. support. subscribe. comment. thank you.

Come Home [David’s blog on Two Artists Tuesday]

I don’t know why but this photograph reminds me of a song by Dan Fogelberg:

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.
Yellows and grays
Paint the sad skies today
And I wonder when
You’re coming home…

Old Tennessee from the album Captured Angel. I played this album – this song – over and over again when I was painting. I could sing loud in my studio because no one could hear me. So, permission to sing horribly and with gusto. My fantasy musician fulfilled!

Woke up one morning
The wind through the window
Reminded me Winter
Was just ’round the bend.
Somehow I just didn’t
See it was coming

It took me by surprise again.

It was present with me the moment she took the picture and showed it to me. “Lookit!” she said. “It looks like a glimmer wand!” A glimmer wand. A wish ready to be granted. And the lyrics began running through my mind. A song of loneliness. A song of yearning.

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.

Yellows and gray
Paint the sad skies today
And I wonder when
You’re coming home
I wonder when you’re coming home.

Later, looking at the photograph, I realized that we – Kerri and I – are singing a song of yearning. We are awaiting the glimmer wand, the wish to be granted. A coming home. A return to ourselves. Lost jobs, broken wrists, all wrapped up in a global pandemic…Artistry as we knew it went missing. The life that we knew was lost.

For awhile we waited in silence. And then we went looking. And now, we know better. There is and never will be a return to what was. It cannot be found. Rather than seek for what was lost, we realized that it’s time to get acquainted with what is. Not artistry as it was but as it is. As it will be. Learning anew who we are. Now.

This life! As Kerri would say (in her cartoon self): “Sheesh!”

Somehow I just didn’t
See it was coming

It took me by surprise again.

read Kerri’s blog post about GLIMMER WAND

share. like. subscribe. support. comment.

Open The Time Capsule [on DR Thursday]

Morsel - Waterfall Dreams copy

Kerri calls this morsel ‘Waterfall Dreams’

This week some long lost paintings came home.

Nearly 15 years ago, an acquaintance opened a physical therapy office. She asked if I would hang my work in the reception area, hallways and therapy rooms. I was delighted and installed 8 paintings, all wildly colorful. I was in my phase of vibrant swirling color. The local galleries told me that my work was too colorful so I was delighted to have any opportunity to share my paintings. Over time, three of the paintings sold. I brought in a few more. They sold. Ownership of the office changed but the paintings remained. Years went by.

When I left Seattle, I left those paintings behind. I couldn’t get to them. I counted them as lost. And then, a few weeks ago an email popped into my box. They were looking for my address. They wanted to ship to me the paintings. Three remained.

Opening the box was like opening a time capsule into my past. A life I remember but am almost too far distant to recognize. They were a delightful abstraction like a TIME magazine from 1950 would be interesting, a curiosity, but intangible.  It was looking at the baby shoes your mom saved for you, the drawing you did in kindergarten.

Skip and I talked yesterday about points of orientation. We – all humans – story ourselves based on events. We orient according to the passages of our lives. Every so often life pitches an event so profound that it reorients everything you knew. It changes who you know yourself to be. The first stage of reorientation is disorientation. Getting lost. Struggling to know who you are. And, in being lost, the very first thing we do is try to make the old orientation points valid. It is deeply human to hang on to what you know, to try to fit into an old suit even after the body has forever changed. In the story, the knight takes off his armor. He weeps. He can never go back.

Leaving Seattle was one of those passages for me. Looking at these three paintings was like looking at the old armor. I had a double rush of appreciation. The first for having armor when I needed it. The second for being so far from the place where I stripped it off and left it behind.

hot springs copy

I can’t remember if I ever gave this painting a name so Kerri has dubbed it ‘Hot Springs.” acrylic on panel, 2′ x 2′

 

standing in vail website copy

waterfall dreams/hot springs ©️ 2018/2004 david robinson