What Remains [David’s blog on KS Friday]

“Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found.” ~ Pema Chödrön

The super moon called us out into the night. We ran-walked to the grounds of the Anderson Art Center so we might get an unobstructed view of the giant moon perched just above the horizon. Later, we walked the streets and paths that followed the shore so we could watch the moon shrink as it journeyed higher into the sky. An illusion.

My favorite part of our stroll was finding that we weren’t the only people called into the night. People – many people – gathered along the shore, some quiet, some giddy – all attending the march of the moon. “This is just like the old days,” Kerri said. A community joining together to share a common experience. No one cared about the politics or issues of the day. There was a common agreement as we passed others: “Isn’t it beautiful!” Strangers so moved by the enormity of the moment, so connected to this ancient traveller, that they were compelled to speak to each other.

Think about it.

The little stuff disappears in the face of the transcendent moon. I felt as if we were participating in a ritual that is as old as humanity. And, more to the point, this ancient ritual, the awe of the moon, invoked our humanity. We were, to a person, benevolent. In the timeless moon there was no space for the petty. There wasn’t a hint of righteousness or prejudice to be found. We waned in the face of the eternal light of the moon. What remained was a basic impulse to share the moment. To join. Primordial generosity. Kindness sublime.

It’s a Long Story/ This Part of the Journey © 1998/2000 Kerri Sherwood

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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