I realized on a night dive, 90 feet below the surface in the darkest dark I’d ever experienced, that my consciousness was like the flashlight I held. I saw only what was in the small space illuminated by my light. There was a vast world beyond what I could perceive in my limited view. I understood that the most potent choice I have – or will ever have – is where I decide to aim my light.
“Welcome home!” she said as we stepped into the gallery with three magnificent sculptures by Barbara Hepworth. The soft light, the floor-to-ceiling windows drawing us toward the lake. An open clean space. She was imagining this room was what our future home might feel like. I lapsed into studio fantasies.
I’ve always appreciated this room in the museum but for some reason, on this day, the sculptures were magnetic. While Kerri took photographs, I communed with Barbara Hepworth. The pieces are totems. Sacred symbols. Barbara Hepworth was a woman sculptor in a century that pretended the arts were the province of men. Her life spanned both world wars. She reached beyond the horror of her time to something more elemental. I found hope in her work. Guidance. Perseverance. She was shining her light on what humankind might become. Form and emptiness, perfectly balanced.
“Look,” Kerri said, showing me the photo. “It’s a porthole.” A perfect circle. A horizon. “I could stay here all day,” she closed her eyes and breathed in the space.
“Me, too.” Welcome home.
read Kerri’s blogpost about THE PORTHOLE
Filed under: Art, Creativity, Flawed Wednesday, Gratitude, Metaphor | Tagged: artistry, Barbara Hepworth, consciousness, david robinson, davidrobinsoncreative.com, emptiness, form, Guidance, hope, horizon, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, MAM, Milwaukee Art Museum, perseverance, sacred symbol, sculpture, story, studio melange, the melange, totem |
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