Thank Melissa

673. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Avalon disappeared into the mists of time. It is there, or so we are told, but it is out of reach to we mere mortals. In the age of reason the mystery retreated to the other side of the veil. I thought of that as this afternoon we drove through fields shrouded in fog towards a rural elementary school. We were visiting Melissa’s classroom; a place alive with magic and excitement and the vitality that is present wherever true learning is taking place. If magic survives beyond the veil then Melissa’s classroom is a portal to that sacred place.

Tom once told me, “You will know when you are doing important work by the size of the tide that rises against you.” Melissa is doing important work and is standing tall despite the towering wave that crashes over her (and every teacher in the nation) everyday when she asks, “Why are we doing this? What does this test or this shabby curriculum have to do with learning?” She asks and others turn away. She is the voice in the crowd that says, “This emperor has no clothes!” And like the child in the story, the truth-teller is shunned initially, hushed by the adults who are too afraid to say, “We know. We see it, too.”

There are plenty of teachers and administrators and parents and business leaders that see it, too. There are many conversations about fixing things. There are endless strategies and punitive measures to raise standards though no one is certain what standards we are raising (hint: test scores have nothing to do with learning; neither do lists or rankings or any other from of measurement). On the surface we are expert at finger pointing and assigning blame and still the emperor prances naked through the streets.

And beneath it all is Melissa and scores of educators like her that know the system as dictated to them is doing the opposite of what it professes. So, she wades into the muck everyday and ignites imaginations and encourages her students to explore, pursue, experiment and make messes. Her students make choices (they control themselves because she teaches them to be powerful): they are engaged in a quest of discovery. Her students are excited to come to school because what they do is real; unlike most of the adults who should be lobbying for their betterment, they are very clear and vocal about what has merit and what has little or no value.

Take The Train

672. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I’m on a train. It is night so I can see the distant lights, feel the swaying of the car, hear the whistle blow as if from a distance. I love riding trains. They are calming, peaceful. People relax when they are on a train. All around me people are sleeping and the few conversations happening are in hushed tones.

Although it might seem that planes and trains serve the same purpose, they are vastly different. A trip on a plane is nothing like the experience of a train. On the train, we are not crammed in to too tight spaces, buckled in and consistently distracted from where we are – as happens on a plane. When you are on a plane they don’t want you to think too hard about what you are really doing (hurtling through space in an aluminum tube at 30,000 feet). The beverage service and movie are there to keep you occupied. They tell me that babies cry on planes because the air pressure hurts their ears but I have a different theory: babies know they are skipping through space at 500 miles an hour and haven’t yet been socialized out of their feelings; they cry because it is the only sensible response to their predicament.

Not so on a train. Here, there is an entirely different philosophy at play. On the train, we are encouraged to look, we are free to walk about; there is a viewing deck! We are encouraged to take in our surroundings, not be distracted from them. We are on the ground. We are “in” it, not above it (if they are not yet sleeping, my car mates are staring out the window, deep in contemplation). Planes transport people from point A to point B; the “in between” space is tolerated. Trains are experiences; the “in between” space is the point. You can’t be in a hurry if you choose the train. Babies sleep on trains; they can’t help it, nothing rocks you to sleep like the motion of a train.

It is a happy accident that I am on this train tonight. And, I am amused at the theme appropriateness of this happy accident: this week I’ve been meditating on presence and slowing down – and wondering where in our contemporary lives does circumstance actually assist us in slowing down. I’ve found my metaphor on a train.

Take One Step

671. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I watched the sun come up this morning. I was sitting in Alan’s sun room sipping coffee, marveling at the winter colors of the sky: salmon pinks, lavender, and ice blue. And then, beneath the tree line, in a specific spot, the branches began to shimmer. I expected Merlin to materialize. And then the shimmer warmed, became orange and round and instead of Merlin, the sun lifted above the horizon, streamed through the trees, and washed me with the warmth of a new day. Were I a plant my leaves would have opened and I would have taken a might drink of the light of the new day. As a human, I had coffee on the inside, sun on the outside – I was warmed through and through.

I do not know what this day brings. Alan and I will teach a class, that much I know. Then, I will dash to catch a plane and then if the timing is right I will catch a train. If not, there will be an entire day between the plane and the train. Planes and trains are sometimes on schedule and sometimes off schedule depending on Mother Nature and the nature of machines. Tonight I could be in one of 5 different cities. I recognized as the sun rose that I am in presence training. I am learning to trust. For the next several months there will be no daily pattern that repeats itself. I will be mostly on the move; my suitcase is my home. Sometimes I will be with loved ones, sometimes I will be in isolation, sometimes with new friends, sometimes in another country. I am throwing my work away, tossing the patterns of my life as I knew them and re-imagining things. I couldn’t be more alive and present to my moment. My inner gypsy stubbed out his cigarette and hissing smoke through his nose said, “It’s about time.”

It is about time. We count our days, our minutes, we measure our lives, check our lists, stay on our schedules. We count ourselves into desperation when we forget what we are counting. Each breath is life giving. Each breath is unique and never to happen again. I watched the sun rise again and it was no less a miracle today than it was yesterday. It was not the same. Another year just turned over (if you recognize the same calendar that I do) and I can look to the past and think, “This and this happened.” At least that is the story that I tell, none of it is true for anyone but me. I realized an amazing thing about personal edges and story this week. The scary edges are only visible if you are oriented to the past; anchored into and trying to maintain the known. Orient to the unknown, anchor into present and there are no edges, only experiences. I think that is what I mean by learning to trust – I am learning to orient according to what is with me right now as opposed to what has been, what should be, or what might have been. Those things are mental abstracts – as are scary edges….the edges certainly exist, the “scary” is a story I can tell. Here is presence school, I am taking one step at a time, something I have done since first learning to walk only now, as an experienced walker, I am paying attention to the steps as I take them.

Go Up!

670. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

In airports, people are often racing to catch a plane. I have, more than once, sprinted through a concourse trying to catch my connecting flight before they closed the doors and captured me like a bug in the airport pickle jar: no way out. When I was in the Philadelphia airport, having more than enough time between flights, I found a nice perch and watched other less fortunate travellers race to their liberation. “That’s what I look like,” I thought as I spied a man wearing his too intense face, trying to reconcile his need to sprint through the crowd with his desire to not trample other people.

Coming from opposite directions, entering a knot of people, two wheelchair bound travelers, each late for a connection, spurred their airport attendee to go faster. It was like watching an old-time film clip of two trains roaring toward each other, unaware, an imminent head-on collision. They couldn’t see each other through the throng of people. The sea of travelers parted, the wheelchair riders caught sight of each other, eyeballs bulged, eyebrows raised, hands came to protect faces, and time – as it does in a spell or a moment of presence – came into a sharp, clear focus. At the last moment, in an impossible maneuver, the pushing attendees, as if choreographed, altered course. The chairs kissed, the spell was broken, and neither chair slowed down; grins of relief broke across the faces of all concerned. Mine, too. “That was well done!” one of the riders hooted to her wheelchair pusher as they sped off into the distance.

There are moments on the stage when an actor forgets their line and all pretenses fall. It’s called, “Going up.” Eyes bulge, eyebrows rise, their mind double clutches in panic, locks up, and for brief moment, without thought, they are intensely present, vitally alive. It feels like a mini-spell as time expands. And somehow, inexplicably, the words show up, moving the mouth without the assistance of the mind. The moment passes; the spell is broken, presence retreats behind the notion of control; waves of relief crash on the sandy shores of the actor. And yet, when the evening is over, the actor will tell you that moment was the most honest moment of the whole play. It was the most “alive” moment of their performance. It was the only moment that was not controlled, constrained, premeditated. It is what they attempt to master: presence on stage.

In watching the near wheelchair collision and remembering those brief moments of vitality on the stage, I couldn’t help but think that we (or I) have it backwards. The spell is not those moments of intense presence; the spell is a life that is rarely present. In those moments of near collision, when we lose control or are snapped into the immediate, the spell of the mundane is, for a moment broken, time no longer matters, nothing is measured or contained or controlled, and we enter life as we exit the predictable. I’m delighted that the wheelchairs did not collide and yet what a gift! Just like the rider I was left thinking, “For a moment, I was here and nowhere else. Well done.”

Flip it!

669. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am in New England and it is winter. This morning as the sun rose, as the sky progressed through purple and orange to steel grey there was a very light snow falling. The world was so quiet that it inspired inner quiet. I think this is what is supposed to happen in winter: we are meant to slow down, get quiet, to go inside, reflect, keep warm, catch up on some sleep, and touch the eternal in ways that are only accessible when the days are short and the ground is frozen.

Yesterday, as Alan and I planned the summit that we will facilitate in Holland in March, we strayed from our task and talked about separation and connectivity. I am oriented into the world according to my cultural defaults: separate from all of nature (including my own), a dominator, steeped in the notion that I can control things and given to the hubris that one of the things I can control is nature. And yet, I am at odds with my orientation. I don’t believe any of it. My life’s work (for myself and others) is to flip it, to offer a different, healthier narrative.

Once, many years ago, when I was in Bali, I had a conversation that helped me clarify what would become the work of my life. I was explaining to a Balinese man what it was to be an artist in America and he was deeply perplexed by my premise. He said to me, “But, all people are artists; all people are creative.” To be alive is to be creative. It is a mark of the culture of separation to believe that you are or are not creative, to see creativity as a limited resource or a perhaps an endowment for the special. It is a characteristic of a culture of connectivity to understand that all of life is creative and to be alive is to be a participant in the vibrant, creative, ever changing flow of life – as a vibrant, creative, ever changing being.

Exit The Drama

668. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Sitting in the Philadelphia airport I’m thinking about Drama. I watching them unfold all around me.

Drama is the first level of Alan’s elegant and oh-so-potent model, the 4 Levels of Engagement. Drama is story without a root, otherwise known as a victim story. Gossip is drama. Drama is predicated on enabling, there is a self-righteous gravity spinning at the heart of a drama story. I just heard this: “Can you believe what they did to me… Look what they made me feel.” Drama stories are easy to tell and often feel really good; victim stories are like sugar and are addictive. They are only tasty if shared and over time you will find that you need more and more drama to satisfy the need. They are hell if they dominate your thoughts. Literally. You are without power if you give credence to or invest in your victim story, “Can you believe what they did to me!” is another way of saying, “I need to pull someone down to feel powerful.” Drama creates power-over scenarios. Drama is usually carefully crafted to relieve us of the reality and impact of our own choices. Drama blinds us to our participation and that is precisely the point of all Drama stories. Life is happening to you.

You can never know another person’s story. You can never know their point of view, their circumstances or intention. You can never stand in their shoes. It is an easy game to make another’s story about you especially when you have no way of seeing through their eyes. We see their story through our filter. We distort what we can’t possibly know. There is one thing certain, a bet you can bank on with a Drama-teller: they will never ask the other about their story because it threatens their Victim status. They will accuse, they will blame, they will concoct, they will imply, they will manipulate, but they will never ever ask.

To exit the level of Drama requires some modicum of self-awareness and willingness to own your story. It requires acknowledgment of participation; an inward looking eye at your choices. It requires a greater concern for the story that you live than the story you tell about others. Assuming positive intent is great place to start. Asking others about their point of view before whipping up a Drama tale is another healthy technique. Practice challenging your assumptions. Practice listening. Practice focusing on your story more than the story you tell about others.

Being a participant in life requires surrendering your Victim role. It engenders generosity of spirit, an open mind and more importantly, an open heart.

Click, Click, Click

667. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

SeaTac airport. 5:30 am. I’m sitting in the atrium holding coffee with both hands, staring into the void waiting for consciousness to catch up with my body or at least to know that my heart is beating enough to sustain life. I am not alone in my stupor though my stupor is decidedly less active than the stupor practiced by others. There is a different dull hum of voices in the morning; luggage wheels click over tile at a slightly slower rate, setting a tempo for the morning rush.

There are more business folk than families at this obscene hour. If I were a farmer I’d fly at this time of day and I’d move through the airport as if it were one of my fields. Slow, respectful. Business travelers have forgotten their inner farmer and walk with a deliberate goal in mind: get “there.” Even at this early hour and in their pre-coffee diminished capacity, they move with a studied determination. Click, click, click. No time to waste. A plane to catch. A sale to close. A deal to make. Ten minute rest interval. A trip to the gym. A light meal. Most have heads down and are answering emails as they move with intention to their portal.

Don’t get me wrong. I love business people. I work with business people. They live in a different culture than I do. They play by a different set of rules; they hire me because my rules are different and so I can see what they cannot. For instance, I do not believe that “time is money;” were we living in the industrial age that might still be true but it was an antiquated notion before my parents were born. I’m certain that “relationship is money,” that the path to efficiency is to slow down and not speed up (I can prove it). From my vantage point the prerequisite for success is cooperation, not competition. Cooperation is an infinite game and competition is finite; competition can live within cooperation, but not the other way around. I’ve learned from famous consultants that the only real purpose of a business is to serve a customer – that is cold language until you realize that the verb is “to serve” and “customer” is an antiseptic word for “human being.” Do you want to succeed in business: serve a human being. Serve lots of them. Focus on what you bring to them and not what you can get from them.

As I contemplate another cup of coffee (oh, okay…if I have to…) I want to whisper to the morning sprinters, “Markets are made-up just as are economies; they are constructs and not forces of nature; we make the rules, we thrive or suffer according to the world we make up. Let’s play a different game. Let’s practice health. Slow down. Live today. Take a look around: you are surrounded by those you serve.

Stop Pretending

666. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It’s First Thursday in Seattle which means this is the night that artist’s all over town open their studios. My studio is on the fourth floor of a very large building so it is the hearty soul that troops to the top after so many floors of art. Tonight, I forgot that it was First Thursday (I’ve been traveling and am about to leave again so I’m disoriented) and was surprised when Andre showed up at my door to see art. At first I was confused but he explained that many more people were coming up the stairs so I might want to pretend that I knew they were coming. So I did. I opened my door and pretended that I knew what was coming.

While I was pretending that I knew-what-was-coming I started wondering how often in my daily life do I trick myself into thinking that I know what is coming. The answer: most of the time! Isn’t that the very thing that wraps a dull blanket around the magic of being alive? To pretend that we know when, in fact, we can never know what’s coming. To pretend that we know is to stop seeing. To expect the same-old-thing is to miss the extraordinary and new. As I sat in my chair waiting for the hordes to ascend the stairs I realized that I am not a fortuneteller nor am I a prophet, despite my consistent investment in pretending that I am. And, when I stopped pretending that I knew what was coming the most amazing thing happened: I was completely delighted and surprised by every person who made it to the top floor and stopped by to see my paintings. It’s so easy to drop the dull blanket and see what’s in front of me instead of what I pretend is there.

Meet At The Edge

665. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

On the plane today I read a short piece on edges and it reminded me of the power of this simple reality. The place where two elements come together, the place where two currents meet, the place where two cultures intersect, the place where the clearing meets the forest, the place where the world drops off: these places either teem with life or fire the imagination. It is at the edges where we become uncomfortable. It is at the edges where we say, “I don’t know” and thus, learning becomes possible.

There are internal edges as well as external edges. I work with people all the time who tell me they’ve hit a wall, come upon a block, or run into a limit that feels like an abyss. Internal edges are just the same as external edges: they either teem with new life in the form of ideas and pursuit or they evoke discomfort and resistance. Edges are present when we say, “I’m lost,” or “I don’t know what to do,” or “I’m frozen and can’t move.” Edges are present when we shout, “That was incredible!” Edges are supposed to generate instability: movement.

You know you are at an edge when you judge: judge some one or something else and it’s a good bet that you aren’t comfortable. Judge yourself and it’s a good bet that you’ve found an edge. If, in the moment of judgment, you realize that you are at an edge and suspend your judgment, you are instantly capable of learning. If, at the moment of judging, that you invest in the judgment, you’ve shut down the learning. Judgment is merely a way of establishing a location, a false “known” so you can get away from the unknown: it is an oddity human development that it easier to call yourself or others an idiot (thus, locating yourself or them) than it is to say, “I don’t know….”

Edges are everywhere. Kichom Hayashi sends his students out in the world to find as many edges as they can. Try it. You’ll find there are edges everywhere: grass meets concrete, brick meets brick, glass meets steel, earth meets water, sky meets horizon, hand meets hand, idea meets idea: the possibilities are endless. See them and then imagine the edges define connectivity instead of separation. If you reinforce the connectivity, you will walk toward your edges every time; the discomfort will call you and fire your imagination. If you see separations, the edges will frighten you and drive you back into the comfort of judgment. It all depends on what you choose to see.

Fruit Or No Fruit?

664. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I have a photograph of my grandfather dressed as Yasser Arafat. It was taken many years ago when he wintered in Florida at a trailer park for seniors. When I first saw the photo I thought he was dressed as Mother Theresa. He was standing in the middle of a group of elderly ladies dressed as harem girls but I missed the context completely. “Why was grandpa dressed as Mother Theresa?” I asked. “Things were wild in that park,” my dad said without raising his eyes from the newspaper. He turned the page and added, “They were always up to mischief in that place. It was crazy.”

My mother came over to look at the picture. “That’s not Mother Theresa, he’s Yasser Arafat,” she said, pointing out the picket sign grandpa was holding. It read, “Cheap Oil!” I’d wondered why Mother Theresa was holding a sign about oil but decided not to ask; there are some things in life that are best left unknown. Grandpa had a smirk on his face (isn’t that an interesting phrase! Like he had a bit of food on his lip, he was eating a smirk and left some traces on his face…). I recognize that smirk because it’s the same look I get on my face when I am up to no good – which is not often. I’m a very serious guy. Really.

“Was this Halloween? I asked. I like the idea of my grandparents trick-or-treating. “No, this must have been New Years,” my mother said. “Yeah, one year he was in a big diaper because they chose him as the New Year’s baby,” my dad said, licking his finger and turning the page. “Do you remember the time he was Carmen Miranda?” mom asked. “Good god!” my dad exclaimed, “He looked funny! Was that Carmen Miranda?” “I don’t know,” she replied, making a cup of tea, “He wore fruit, didn’t he?” My dad looked up from his paper, puzzled.

“No wonder I have an inner sociologist.” I thought, watching my mother slowly dip her tea bag trying to remember if grandpa had fruit on his head before she continued, “Maybe he was Mae West.”