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In airports, people are often racing to catch a plane. I have, more than once, sprinted through a concourse trying to catch my connecting flight before they closed the doors and captured me like a bug in the airport pickle jar: no way out. When I was in the Philadelphia airport, having more than enough time between flights, I found a nice perch and watched other less fortunate travellers race to their liberation. “That’s what I look like,” I thought as I spied a man wearing his too intense face, trying to reconcile his need to sprint through the crowd with his desire to not trample other people.
Coming from opposite directions, entering a knot of people, two wheelchair bound travelers, each late for a connection, spurred their airport attendee to go faster. It was like watching an old-time film clip of two trains roaring toward each other, unaware, an imminent head-on collision. They couldn’t see each other through the throng of people. The sea of travelers parted, the wheelchair riders caught sight of each other, eyeballs bulged, eyebrows raised, hands came to protect faces, and time – as it does in a spell or a moment of presence – came into a sharp, clear focus. At the last moment, in an impossible maneuver, the pushing attendees, as if choreographed, altered course. The chairs kissed, the spell was broken, and neither chair slowed down; grins of relief broke across the faces of all concerned. Mine, too. “That was well done!” one of the riders hooted to her wheelchair pusher as they sped off into the distance.
There are moments on the stage when an actor forgets their line and all pretenses fall. It’s called, “Going up.” Eyes bulge, eyebrows rise, their mind double clutches in panic, locks up, and for brief moment, without thought, they are intensely present, vitally alive. It feels like a mini-spell as time expands. And somehow, inexplicably, the words show up, moving the mouth without the assistance of the mind. The moment passes; the spell is broken, presence retreats behind the notion of control; waves of relief crash on the sandy shores of the actor. And yet, when the evening is over, the actor will tell you that moment was the most honest moment of the whole play. It was the most “alive” moment of their performance. It was the only moment that was not controlled, constrained, premeditated. It is what they attempt to master: presence on stage.
In watching the near wheelchair collision and remembering those brief moments of vitality on the stage, I couldn’t help but think that we (or I) have it backwards. The spell is not those moments of intense presence; the spell is a life that is rarely present. In those moments of near collision, when we lose control or are snapped into the immediate, the spell of the mundane is, for a moment broken, time no longer matters, nothing is measured or contained or controlled, and we enter life as we exit the predictable. I’m delighted that the wheelchairs did not collide and yet what a gift! Just like the rider I was left thinking, “For a moment, I was here and nowhere else. Well done.”
Filed under: Awakening, Truly Powerful People | Tagged: alive, presence, vitality | 2 Comments »
