Letters To A Young Poet | The Direction of Intention

Great And Immeasurable [David’s blog on Two Artists Tuesday]

Posted on September 16, 2025 by davidrobinsoncreative

It was so long between sightings of the frog that I began to think I’d imagined it. The first sighting, so late in the year, long after we’d stopped looking for a frog in the pond, seemed miraculous. And then the frog seemingly vanished.

Days passed. Weeks. We thought that it was a traveler and had simply stopped in our tiny pond for an overnight. Or, maybe, it was pond shopping and considered ours to be lacking.

And then, a few days ago, we tip-toed to the water’s edge, and found our frog enjoying the shallows. It is without doubt the smallest frog we’ve ever had in residence and so we named it Little. Surprisingly, Little tolerated Kerri’s photo shoot without a single complaint or sudden disappearance into the murky deep. We were giddy with excitement.

At a time of historical chaos and national antipathy, we experience surprising moments of affirmation that the center – that our center – is solid: that we were giddy with excitement at the appearance of a little frog in our tiny pond was just such a moment.

“If you will stay close to nature, to its simplicity, to the small things hardly noticeable, those things can unexpectedly become great and immeasurable.” ~ Rainer Maria Rilke, Letters to a Young Poet

read Kerri’s blogpost about LITTLE

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Stop and Turn [on Merely A Thought Monday]

Posted on March 20, 2023 by davidrobinsoncreative

“We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them.” Rainier Maria Rilke, Letters To A Young Poet

Open the door to the monster in the closet. Walk into the wound. Throw light onto the dark. Nothing is broken, nothing needs to be fixed. All stories of resistance released into flow. Deliverance of fear.

How many times have you heard or said, “I don’t know what to do with what I feel?” Or, the partner statement, “I don’t know where to put what I feel.” Feelings as spatial.

In an earlier chapter I dreamed that I was being chased by giant monsters. I quickly ducked into a warehouse thinking I could easily find a place to hide but, much to my horror, the warehouse was vast and empty. Open space. Nowhere to hide. No other door. There was only one thing to do: turn and face the monsters. Surrendering to my fate, I stopped and watched them come at me, certain they would gobble me. But, as they approached, they shrank. The closer they came the smaller they became. By the time they reached me, they were smaller than my toe. They dissipated the moment they touched me. When I looked up I saw an older version of me standing across the room, transformed.

It was a Rilke moment.

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.” Letter Eight, Letters To A Young Poet

A shorthand phrase from my coaching era that I’m certain Rainier would particularly appreciate; a phrase well known to the older version of me now standing across the room looking back: Invite your dragon to tea.

read Kerri’s blogpost about FEELINGS

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Train Your Doubt [on DR Thursday]

Posted on December 10, 2020 by davidrobinsoncreative

The other night I dreamed I was giving a commencement speech to a class of young artists. I stared at them, looked at my prepared notes, folded them, and told the crowd of curious faces that I had absolutely nothing of value to say. I asked them what advice they would give to me? What would they tell an artist on the other end of the life-road? What wisdom would they share with me? What could they tell me about the artist’s path?

The caps and gowns stared back at me.

Rilke wrote in his Letters To A Young Poet that, “…your doubt may become a good quality if you train it. It must become a way of knowing, it must become critical. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it,…”

My father is in his last lap. Each day, when I get angry or scared or upset or frustrated, I imagine myself sitting at his bedside. I ask him, “Did anything you were ever afraid of really matter?” He doesn’t need to say anything. He knows I already know the answer.

What would I say if, sitting at his bedside, he looked at me and asked, “What can you tell me about living life?”

read Kerri’s blog post about TANGO WITH ME