Play On Empty [on DR Thursday]

hotel art copy

“The artist goes through states of fullness and emptiness, and that is all there is to the mystery of art.” ~ Picasso

Usually in my state of emptiness I stare at my paintings and they stare back at me. It’s like an old Viola Spolin exercise in which the the actors stare at the audience and the audience stares back at the actors. I look at you. You look at me. The question becomes who is audience and who is actor? Who is the painter and who is the painting?

It is difficult when empty to stay clear of self-criticism. It’s easy to look at the archives and think, “I suck. This work is awful!” I’ve learned that this impulse to deride my past work is actually a necessary refueling stage. It’s akin to how a teenager treats their parents when preparing to leave home. Snarky comments make separation easier. And necessary.

In my current state of emptiness Kerri suggested that I play with color and form. Nothing serious is allowed. Smear, pull, scratch,…follow. This is my first experiment while empty. It was fast, fun, and mostly thought-less.

I took a photograph so I could use it on the Melange. I called the photo “hotel art.”  Kerri said that title sounded derogatory. But, here’s the kicker: she asked me if I was going to keep the painting. If I was going to claim it as a ‘finished piece’ or would it live for a while as an experiment until I painted over it?

Smear, pull, scratch, spatter, flick, erase. Jackson Pollock called his splatter paintings a recording of the dance. A map of the movement of making a painting. I look at you, you look at me.

Where is the line between ‘serious art’ and personal experiment, especially in the world of anything-goes-contemporary-art?  The banana is taped to the wall. Banksy dropped his painting through a shredder at the moment it was purchased at the auction house.

Experiment. Play. Intentional. Improvisational. Keeper. Throwaway. I look at you. You look at me.

All I really know is that I am empty and emptiness does not come with silence. It is a fertile ground for noisy, mostly useless, questions.

 

read Kerri’s blog post about THIS PAINTING

 

 

wideopenmouths website box copy

 

hotel art ©️ 2019 david robinson [if it is taken seriously or perhaps this copyright should apply equally to messes, play, and fun]

Make A Mark [on DR Thursday]

see an owl with frame copy

k.dot & d.dot see an owl, mixed media, 24 x 48IN

Every once in a while I paint a chronicle piece, capturing an event from something that happened in our lives. Early in our relationship, sitting in Adirondack chairs in the front yard,  sipping wine, listening  to music, we broke into a spontaneous fit of dancing.  Dancing In The Front Yard was the first of the chronicle paintings.

Picasso said that painting was just another way of keeping a diary. I suppose that makes all of my work or any artist’s work a chronicle. A record. Jackson Pollock’s ‘action paintings’ are considered a record of the artist’s movement, a visual register of the painter’s dance.

I knew a man whose passion in life was rock art. Petroglyphs and pictographs. Human-made markings on stone. He traveled the world to the caves or cliffs – sites – where these ‘records’ are found. We had many conversations about the “why” of it – why people so long ago scratched images in rocks, ground minerals to make pigment and painted walls deep in a dark cave. Ritual or roadmap? Worship or whimsy? Both/and?

A diary? A register? A reaching? A marker? Maybe it is simple: humans make marks. And then give the marks meaning. Or, perhaps more to the point, we make marks and believe the marks give us meaning.

Kerri and I saw an owl in the pine tree in our backyard. It was thrilling. We thought it was a good omen, a gift. We slipped into the house to get the binoculars, careful not to move too fast to scare it away. Later, standing before a blank canvas, all I could think about was the thrill of seeing the owl.

 

read Kerri’s blog post about K.DOT & D.DOT SEE AN OWL

 

drc website header copy

 

chicago river website box copy

 

k.dot & d.dot see an owl ©️ 2015 david robinson