Listen To Horatio

760. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

My dear Horatio wrote this to me in response to my recent post, Look Beyond The Word, post 758. I asked if I could share his thoughts with you (he calls me G):

Artistry, like entrepreneurship, defines a way of being not something achieved.

G,

Yes, indeed. Nice post.

But, that need to achieve something is the yin to the yang you describe. The entrepreneur and the artist have to really, really want the finished product, whatever it is. The painting which they love and caress and curse and despair, the movie that comes to life or doesn’t come to life (omigod… how could I have missed that!?), the business that needs adjusting and many many 24 hour days to flourish. While in the process, they have to love and need their product, too.

You’re right, I think. I agree. It’s a way of being, of seeing, of taking action. But it’s got a goal, it requires organization and commitment, because it’s in the world, part of our mortal span, and want to finish it in time. Before we die. We think it makes life worth it, redeemable. Without that, the way of being would be frivolous. I think that’s the risk, that’s the terror, and the juice. The redeem-ability of life by some accomplishment may very well be an illusion, a fallacy. But we do it anyway. We try. That’s the process. To try. “This painting will connect me to the eternal if I just get it right….”

The adage that “we learn by doing” comes to mind and opens a whole other set of ideas about how and why we draw, paint, sculpt, write, shoot movies, and so on, and then do it AGAIN. But we’ll talk about that later.

A way of being is defined, yes, but I think it also must be in the context of casting your bread on the water, taking that risk of accomplishing something, the risk of achievement. If not, it’s play and fun, seems to me. That’s a worthwhile endeavor, certainly, but it’s not the same thing, in my opinion.

H,
Yes, indeed. Thank you.

Map or Map

759. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Beth came to visit after working with teachers on a curriculum map. She was understandably frustrated. If you want to understand how far awry we’ve gone in education you need look no further than the curriculum map. The idea behind the map is to ensure that all teachers in each grade level are relatively on the same lesson all the time. The map determines the path of content delivery. The map is at the center. The actual needs of the students are nowhere on the map. In fact the actual student (as opposed to the abstraction of a student) is nowhere to be found. The student is actively not considered. It is a recipe for dulling minds not opening them.

Consider that it has been decades since we understood that grouping children according to age creates an educational disaster. In other words, age is one of the least effective ways of identifying and working with stages of development. Kids develop at different rates and according to a myriad of circumstantial factors so to squeeze them into an age-box called “grade” and pre-map their curriculum path before they walk in the door is obscene.

Mapping the curriculum to make sure every child is on the same lesson on the same page on the same day is yet another extension of the national standardization madness. Gather some actual data and take a small road trip. Visit some schools. You will find that the schools are not standardized. The schools in rural North Dakota don’t resemble the schools in urban Chicago and bear no resemblance to the schools in Beverly Hills, CA. They are not funded in a standardized manner. In fact, the inequity in funding is apparent within single school districts; you need not travel far to gather your data. It will not surprise you to find that the students attending the schools are not standardized. Take a moment and reflect on our national identity. We are the most individualistic nation on the planet, celebrating our cowboy spirit and diversity and yet somehow have been anesthetized into embracing an abstraction like standardization in our public schools. Learning and standardization are antithetical.

A map can be a noun or a verb. We’ve chosen the noun to our own peril. I can give you a map to Boston and you will be able to find your way around. It is useful in locating landmarks but not in learning. If I give you a map and load you on a tour bus and give you the standard tour, you might say you visited Boston but you learned relatively little. The learning was eliminated when you got on the bus. Exposure is not learning. When teachers map a curriculum with no regard to the relationship with their students, the students become incidental. The exercise of mapping the curriculum for the sake of consistency of delivery has everything to do with control and nothing to do with educating. It is exposure. We are kidding ourselves if we think it has anything to do with learning.

The verb, to map, is actually a great metaphor for true learning. Lewis and Clarks Corp of Discovery explored the western territory of the United States. It was unmapped and therefore considered unknown. They stepped into this unknown land with inadequate supplies and engaged with what they encountered. They made big mistakes. They challenged their assumptions. They chanced upon new ways of seeing and would not have survived without alternative perspectives. They made their map as they went. To map is to have a relationship. This is learning.

If learning is the goal then it is impossible to map a curriculum without the students in the room. The true curriculum map can only be created as students explore and discover. The map is created after the fact, not months before the experiences.

Look Beyond The Word

758. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

According to my dictionary, an entrepreneur is a risk taking businessperson. This is not much of a definition. The word is French in origin and it meant to undertake. It was a verb. To get out of bed and undertake the tasks of the day makes us all entrepreneurs. Especially these days when risk, according to the dictionary, means that there is a chance something might go wrong. I’ve yet to live a day when everything went right. For instance, last night I opened a jar of curry powder with too much enthusiasm and curry exploded everywhere. I think there is a more appropriate definition of an entrepreneur: someone whose not invested in things going right. In fact, entrepreneurs look for things going wrong because that provides the opportunity necessary for new creation. Entrepreneurs see the world beyond right and wrong. They see opportunity. Risk has nothing to do with it.

An artist, as defined by the dictionary, is a creator of art, a performer, a person with skills or a cunning person. The origin of this word is either French or Latin. We are cautioned in the dictionary not to confuse artist with artisan. An artisan is engaged in a craft. An artist is engaged in a fine art though I can’t find any mention of what distinguishes a craft from a fine art. From the definition of artist, the phrase “cunning person” shouted to me so following the word chain I learned that cunning means crafty and deceitful, clever or cute. So, artisans, unlike artists, must not be deceitful, clever or cute though they are, by definition crafty. In the Venn diagram of artist and artisan, craftiness is the crossover. So, to sum up: artists are cute, crafty, clever and deceitful while creating something fine. Artisans are rough, dull and honest while also crafty. Can one be crafty and dull at the same time? I have a more appropriate definition for artist: someone who lives beyond the abstractions of thought. They engage with what is there, not what they think is there. In other words, someone who has made presence a priority in his or her life is an artist. Artists guide their community to presence.

Words like “risk” or “fine” blind us. They distance us from our potential because we think we need to take risks to be entrepreneurial; we think we need to do something fine to be and artist. Artists and entrepreneurs explore. They engage. They discover. They act first and then make meaning of their experiences. They master their “doing” because they are not invested in win/lose games. They step into the unknown without reservation. Artistry, like entrepreneurship, defines a way of being not something achieved.

Make Another Choice

757. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today I drew cartoons. I had coaching calls. I turned soil and helped plant a garden. I’ve never planted a garden before. I read a recipe and made naan bread and turmeric chicken. I’ve never before made naan or turmeric chicken. I will do all of the above again and again. As I turned the soil and later as I kneaded dough I remembered a moment in class earlier in the week. We had a conversation about the absence of resistance.

The conversation went something like this: The absence of resistance in your life is a sure sign that you are living fully in choice. If you are pushing against what you don’t want, chances are you’re invested in the notion that you have no choice. Flip it over and say it another way: resistance is a signal that you are invested in a drama. Pushing against what you don’t want is a signal that your inner victim has come for a visit.

If you pay attention, resistance can also be a guide. Resistance shows you where you’ve invested in the idea that things happen to you. Resistance exposes the places in your life that you’ve abdicated your responsibility for your choices.

The great thing about planting gardens for the first time or making new recipes, is that presence is not a problem. Doing things for the first time invites presence. Not knowing brings us to this moment. We pay attention. It is the magic secret to learning. Another side benefit to stepping into unknown activities is that you have a choice. You can have the experience first and then make meaning out of it (note: this is how your brain works. Or, you can resist the not knowing, pretend that you should know, resist the moment, and miss the learning. It’s a choice. Experience is always determined in that tiny moment when you choose to walk toward something, or push against what you don’t want. It sounds simple because it is simple. Listen to what you resist and make another choice.

Be The Game

756. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Bodhi the dog and I have a special game. It’s ours and we can only play when no one else is around. It’s a hybrid chase-wrestle-pet game and is unique in its pivot capacity. One moment we are chasing and with less than a heartbeat he is on his back and I am scratching his belly. Then, with no notice, we are in full wrestle mania, and on and on we play until the wrestle and the chase disappear into final awesome belly scratch.

This game with Bodhi is teaching me many things. First, it is very improvisational. Advanced thinking has no place in our game. Planning is impossible. The less we plan the more we play. 2) It is hyper relational. We must play with the impulse, play in the moment, and take pleasure in each other. We must tune into the impulse of the other. That’s the game. In other words, we are the game. We are the play. 3) Our game never ends. It is infinite. Our game has no winner or loser. It has play. It has us. Our goal is to become better players together. 4) Our game, just like any relationship, is unique to us. Yet, our game is also universal. All living things have the capacity to to play together and can create games unique to the players; all that is required is a suspension of the control impulse, a release of the need to predict the next second or the coming year.

When our game is suspended Bodhi gets a cookie and I get a coffee and we sit. I do the petting and he does the receiving. Of course, one that takes so much pleasure (no resistance to receiving) in receiving love, gifts it back a hundred fold so Bodhi actually does the giving and I enjoy the receiving. This back and forth of giving and receiving becomes exponential and this resonance defines the special game we play. The wrestling, chasing, and petting are just the visible parts of the game.

What Circle Are You On?

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There are lots of Venn diagrams showing up in my life. Today, Beth offered another that applies to education. The three circles of her diagram are Pattern, Metaphor, and Questions. Master these circles and you are a critical thinker. She brought to mind those other circles from my past, The Vicious and Virtuous Circles (I am now thinking of them as a Venn diagram – more on that in another post). I dug around and found these notes that I wrote almost seven years ago. Think about the notes as they might relate to education reform (or life change):

A Vicious Cycle has the following characteristics:
• There are winners and losers (a finite game)
• The direction of movement is “away from” something (a negative action)
• The actions are reactions.
• It is reductionary in every way (“tames” or over simplifies problems, reduces others, reduces self)
• Circumstance/Fear driven

The Virtuous Cycle has the following characteristics:
• The game is played for mastery (an infinite game)
• The direction of movement is “toward” something (a positive action)
• The actions are generative or creative.
• It is expansive in every way (allows for complex problems and identities)
• Values/Love driven

Both the Vicious and the Virtuous cycles are patterns. Just as water always follows the structure of the land, behavior always follows the underlying structural pattern. In other words, the pattern represents a way of being. The Vicious Cycle is a default pattern, an unconscious way of being. The Virtuous is an intentional pattern, a conscious and therefore, a creative way of being. The goal is to replace the default pattern with the intentional pattern.

To move from the Vicious to the Virtuous cycle, you first have to Identify & Clarify:
Identify your Vicious Cycle. Name it.

After you identify your Vicious Cycle, answer these questions:
Why move off the circle? What do you gain by staying in your default mode? In other words, what does the Vicious circle buy you (you only stay in dysfunction if you are getting something from it)?

Identify/Clarify your Intention
What do you want?
Identify/Clarify your Circumstance
What’s in the way? Name your obstacles.
Identify/Clarify your Values
What drives you? Name your yearning.

The required Movement/Action is to build a new pattern. Since the Vicious and Virtuous Cycles are patterns (structure of the land). Talk about the competencies in terms of building a new pattern. These are:

Pattern to catch your 1st thought, and then work on your second.
How: witness your thoughts; challenge your assumptions.
Pattern to suspend judgments
How: put down your need to be right, assume that you “don’t know”
Pattern to grant specificity.
How: Look beyond the superficial, own your fear,
Pattern to slow down
How: Breath, Be seen
Pattern to say yes and….
How: open your fist; entertain other perspectives
Pattern to step toward….
How: own your edges; make them horizons

Initially, the competencies may look too simplistic, however changing the behavioral structure of a human being begins with changing the patterning; also, systems never change through complexities, rather, they change through leveraging the local simplicity. It’s the pattern that reveals the local simplicity….

Thank you, Beth. Pattern. Metaphor. Question. What we do is really a matter of the direction of intention.

Make Space

754. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am cleaning out and clearing space. It is spring and spring-cleaning is normal at this time of year but my impulse to make space is deeper than the cycle of spring. I’m giving stuff away. I just threw away half of my clothes (they needed throwing away) and the other half will soon go to the thrift store.

I’m purging the studio. I installed paintings at Geraldine’s Counter yesterday and Gary, the owner, asked why I had not included prices on the labels. “They are old paintings,” I said, “and I’m in the mood to bargain.” I don’t want the paintings to come back. I need the space for the new creation. I need the space for ideas.

Possibilities require space. Sometimes life stories get over crowded with drama and details. Sometimes our days get too crowded with tasks. Possibilities will never shoulder their way into cramped courters. Why should they? Lack of space is a signal to the universe that you are doing what you want to do. Or, lack of space is a signal to the universe that you are afraid of doing what you want to do; existential hording leaves no room for possibilities to breathe.

Once, I ran a school and I encouraged my students to look out the window. Daydreaming is intensely important for healthy living and a vital creative life. Daydreaming is space creation. I encouraged my students to imagine. I encouraged them to breathe and make space and wander. I encouraged them to explore and discover and uncover. We were constantly cleaning out the building. We were constantly making space for the new. Those lessons are coming home to me again this spring. On my horizon a tsunami of potential is flowing toward me. I know it is coming because I am making space.

Choose A Direction

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I was thinking this morning about the name of this blog. The Direction of Intention. Originally, Joe counseled me against the name. “It’s not a good,” he said. “You’ll have to explain it.” A few years ago it was a concept central to my work. This morning, as I walked across Seattle pondering how my life and work has changed, I came back to this phrase and wondered if it was still central. Here’s the original explanation:

Many people live their entire lives pushing against what they don’t want. Usually this is a sign that they’ve forgotten what they do want and can’t see what they desire to walk toward. Pushing against what you don’t want is called a negative direction of intention.

There’s a lot of fear behind a negative direction of intention. With fear comes eyes that see the world in black/white. Fear does not like color or variance. Fear prefers a limited palette and fewer choices. With such a restricted mindset it’s difficult to see the available choices. Eventually in a negative direction of intention everything looks like an obstacle or an enemy. Planting flags, claiming territory, stuffing your fingers in your ears or shouting down the voices of opposing points of view are all common aspects of a negative direction of intention. Staying in your comfort zone is a sure sign of a negative direction of intention.

Conversely, a positive direction of intention is defined by moving toward something, it is a creative action. It inspires a walk into the unknown. The path of passion is always through the unknown. Passion grows with engaging the unknown. Exploration, discovery, and experience are words describing a positive direction of intention. This is also called learning. Learning is never found in the known or the rote answer. Learning is never delivered. Learning is pursued.

A positive direction of intention requires embracing choice. Choice is varied and multicolored. A positive direction of intention is characterized by Both/And thinking. A positive direction of intention considers as valid opposing perspectives. In fact, opposing points of view are necessary. This too is called learning. Opposing points of view qualify as the unknown. Without them, people are trapped in perpetual agreement. Innovation needs a crossroads. Stepping into other peoples’ shoes pops open new horizons. This is sometimes called empathy. It is called perspective. It requires a capacity to say, “I don’t know.”

The concept of the direction of intention remains central although I have a simpler language now. I ask clearer questions. Are you orienting according to the answer or the question? Are you orienting according to what you get or what you bring? Are you nailed safely to the dock or on an adventure?

Listen For The Funny

752. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I’ve spent the past few weeks drawing cartoons. The cartoons are part of a new collaboration. An amazing thing happens when you are responsible for scripting and drawing cartoons: you listen to the world with a whole new set of ears. I’m tuning into the ridiculous. I’m hearing the absurd. Yummy phrases cross my path and I net them like butterflies. I might not yet know how to use the phrases but I am certain there is a perfect scenario for every luscious bit.

I find that I am constantly scrambling to fetch scraps of paper to capture the phrases that I’ve heard or the events that I witness. Yesterday I had to borrow a pen and scribbled furiously on a sack from Office Depot. The sack now has weeks of good material scrawled between the colorful decorative Office Depot pattern.

It is an exercise in intentional listening. I’m listening for and subsequently hearing things that are funny. Even in the most mundane conversations or serious meetings I find gems. I’m tuning into a world filled of comedians who do not know they are funny. Going into a coffee house is like climbing into a clown car. I am busting up at the most inappropriate moments. I’m certain there are people in my circle who now think I have slipped into madness. The more serious they become, the more funny they seem to me. Interventions will do no good. Take me into a room, strap me to a table and sedate me and I will find something funny in what you are doing. I can’t help it. It’s my job at the moment.

I encourage you right now – do not wait to begin drawing your own comic strip. Do yourself a favor and stop listening to this world with serious ears. Listen for the funny. There are clowns everywhere just waiting to feed you new material.

Leave Sorrow

751. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Sorrow is a strange land. It is located deep in the continent known as Heart and is a place renowned for its fragments. It claims and celebrates a culture of pieces with nary a nod to the possibility of wholeness. Beneath the community coat of arms is the question, “What happened?” No one in the community attempts an answer as that might change the very nature of the place. The residents of Sorrow are committed to maintaining things as they’ve always been. To seek a change in their situation, to move to another land might require some soul searching. It would certainly require initiative and the recognition of choice, something the locals haven’t considered for generations.

As you might imagine the sky over Sorrow is mostly overcast with light rain or drizzle. The geography is as flat as the expectations of the inhabitants. To live on a hill is a burden. Who needs a view with downcast eyes and frozen internal gaze? “Why bother?” is the phrase uttered most by residents when faced with a challenge.

No one in Sorrow plants gardens as budding plants bring a sense of hope and wonder. Those emotions are eschewed. Houses are rarely painted. People make do with what they’ve got. People hold on to what they know. Children are taught to curb their imaginations so that they might not grow to want something better.

Outsiders are often disturbed by the flat nature and dull acceptance of the residents of Sorrow. Tourists have been known to ask the locals, “Why don’t you dream of something joy filled?” Or, “What keeps you here? Why not make a change?” The locals shrug their shoulders as if to say, “Why bother?” Later in the pub, seeking commiseration, the locals will tell the tale of the tourists asking annoying questions and will reinforce each other in their sadness by agreeing that, “They just don’t understand what it means to be dedicated to life in Sorrow.”

A little known statistic and curious fact: no residents of Sorrow where actually born there. There are no natives. Some moved to Sorrow without prior knowledge of the character of the land, some were compelled to move there temporarily for work or perhaps relationship. All stayed without coercion or restraint. In the end of the day, they chose to take up residence. They chose to locate in Sorrow.

Back on the bus, the tourists stare out the window and quietly ask, “Why would anyone want to live there?”