Bang On Stuff

from Lucy & The Waterfox by David Robinson

from Lucy & The Waterfox by David Robinson

John said, “The real challenge is how to help people across the ‘I can’t’ line.” What a great phrase! I imagined myself drawing a line in the sand while my imaginary inner-voice shouted, “Don’t step over this line!”

“Everyone has an “I can’t” line.” John added, “The challenge is never the external stuff. It’s the stuff in our heads that stop us.” Too true!

John is a terrific drummer and extraordinary teacher. He told me that many people come to the drums from the place of, “I can’t” and his job is to hold their hand as they cross the threshold. “Of course they can,” he said, “they just need to know it.”

“How do you do it?” I asked. “How do you help them know it?”

“I have them bang on stuff and I bang on stuff with them.” He smiled.

In other words, gets them to experiment and play. When experimenting, there is no line between can or can’t. It’s a unified space called, “Let’s see!” In play, there is no need for achievement or expertise; there is only play. Bang on stuff and see what happens: it is a great definition for artistry. It is beginner’s mind.

In Austin Kleon’s latest book, Show Your Work, he suggests that we be intentional amateurs. He writes, “Amateurs are not afraid to make mistakes or look ridiculous in public. They’re in love, so they don’t hesitate to do work that others think of as silly or just plain stupid.”

If you desire to step across the “I can’t” line, embrace your inner amateur. Work for the love of your work and not the need to impress or “do it right.” Bang on stuff. Make messes. As Skip says, “Put a stake in the ground and then test it.” Pull on the chain. Walk through the door. Ask questions. Try a new technique. Invent a new technique.

In a bizarre and beautiful chapter in my life I was given a full ride scholarship for a masters degree in costuming. I’d never touched a sewing machine and was a danger to myself and others when trying to cut things with adult scissors. “Why not!” I said to myself and I went for a year. After turning in my first assignment in costume construction, the professor hugged my muslin mess to her breast and laughed, saying, “In the history of garments there have only been 7 possibilities (shirt, pants, skirt, etc.) and you have just created the 8th!” I didn’t know what I could or could not do so I did anything. It was fun. I had no “I can’t line.

John reminded me that the world’s first drum was (and is) a heart. “Everyone’s a drummer,” he said. “The day you can’t drum is the day you are dead.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Embrace The Paradox

Mark Seely's gift to me: A Wordle of my blog

Mark Seely’s gift to me: A Wordle of my blog!

This is a landmark post: number 1000. When I started blogging I told Horatio that I feared I only had enough thought for 10 posts. He said, “If you can write 10, you can write 1000.” I wrinkled my brow in disbelief but it turns out that Horatio was right. With every step comes a new perspective. Kerri has a phrase I love: take down one tree at a time. In other words, if you can’t see where you are going, take the step that you can see; many single steps translate into miles of walking just as one post at a time can become 3 years of small thought-shares all in a row. What is a lifetime but a long series of days?

I’m writing this from a dining room table. All around me, covering the walls, are long strips of newsprint with a gathering storm of many colored post-it notes. The notes contain phrases, actions, like “Burn Your Trash,” or “Both Feet In, “ or “ Leave the Yuck Behind,” or, as you’ve already guessed, “Take Down One Tree At A Time.” They are story prompts. They are insight and idea prompts. Each prompt is associated with one of Kerri’s music compositions (she has 15 albums to date, with material enough for 3 more). They are building blocks for concert/storytelling evenings or keynote speech/performances. From the more than 60 post-it note prompts (and growing) we can combine any 9 to configure an audience-specific performance. The possibilities are endless. The viable themes are both unique and universal. Our umbrella title is Back To Center. We have a series of workshops to compliment the performances. The workshops illuminate the extraordinary moments and liberate the boundless capabilities of we mortals, we ordinary human beings. The big box is appropriately a prompt: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

As it turns out, I am a man of my time after all. The notion of a series of discreet component thoughts assembled to create a universal conception is taking over all of my processes – writing, painting, coaching, facilitating. It is the “many small steps making one large journey” philosophy of creation. It has taken over our world. It is contemporary: note the thought behind an App store or an Army of One. It is natural; cells do it. In the blog world it goes by the name of a “plug-in.” Build your own burger: design your car from the available components. It is the illusion of individuality in the midst of a constraint of choices. There is no arrival, just continuing process of expansive and interchanging capability. It is the Kahn Academy. Work at the pace that is appropriate to you. It is yoga: begin where you are, not where others are. It is what the old world of government process (ridiculously obscure tax codes), health care, education…the usual bureaucratic suspects and old school businesses do not understand. The world of rolling process has ascended; products and outcomes are obsolete before they hit the shelves. Story is more accurate than data (data is, after all, a type of story).

Nimble thinking requires nimble processes. Expansive living requires expansive thinking. Cathedrals are built one block at a time but the secret story of a cathedral is that it is never finished. It is always under construction, always changing, updating, repairing and modernizing. That’s the point of a sacred path. Stability, your sacred home, in this modern age is now found in motion, in a pure engagement with a moment. This is what we mean when we say, Be A Ray! Get into motion and focus your intention. Safety is never found in stasis.

Yesterday I wrote that a good life is marked by the capacity to stand solidly in the constancy of discovery. It is a paradox. Another prompt on the wall, one of my favorites, reads, “Embrace The Paradox.” Yes.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

 

 

Dream It!

a blast from the past. A self portrait of yearning from long ago.

a blast from the past. A self portrait of yearning from long ago.

[continued from Step Into The Dot]

Standing with both feet in your life means you get rid of Plan B – or at least to put Plan A and Plan B in the right sequence. It has been a source of wonder for me why people (including myself at times) pour their energy into the back-up plan before they jump head first into their dream. Dreams rarely seem practical. Plan B always seems practical. In fact, that is the role of Plan B: lower the bar so it is easily cleared.

I’ve mentioned before how often in coaching relationships I hear the story of people diligently building their art studio but never entering it. Or, if they allow themselves to enter the creative space, they sit, frozen, unable to pick up the brush or the camera. It is dangerous to entertain the freedom that comes with dreaming. It’s as if we allow ourselves to pull back the covers, peek at the dream, to get close enough to feel the heat of it, but not close enough to ignite it into possibility. It is a special kind of pain to delay a dream. It satisfies the desire to want it but not pursue it. It affords the soothing notion of, “ I tried,” or the devastating notion of, “It wasn’t realistic.”

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

This is why Kerri and I are combining our performance, teaching and storytelling gifts in a palate of offers we’re calling Be A Ray! Dreams deferred cause energetic eddies; they make people swirl, putting time and energy into actions that feel good (like building a studio) but do not move the intention forward. To stop the spin is to see the pattern of deferment. It is to see the story beneath a lifetime of actions that lead everywhere but in the direction of the dream. In our vernacular, to “Ray Up!” is to stop the spin, to look squarely at the dream, and to seize the second chances. It is to claim the dream and pursue it.

Dreams need not be realized. They only need to be pursued. In fact, a proper dream pursuit is never realized just as an artist is never finished. Like every good art process, the dream changes with the pursuit. It grows and morphs until the pursuer and the dream unite. There is never an outcome, only a joining, a blending of dream and dreamer. And, this blending is the reason most people go with Plan B. Dreams can’t be controlled and neither can dreamers once unleashed. In other words, the first step in Raying Up! is to relinquish control. Pick up the brush and throw paint; let go of outcome and live in vital process. Let go of what anyone else thinks of your dream and dream it.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

Step Into The Dot

Kerri and I are bringing our work together in a new form: Be A Ray! More on this tomorrow

Kerri and I are bringing our work together in a new form: Be A Ray! More on this tomorrow

Raquel and I had an extraordinary conversation yesterday. We always have extraordinary conversations that serve to shake loose the penny in my mind that needs to drop. Yesterday’s penny was about the question of a universe by design versus a universe of utter chaos.

So much of this past year seems by design. There have been too many serendipities, too many perfect circumstances, too many uncanny seeming coincidences. Last year I told her I was in a fast moving river racing toward my destiny. I could feel it. I can feel it. Raquel asked if perhaps that has always been true and that I was simply seeing it now.

My response to her question surprised me. I told her that all of my life I’ve had one foot in each universe. When the tides seemed against me or things were uncomfortable, then I was convinced that I was a bobber in a chaotic ocean. When I had one of the mystic/profound experiences that have become the hallmark of my life, when the tides seemed to go my way, I found it convenient to believe in a universe of a perfect design. I told Raquel that this year I’ve finally understood that I can’t have it both ways. I am either a bobber in a vast ocean or I’m here by design. Or, more to the point, I understand that the chaos I experience is my response to the design. Both feet are in one idea. The universe-by-design (a universe of participation and co-creation) must be true in the uncomfortable moments as well as the profound. It has to be true in the ordinary as well as the extraordinary. There is only one tide. It is a game to pretend otherwise.

In the past few years, the theme of my growth has been to finally see where I have been living with one foot in and one foot out – and to at last put both feet in. If you are driving to work waiting for retirement, you are one foot in. If you have a backdoor plan in your relationship, you are one foot in. If you are seeking proof of your faith, you are one foot in. You’d be amazed at what becomes visible, what you see, when you cease dividing your intention, splitting your presence, and stand with both feet in. Kerri and I call this, “stepping into the dot.”

[to be continued]

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies

Open To Belief

another from the Yoga series by David Robinson

another from the Yoga series by David Robinson

I’m having one of those days ripe with revelations and have been scrambling to capture the insight ripples before they rush down my thought river, around the bend, and out of mind.

One of the ripples has to do with the “As if….” The “As if…” is a tool for actors, self-growth seekers, and human beings in general. For an actor, to act “As if…” opens the door to belief in a character. For the seeker of self-growth, to act “As if…” opens the door to belief in his or her capacities, as if they were a character in the play of their own lives. The “As if” serves as a bridge into a possible future when belief is hard to come by.

When I was younger, a favorite “As if” mantra imparted to me by adults was, “To dress for the job I wanted, not the job I was applying for.” In other words, dress as if I already had the job I wanted. In my case it was lousy advice because donning pants and shirts spattered with paint was not the ladder climbing attire they wanted me to embrace. For me, the elders needed a different premise beneath their “As if” advice. There was no ladder in my paradigm. Dressing for any job felt like self-betrayal on my way to soul death. Of course, years later, having lost my mind, I actually put on a suit and lace-up shoes to coach my first executive client.  He laughed heartily as I writhed in my new suit. He advised me to show up as I am, not as what I thought he wanted me to be. Great advice! His quote, “You are an unmade bed and need to own it. It’s why I hired you – because you are different.” As if!

I’ve understood for years that people perform themselves. “As if” can be a kick-starter for a belief-filled performance. It is an illusion-seed that, when watered and tended, grows into the identity you wish to inhabit. In other words, perform the person you want to become and not the one you currently believe yourself to be. Invoke “As if…” and sooner or later you may start to believe in your performance. Sooner or later you may become who you imagine yourself to be.  The roles we play are not fixed identities and much more fluid than we pretend! Becoming who you imagine yourself to be is called growth and requires a wee bit of acting.

One of my favorite lessons from the theatre is that character (the role you play, like Hamlet or Juliet) is not something you pretend, it is found in how you do what you do. Characters in plays want something; how they go about getting what they want reveals who they are. So, when building a character, swim upstream.  The character will reveal itself through you (the actor) if you identify and take action: craft how he or she does what they do. Young actors have to transcend the notion that acting is pretending. It is not. Action and pretense are two different things. A musician does not pretend to play music and an actor does not pretend to play a character. An actor pursues intentions. An actor acts (thus, the moniker). Actions are the notes an actor plays. Hamlet is the consummate student. He seeks truth. He tests hypotheses. How he goes about seeking and testing determines what we see as a character.

The same might be said of you and me. A human being pursues intentions. We take actions everyday and so, perform ourselves. How we go about our pursuit reveals what we believe. When we have little belief and big, big fear, we have the option of acting “As if…” It’s a loop. “As if…” leads to belief and belief leads to “As if…” Life off the stage is just like life on the stage: it is a cycle of belief and dis-belief. “As if…” is an ongoing growth process. Imagination knows no outcome.

In a recent workshop, after remembering a favorite childhood game, a man in the workshop said, “My imagination opened me to my belief.” Yes. That’s it exactly!

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Hear Your Words

[continued from EAT WELL]

Craig originally wrote a post about the boxes people construct around themselves and the alternative choice of creating a stage.  After his post he challenge me to enter the fray and muck about with boxes and stage and I’ve been pleasantly surprised at how much I have to say – I’ve followed the thread for a few days and will probably keep following it for a few more. It’s a rich exploration!

Yesterday I mentioned that I had the opportunity to work with Skip’s Human Centered Design class at the Illinois Institute of Technology in Chicago. I tossed the group into several exercises and experiences designed to help them understand how people story themselves. Specifically, we took a look at language as the building block of perception. We captured on video portions of my time with the students so rather than write about it, here’s clip from the day. [Note: the real riches start about 2:30 minutes in but I thought the students questions might be of use to set the stage so I left it in the cut. They’d just completed an exercise of misnaming things]. Let me know if you find some juicy bits about the boxes we build around ourselves and our attempts to “step outside of the box.”

[to be continued]

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies (it’s Amazon…)

See The Box

‘The Box’ by Kerri Sherwood from her album Blueprint for My Soul Craig sent me a link and a challenge. The link was to his recent blog post, Break Down The Box. It’s about how people build boxes around themselves. “Instead of building a box that may later require extra work to remove,” he writes, “I suggest building a stage.” What a great image! His challenge to me was to apply it to my writing. He texted, “It’s relevant to your general topics.”

My question back to Craig was about the word “apply.” Is he challenging me to write about boxes and stages? Is he challenging me to build a stage and stand on it? Both? His challenge came on a day that I said aloud to myself and the universe, “I’m feeling boxed!” His timing was impeccable.

Self Cut outWe’ve not finished our correspondence so I don’t yet know what he means by applying it to my writing. To stall I will write what I know about boxes:

1) Everyone has one. Don Miguel Ruiz writes that we come into this earth as free, uninhibited spirits and then the adults around us begin impressing rules and random philosophy upon us. They teach us constraint and we comply. We are a pack animal, after all, and must operate within the greater needs of the community. That’s why there are traffic lights and a proper fork to use when eating a salad. Our greatest need is to belong; The GAP, Old Navy, or Abercrombie & Fitch could not exist otherwise. The need to belong is the driver behind box building. It’s a paradox. Somewhere amidst all of the compliance we begin to assume that we are no good or start making comparisons to others or create standards of perfection that are impossible to inhabit. So, we build a box called, “should be”. The paradox is that, in order to belong, our action is to hide.

2) Growth comes from constraints. No box is built without the need to deconstruct it. That is the opportunity of the box. Joseph Campbell would call box deconstruction The Heroes Journey. In the great mythologies of the world there is a tension between The Right Hand path (what society expects you to do) and The Left Hand path (following your bliss). Both are necessary and, in the end, we all must find the middle way between the two paths. The middle way is known in mythological terms as The Holy Grail. Bliss always needs the participation of others. We are pack animals and need the pack to know where we fit.

3) Constraint is necessary for creative fulfillment. School boards around the nation have the misguided notion that art is the absence of rule and/or discipline. It must be a requirement of school board participation to attend the symphony without recognizing that the musicians on stage have given their lives to discipline and constraint. It might come as a surprise to most people but artists outstrip the military in rule adherence and rigid discipline. The disconcerting aspect for the school board is that the rules and discipline of the artist are self-imposed. They are inner imperatives. Artists do not need a drill sergeant. They need constraints to push against, boundaries to overcome, rules to challenge, and patterns to disrupt. Watch a kid on a skateboard try to learn a new skill (oh, yes – they are artists, too). They might break their arm in the process but the break will just fuel the need to improve.

4) No one sees clearly their box. To return to a Don Miguel Ruiz-ism, we are the stars of our own movie and can never know the movie of another person (and they can never know our movie). The paradox is, of course, as the star of your movie you never get to see your life from any meaningful perspective until lots of time affords you some distance. Even then, you’ll interpret your movie through the lens of having lived it. If you have an inner monologue, you are center stage of your movie and your movie is your box.  Here’s the beautiful thing about movies/boxes: they all come with flaws and the flaws are almost always the location of the opportunities. As I recently learned, the Amish intentionally place a small flaw in every quilt because they believe that the flaw is what lets the spirit in. The same might be said of boxes.

I’ve been privileged in my life to work with and direct a bevy of actors and most had to learn to stand on a stage. In fact, the stage frightens most of the really good ones. They understand the power of being seen, the responsibility that comes with visibility. It is simply this: be present without the need to control the thoughts or emotions of another. Be present with them. Offer them a story without the self-protection of trying to control what they see. All stories are maps out of boxes. Or, more to the point, stories are maps out of one layer of box to a lesser layer of box. So:

5) Boxes are like onions. A stage is merely a layer.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You

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Water The Seed

Illustration 07 Illustration 08In 2004 I wrote and illustrated a children’s book, Lucy and the Waterfox. I could have sworn that Lucy was only 5 years old and was taken aback to realize that she’d been around for a decade. Time flies! I recently bought a copy of Lucy since I had nothing in the archives and I will soon release her in versions for ipad and kindle. She’s an old fox and is not available in digital form. It felt funny to buy my own book. I was delighted when she came in the mail! It was as if she was coming home.

It had been a few years since I’d read Lucy so I was taken aback (again) by the parallels in Lucy to the book I just released, The Seer. I’ve been chewing on these ideas for a long time! In The Seer there is a mysterious guide named Virgil who challenges the assumptions of the main character and helps him reorient to a healthier more powerful way of being. In Lucy, a mysterious storyteller emerges from the forest one night; his story stirs deep yearning in Lucy to own and fulfill her extraordinary capacity. Lucy, I recognized, was a seed for The Seer.

Ten years ago I was hired to tell a story in several installments at a conference of health care providers. The conference lasted 3 days and the story served as a thread that tied all the conference segments together. The story also provided a central metaphor for the participants; it served – as stories always do – as the force that forged the individuals into a community. The participants had deep, meaningful conversations because they didn’t get stuck in the superficial, literal levels of their topics. They went into the well through their metaphor and, instead of trying to fix problems they explored their choices and opened to new opportunities.

On the second night of the conference there was a talent show and the organizers approached me and asked if I would tell a simple short story. I had nothing prepared but knew I had a little ditty in my journal about a fox named Lucy. She had a gift and was hiding it because it made other foxes uncomfortable. I told her story and Lucy was such a big hit that night, I received such enthusiastic feedback, that I returned home, illustrated, and published her. The experience of publishing Lucy inspired me: I’d never before thought of myself as a writer. Publishing ideas and stories was nowhere on my personal radar.

A decade later, publishing ideas and stories is the only thing on my radar. I have so many ideas! I have so many stories to tell and more show themselves to me everyday.

I’m delighted that Lucy came home to remind me that in the decade since she was born that I have grown, too, and have a much expanded personal radar. I look forward to the day, a decade from now, that a copy of The Seer comes in the mail and I say, “Whoa. Look at that! I’ve been chewing on these ideas for a long, long time.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

 

Ask Sam To Recite

The PoetI did this painting about my friend Sam. He is a brilliant poet who for years hid his poetry because he told himself the story that his poems weren’t good enough. He’s committed to memory the works of many other poets. At the drop of a hat, Sam can recite the perfect poem to fit any situation. Poetry is in his Irish blood.

He is remarkable in his love of language. In spirit he is a bard though he so feared his gift that for years he vehemently denied that he wrote poems. After cajoling him for months, he admitted to being a secret poet and in a parking lot behind an abandoned building he finally slipped me a sheaf of original poems. The experience was more drug deal than art share and I adored it. It took enormous courage for Sam to share his poems with me. I knew the moment he slipped the envelop of poems to me that I was holding in my hands the tender soul of an artist. It was big magic; like all artists, this man could change the world if he embraced his gift.

I never underestimate the courage and vulnerability necessary for an artist to open him or her self to the possibility of being seen. I am always honored when someone whispers to me, “I have something I want to share with you.” The artist-soul is a wild animal and does not easily come out of hiding.

I am convinced that all humans are artists because all humans have the capacity for presence. Artistry is not something mystic or out of the ordinary. Artistry is a way of being in the world. An artist sees beyond the abstraction of their thinking. An artist sees beyond the separation into the deep, fecund, shared space. Artistry is always about connectivity to that “something bigger” than the self. And then artists share what they see. There are as many ways to share the soul-space as there are people on the planet.

Sam’s poems are brilliant. He’s changed his story. The world outside changed when he changed his story and began sharing his poems. Eventually, when he was ready to let his wild animal run free, he published several poems under the title Fully Human. Find him. Ask him to recite a poem. And then ask him to recite one of his poems. You won’t be disappointed.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, title_pageVisionary, Seeker, Learner, Leader, Creator…You.

Be A Ray

[continued from Step Into The Dot]

Our shorthand, “step into the dot,” has a companion phrase: be a ray. It comes from Kerri’s son, Craig. A few years ago, when Kerri was in a particularly dark period, Craig told her that she needed to get out of her yuck cycle. He told her that, instead of spinning in her eddy, she needed to be a ray. She needed to choose to shine.

Choosing to shine begins with stepping into the dot. Remember that “to step into the dot” is to step into the present. It is to move forward in life with all the lessons but leaving the self-imposed limitations behind. The reason to step into the dot is that an opportunity becomes available from the dot that is available nowhere else. The opportunity is to shine.

A few weeks ago we got a puppy (it is more true to say that the puppy got us). It’s been a very long time since I had a dog and I forgot how much a dog wants to please. Our dog, Tripper, (a multi-faceted name: 1) from “road trip,” 2) he’s an Australian shepherd and is very good at tripping me and, 3) he is a trip as in acid trip. Zounds.) wants to belong. He wants to know how he fits into the pack. He wants to understand his world, know the rules of the pack, and he thrives on attention and positive strokes. In this way people are not so different from puppies: they want to belong. They want to know how they fit into the pack. For people, fitting in to the pack has a lot to do with the gifts they bring. People ask, “What’s my purpose?” People want a life driven by their unique purpose. When they fulfill their purpose, people thrive.

The great thing about “purpose” is that it is impossible to fulfill a purpose in a vacuum. It is impossible to fulfill a purpose without the participation of other people. Givers need receivers. Purpose is never fulfilled without impacting the lives of others. We cannot fulfill ourselves without fulfilling others. To serve others is to serve your self and vice versa. It’s a feedback loop. When we finally see beyond our personal story fog, it’s possible to see that the whole gig, all of life, is a service opportunity.

That’s what you can see from the dot. Connectivity. You see the interrelationship of gift giving and receiving. You see that every moment is an opportunity to bring your best game, to fulfill your gift. When you step into the dot, when you step out of the story fog and into the present, everything looks like an opportunity to shine. Thanks to Craig, Kerri and I have a shorthand phrase for seizing opportunity to shine. We say, “Be A Ray.”