End And Begin

photo-2My fascination with this play grows every day. It has had a hold on me for over a decade. I’ve told the story of The Lost Boy to everyone I know. And now, as we approach opening night, the story of the production, the timing of the production, the people coming out of the woodwork for the production, Tom’s relatives appearing with additions to the narrative that Tom originally relayed to me – is equal to or exceeding the marvel of the play itself. The story around the story is, in some ways better than the story itself. Or, perhaps it is an extension to the story, the next chapter. Roger once told me that he believed the most interesting aspect of the story was not the discovery of a trunk plastered into the walls, not the story Tom felt an imperative to pass on to me, but the story of my time with Tom. “I want you to tell that story,” he said.

I have a file of recordings that I made of some of my conversations with Tom. They were in a format that made them inaccessible to me. I kept them but have been unable to listen to them for several years. A few nights ago, on a whim, I searched for conversion programs and in less than an hour, I was listening to one of the recordings. It was like opening the trunk that had been plastered into the wall. I listened to one of our conversations. I listened to our laughter. I listened to the questions I asked and his thoughtful and generous responses. I listened as I told him that I believed the real story was not Johnny’s or Isabelle’s, but his. He considered it but could not see himself as anything other than a messenger. My suggestion to him was prophetic.

On a lovely August evening in 2013 I was on a pier in Wisconsin when I received the call that Tom had passed. I sat on a bench and talked with Marcia, Tom’s widow, for over an hour. After the call I walked with Kerri and as we watched the sun set I told her stories of Tom.

My attempts to produce the play while Tom was alive (though too ill to perform the piece) hit walls of brick and stone. If I wanted disaster to strike I only needed to attempt to mount a production of The Lost Boy. I’d all but shelved it and, although I’d rewritten it so I could perform the story, the script seemed incomplete, somehow awkward. When Tom passed, the end of the play became apparent – I saw the flaw. Tom needed to join the story, not tell it. I did a final rewrite and the play was ready.

I’ve been amused because, after so many obstacles, this attempt is almost producing itself. It is as if we couldn’t stop the transmission of the story if we tried. Jim said, “I think Tom is working his magic from the other side.” The other night, in rehearsal, just as I worked the section about Isabelle (Tom’s great grandmother) reaching through time, ringing a cow bell to summon Tom, the bells from the neighboring church began to toll.

It made me laugh and I recalled a question he often asked: where does a story end? Where does it begin?

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Dance With Sherry

A painting from the archives. I call it 'Revelry!'

A painting from the archives. I call it ‘Revelry!’

Sherry was killed in a car wreck many years ago. It was ironic. She had a severe food allergy and was pronounced dead more times than she could count. Every time she went out to eat she rolled the dice. And, because she had been back and forth over that dark line so many times, she never took a day (or a meal) for granted. Death walked with her so she was awash in the appreciation of life. Sherry never missed an opportunity to laugh or dance or shock people. She was a one-person party and her enthusiasm was infectious.

She was a true friend and a colleague and took the plunge with me when I wanted to start a communications academy (teaching core curriculum through experiential processes; with students we made movies, plays, performance art pieces, poetry slams and ran businesses. It was not only a blast but hugely successful. We created things as opposed to studied things. The only trouble I ever had was getting the students to go home). Initially, the academy was a risk but she was quick to throw herself into the chaos and brought her friend Linda kicking and screaming with her. Both were extraordinary English teachers looking for a better way to teach. We were like adventurers in the wilds of education, blowing up old models and exploring new territory. It would be impossible to do today; innovators are nailed to the floor by the standardized master-tests that they must serve.

The last time I saw her she said, “This is the last time you’ll ever see me!” She had a Cheshire grin and I protested, “Why? Are you planning on avoiding me!” She leaned in so no one else might hear and said, “I doubt I’ll be alive when you come back.” I told her not to be stupid but, as usual, she was right. She also asked me to not come back for her funeral. “Let this be our goodbye,” she said.

Kerri and I have been cleaning out the house, purging years and years of boxes, clothes, and…stuff. We are making space for new things. Each load that goes out the door is matched by an opportunity or insight that flows in. Not only are we cleaning out but we are reaching back in time and visiting old friends and extraordinary moments. More than once we’ve sat to share photographs or letters, “This is what I used to look like,” or, “Remember I told you about my friend…., this is us 20 years ago.” For some reason, Sherry has been with me today. I have no photos of her and no letters but I have terrific memories. I’ve been meditating on joy all day and she was the embodiment of joy. She was the queen of mischief and bold leaps of faith. “Life is never sure!” she’d giggle. “You only have today so dance it or get off the floor!” she’d shout, punching me, her Cheshire grin breaking across her face before erupting in gales of laughter.

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See Why

Once again, H wrote me with some good advice concerning my limping kickstarter campaign. I opened his email while taking a break from research I was doing on grants for artists. His email collided with something I’d just read (and applauded) on the Surdna Foundation grant site. Here’s his email:

Something dawned on me today when I checked your KS page. Two things, actually.

The first, you actually could make your goal. $7k days are not that uncommon on KS.

The second is that you can’t seem to stop yourself from teaching, and I think you need to for this work, just as you should in order to write and direct the play. All the “truths” and lessons of story and of art should be axed. Because they are true and obvious when we see them in action. But the statement of those truths and lessons distract and dilute that action. 

Tell why you love Tom’s legacy and The Lost Boy, why it is essential to your life’s work, and why your life’s work matters, why it has to be done… 

You have time for one more ask…..

And, here’s the bit of text that I applauded from the Surdna site:

“Art is fundamental to our collective understanding of who we are, what we believe, and how we relate to each other and our surroundings. Artists and their coconspirators weave the cultural fabric necessary for a sustainable, vibrant society.”

In 1998 I applied for and was accepted into master’s programs in both painting and theatre (directing). It was confusing for me at the time because both acceptances felt miserable, like walking into a cage. In my desire to go back to school, I wasn’t looking for technique or an answer to “how-to.” I needed to take a deep dive into “why?” So, instead of the obvious route, I jumped into a degree in organizational systems because I could bend it to my real pursuit: art as central to the identity function of a culture: art (specifically ‘story’) AS the system. As the folks as Surdna wrote: artists weave the fabric necessary for a sustainable, vibrant society. The story inside you, the story-you-tell-yourself-about-yourself, is inseparable from the story happening outside of you, the story-the-community-tells-itself-about-itself. When a society has a living, breathing mythology, they live from a single, shared story. As Joseph Campbell famously said, “Our mythology is dead.”

We orient and make meaning according to a shared narrative. So, if there is something that bugs you about the world it is most likely a reflection of something within you. If you want to change the world, you must start with your self. How do we begin to tell a different story when we imagine that our story is separate from all other stories? How do we make a better world when the story of the individual supersedes the story of the community?

Working with the shared narrative, dancing with the inner and outer story in all of its power and potential is my life’s work. Tom is one of the few people I’ve ever known who understood this dance. He is responsible for igniting the fire in a legion of artists, for guiding a multitude of lost boys onto a power path. He opened my eyes to a deeper path through the arts and life. He taught me that the Greeks believed that the telling of the epic stories was necessary for the health and wellbeing of a community. He taught me that we’ve forgotten what the Greeks knew. The story of The Lost Boy is Greek and has the power to help us remember. Tom believed in a better world and that a better world happens naturally when we tell a better story. That is why this play needs to be done.

 

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DSC_1196 copy

Be Kind Now

Kerri with her mom, Beaky

Kerri with her mom, Beaky

On Beaky’s refrigerator there is a colorful poster with this quote by Gerald Jampolsky:

“How simple it is to see that we can only be happy now and there will never be a time when it is not now.”

Bruce told me of his children. He related a few simple anecdotes: a moment of confidence on the stage, a gentle moment caring for an old dog. His voice quaked as he said, “David, my children are considerate and kind.” I wanted to tell him that they get that from their father. Bruce has always been kind though he does not know it.

Judy and I were talking about community. She lives in a supportive intentional community. She said, “I think we do our selves a disservice by placing so much emphasis on the individual. No one does this alone.”

We entered Beaky’s room at the rehab facility. Lying on her side, flat on the mattress with no pillow beneath her head so she can see the notes she is scribbling, she writes in her journal the chronicle of her life. “You’ll never be able to read this!” she exclaims, and then without taking a breath, “Did I ever tell you of the time when….” We sit with her, deep in story, for the next several hours. “This is the stuff that matters.” Beaky says. Not the stories themselves; she means the sharing of stories.

In our phone call Judy also said, “When you are in trouble it is not your money that will save you. It’s your relationships that matter.”

The nurse wheeled Beaky to the car. We gathered from all around the country to be with her. At 93 years old she is going into a radical surgery that is the best of bad choices. As we progress down the hall, an entourage of family following a woman in a wheelchair, nurses kneel and kiss her. They hug her. They tell her that they loved her. “She is special to us,” they say. “She does more for us than we could ever do for her.”

Kerri said, “Momma, see how many people love you?” Beaky replied, “Everyone is so kind.”

There will never be a time when it is not now.

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Aim For The Field

An illustration from my children's book, Play To Play

An illustration from my children’s book, Play To Play

Lately, Saul the Tai Chi master has been much in my thoughts. It is now September and it has been a year since he taught me a lesson that has become the new mantra of my life: orient to your own concern. Actually, he said that I should look beyond my opponent into the field of possibilities and orient to my own concern. “In this way,” he instructed, “you will no longer have an opponent.” He used the word “opponent” loosely. Any limitation or form of internal resistance is the opponent.

Beyond the opponent is a wide-open field of possibilities.

In the intervening year I have learned that I have been both my greatest opponent and the one who can look into the field of possibilities. Isn’t this true of all people? All stories worth telling (and hearing) are ultimately tales of transcending the inner opponent. If you need help identifying your personal mythic journey simply listen to the areas in life in which you say to yourself, “I can’t.” In that place you will find your opponent. You will also be surprised to find that your inner opponent is most often an orientation to other people’s concern; the fear of what others might think is a mighty inner-monster creator.

I’ve also learned that Saul’s lesson has come to me in many forms throughout the course of my life. For instance, many years ago I directed plays and, because I am also a visual artist, I was often in the position of designing the sets as well. With great love and humor, another terrific mentor watched as I struggled with my dual role. He gently showed me that I was orienting my designs according to the budget and construction limitations I perceived. I was working in the wrong order, asking “how” before lingering in the potential.   He told me that I needed to “Live first in the possibilities.” Design/orient according to the potential and not the limitations.

To live first in the possibilities is to walk the imagination without a leash. It is to let the imagination run wild. What is beyond your capacity to imagine? What is possible beyond the boundaries of belief? At one point in my life cell phones were science fiction. Today, they are ordinary.

Look beyond the opponent. Orient to your own concern. Imagine how life might change if instead of asking, “Can we do this?” we began by asking, “What’s possible?” And then aim for the field.

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Have The Conversation

A painting I did twenty years ago of my dad. I call him Columbus.

A painting I did twenty years ago of my dad. I call him Columbus.

When Bob died I wrote his wife, Ruby, a note saying that I’d give anything to have another conversation with Bob. Just one more conversation.

When Jim wrote to tell me of Doug’s passing, we had an email exchange.

I signed off the email with this phrase: “Yet another conversation I will never have….” Jim answered with a warm reminiscence of Doug, a recounting of their meeting as young teachers, watching Doug navigate and ultimately heal the psychological wounds from war. Jim signed off with this thought:

War is not just hell.  It is eternal hell.  Particularly for those with first hand experience. Why the race continues to tolerate it may be the greatest mystery. Another conversation I will never have with Doug.

I remember in vivid detail the last conversation I had with Tom. He was already sliding into the hell of his dementia and knew it. He desperately wanted to tell me a story, something that was vitally important for me to know though he did not know why. I sat attentive in his small cabin home as he told me the story of the lost boy, a story that together we’d spent years developing into a play. I’d heard the story a thousand times and he no longer remembered. He forgot everything but the imperative to tell me the story, to transmit the history to me. So we enacted the ritual as our final conversation.

Columbus fishing at his 80th birthday celebration.

Columbus fishing at his 80th birthday celebration.

Many years ago I traveled home to spend time with my dad. I wanted to know who he was and felt as if I’d missed it, as if I didn’t really know the person behind the role. He was generous and vulnerable and spent three days with me answering all my questions, sharing the inner sanctum of his thought and being. It was the greatest gift I have ever been given and, at the same time, the greatest gift I have given myself: I asked if he would spend time with me.

One of the things I learned during those days with my dad is that there will always be the yearning for one more conversation. There is no bottom to the magic and mystery of the people that we love and who give order and richness to our world. This year I am learning that although there will always be the yearning for just one more conversation, there will of necessity be a last exchange. And, because that is an inescapable truth, there is nothing more important on this earth than to take the time, make the space, to ask, “How are you doing? What’s happening in your world?”

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Share A Poem

An old painting from my archives. This is "Hermes."

An old painting from my archives. This is “Hermes.”

One day, out of the blue, Doug came out of his office, stood at the door to my office and asked me to follow him. Doug was a bull in a china shop, gruff on the best of days, and his request was more of a command than an invitation. He’d spent his early life in the military, did two tours in Vietnam, and a piece of him was still fighting that war; the rigor, structure and discipline he’d acquired as a soldier was still saving his life. I’d worked with him long enough to know that he was soft to the center. Doug was a big heart wrapped in pit bull clothes.

I followed him back to his office and he asked me to close the door, a sign that usually meant battle was to ensue. I closed the door and sat opposite his desk, curious that the lights were off. The dim room was illuminated by a single thin window partially obscured by a bookcase. He sat. He took a deep breath and looked around as if he was worried that others might be listening, and said, “I want to show you something.” He took another breath, slid open the bottom desk drawer, and pulled out a book so worn and deteriorated that it was barely recognizable as a book. I knew immediately what it was and caught me breath. “I want you to see this,” he said. I gently held the tattered brittle pages and read the first poem in the book and, as I read it, Doug recited it. Tears came to my eyes.

I’d heard the story of the book many times. Doug told the story when he was in pain, when one of his students was self-destructing or when he was once again standing at the edge of his own personal abyss, a place that was never far away. He told me the story each time he was trying to find a shred of humanity in his very dark world.

When Doug was on his way to his first tour in Vietnam, he was not yet 18 years old, he was angry and alcoholic, and for reasons he could never explain, he stopped in an airport bookshop and bought a book of The World’s 100 Greatest Poets. When telling the story, Doug would say, “I’d never read a poem. I hated poetry! I was nearly illiterate! But I bought that book and stuffed it in my bag.” He told me that the guys in his platoon teased him the first night he brought out the book of poetry and read it. Initially he read the poems aloud to bother his mates. They’d shout and throw stuff at him. Every night he read poems aloud. Soon, after the horrors of the day, after the fears of being killed or having killed, they asked him to read poems to them. They had favorites. They made requests. They talked about what the poems meant. They asked him to find a good poem to send to their loved ones at home. Over the year, Doug learned to recite by heart each one of those poems.

Doug told me that poetry saved his life. The book saved his humanity. That day in his office we spent nearly an hour reading poems to each other; each poem had a story, a memory. He told me that people don’t understand the reason for art, the necessity of poetry. “It’s not a luxury,” he roared, “it’s the goddamn center.” He carefully placed the book back in the drawer and pushed it closed. I thanked him for sharing it and he waved me off. The moment had passed; he closed the drawer on his sharing, too. It was too much.

That day was nearly twenty years ago.

Doug Durham

Doug Durham

Jim sent me news that Doug passed away this week. The last time I saw Doug he showed up at my apartment in Seattle just as he’d showed up at my office door: out of the blue. He sat in my living room for fifteen minutes, fidgeting, unable to sit still. “I just wanted to see you!” he trumpeted. “I wanted you to see that things are good with me!” He was deciding whether or not to open that metaphoric desk drawer. He had something to share or say but had not yet decided whether it was the right time. He had cancer even then but was on top of it.

“Well!” he announced, standing, “it was good to see you.” I asked him what he wasn’t saying and he gave me the “be careful” look. He wasn’t ready and I knew better than to push him. “Stay in touch.” I said, as he climbed into his big red truck. “You know better than that!” he smiled, waved, and drove away.

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Unbridle Your Enthusiasm

Tripper Dog-Dog-Dog's trophy collection

Tripper Dog-Dog-Dog’s trophy collection

Tripper Dog-Dog-Dog is tough on toys. He does well with hard rubber Kongs and rawhide bones but the stuffed animal variety haven’t got a prayer. We long ago stopped buying them for him. Even as a small puppy he’d make short work of anything that squeaked or resembled a creature. More than once, moments after giving him a new toy, I found him sitting happy and content amidst a nest of fiberfill with the empty body-shaped sack of toy remnant clutched firmly between his paws. Dog-Dog has several admirers who are unaware of his destructive talents and bring him stuffed animals as gifts. Like offerings to a high priests in days of old, Tripper graciously accepts their offer and removes to the backroom for immediate slaughter. For reasons I can’t explain, we keep the heads from his sacrifices. We use the heads as sleeves for our knife set or as wine bottle covers; it’s our own little version of Game of Thrones.

I’m learning much from master Dog-Dog. Lately his lessons are about faith and exuberance for the sheer pleasure of being alive. For Tripper, every doorway is an opportunity for bounding, every fence an opportunity for discovery. Even if he hopped at the fence 30 seconds prior, his return to the same spot is no less enthusiastic. He does not assume that he knows what he will find there, in fact, he assumes that the world is new no matter which way he looks. He does not blunt himself with notions of knowing like we bipeds. He is a four-legged master of beginner’s mind. If he had an inner monologue I’m certain it would be, “Oh my god, oh my god, oh my god,…”

During our late night pre-bed visits to the backyard, Dog-Dog routinely stops and stands very still (unusual behavior for an Australian Shepherd), and for several moments he listens. He feels the breezes. He smells the air. He checks in with me to make sure that I am standing firmly rooted in the present moment. When he is certain that I am present with him in his quiet enthusiasm for life, that I have given up all of my stories and distractions from the day, that I, like him, am breathing in the miracle of existence, revels for a moment longer and then lets me know that I am ready for sleeping. He turns and prances toward the house, satisfied with my progress and exhausted by the sheer wonder of it all.

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Smile In Secret

Taking the Sealy for a  test drive.

Taking the Sealy for a test drive.

I never had children so there are certain ritual passages that I’ve never experienced. In my life I’ve ushered a legion of other people’s children through various thresholds so it was surprising how Craig’s Facebook post today struck me. I saw him just last week. We had a late night dinner in Nashville, Indiana and I spent much of the evening secretly smiling. He was different. He’d made the passage and was standing firmly in his independence.

In his post today he wrote, “ And with that final, I’m officially a college senior.”

His passage, like all worthy passages, did not come easily. Nothing worthwhile ever does.

Last August, I helped him move to a new university. We packed the truck and drove out of state. Together, along with Josh, we carried his enormous couch and all the other stuff in the truck into Craig’s first-ever apartment. We helped him set things up and then he needed Kerri and me to go. He needed to be on his own. He needed to step into the unknown places and get lost.

Over the year I was witness to how he got lost, met a multitude of fears and frustrations head on, and how he stood in the fire with all of it. It shouldn’t have surprised me that it transformed him. I know how transformation works and yet this time I was somehow too close to fully see.

Over the year I’ve talked with Craig through the night and into the wee hours about socialism and the difference between a plan A and a plan B. We talked about sarcasm and life without having to push other people under water to feel powerful. We’ve talked about true power. We celebrated Thanksgiving and Christmas. On a freezing cold day in December we tromped through a farm and picked out a Christmas tree that I dubbed Satan because the needles were like daggers. I’m still finding those needles in my socks. We smoked cigars and he made a mixed drink for me called something I can’t remember (a testament to the potency of the concoction); it was awful. We laughed and drank it anyway.

I learned to play Apples to Apples when he came home for a surprise visit. We sat around the table into the wee hours with Pierre and Kirsten and Josh and laughed about anything and everything.

He inspired a week of posts when he asked me a single question and I suspect it will not be the last time.

Last week when he met us for dinner at Uncle Bill and Aunt Linda’s house in the woods of Indiana, I couldn’t believe the chatty, funny, informed, strategic, considerate man sitting across the table was the same boy I drove to college in August.

Craig’s post came on the day after I lost one of my champions: Bob. He was a man who made his own destiny and I think Craig will do the same. I wished that the new college senior had met the man who ushered me through so many of my life’s passages. They are cut from the same cloth. I wanted to write Craig and tell him, “You have no idea how many people are cheering for you.” I wanted to welcome him to the other side.

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Know What Matters

A day with Beaky

A day with Beaky

When you leave Florida driving north there is a stretch of highway in Georgia that is littered with billboards advertising everything from the adult superstore to the second coming. The spectrum is as breathtaking as it is comical.

I’ve driven this stretch three times during the past several months and each time I wonder what an archeologist from some distant future might deduce about us if this stretch of highway was the only remaining fragment of evidence of our culture. A few years ago I spent a day in Herculaneum, the other city buried with Pompeii on the day that Vesuvius erupted. Like Pompeii, it was remarkably well preserved. We have so much writing from that time, we have eyewitness accounts, we have museums stuffed with artifacts and art. While I walked the streets of Herculaneum on that hot summer day, I read about the social norms, the exercise practices, food preparation, infrastructure, and what we assume a normal day was like. I also read, based on the placement of the bodies, what that most unusual day, the day the world ended, must have been like. There was a timeline of events. All the while I couldn’t help but wonder if our study of their culture could only reach the superficial, the top layer, the economics. We can sort through the garbage and garner much about daily practices. To study is not the same as knowing. What we know is minute when compared to what we do not know. The timeline told me little of the terror. It told me nothing of the love. The economic statistics told me less than the plaster cast of the old couple huddled together, arms wrapped around each other on their final day.

I recently watched a short TED talk by Ric Elias who was on the plane that a few years ago landed in the Hudson River. He talked about his thoughts as the plane went down, what he learned about life when he faced his death. He was surprised that there was no fear in dying but there was great sadness for all the things he would miss, all the relationships he would leave behind. He learned from that experience that the only thing in his life that mattered was being a good father. He also decided to clear all the toxic relationships and never again participate in negative energy. He said that he gave up being right. I thought of him as I drove the billboard gauntlet a few days ago. The archeologist from the distant future would glean much about our economics and ponder our obvious confusion. She would write studies useful for the tourists that would travel halfway around the world to visit the site of a once thriving community. The tourists would walk the stretch of ancient freeway, gape at the billboards and speculate about our addictions. But they would know nothing of the people who everyday drove that stretch of road with their families, or about people, like me, who drove more than a thousand miles to spend a day or two with a 93 year old woman named Beaky who can tell a story better than almost anyone I’ve ever known.

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