Await The Whoooosh! [on KS Friday]

Although the genre-labels attached to her music, words like “new age” or “easy listening,” might lead you to believe otherwise, Kerri is not a gentle player of her piano. She doesn’t sit at it. She stands. Often, when she plays, the piano literally hops. This diminutive woman is a force of nature when she steps into her music. For her, playing is a full-body affair.

In this day and age of electronically generated music (and art), it’s hard to explain the love of the analog, the delight in full-body art-making. There is a flow – there is no other word for it – that is possible when using brushes and paint on large canvas or making music on keys that aren’t digitally supported. It becomes a dance. It requires opening, getting out of the way.

Early in our lives together we’d listen to her recordings, “Can you hear the whooosh?” she’d ask. “That’s the pedal! I love that sound!” she’d say. “Whooooosh! I don’t like playing on keyboards. There’s no whooosh.”

No whooosh. I’ve watched her play on keyboards – many times. You’d never know it but she has to hold herself back. If she let herself play, full-body-play, she’d knock the keyboard off its stand. She has to contain the force, water through a dam.

It’s anybody’s guess how she’ll play after her wrist recovers from the wet-floor-fall. There are still some months to go. In the meantime, the piano is calling. I know because she’s cleaning her studio. A studio cleanse is always the sign of an artist preparing for the next…Open space. A gathering storm. There’s only one thing I know for certain: on that day, when the pain is gone and she calls, “Come here and listen to this!” DogDog and I will go into the studio, find a safe place clear from potential piano hops, and we’ll take full-body delight in the return of the whoosh.

listen for the whooosh

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about PEDALS

that morning someday/blueprint for my soul ©️ 1997 kerri sherwood

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