Sit In The Megaphone [on Not So Flawed Wednesday]

It was like crawling into a time capsule. The nature megaphone was where we remembered it. The wood weathered into light grey, we crawled inside as we once so often did.

There was a time that we walked this trail several times a week. In winter, we strapped on snowshoes and huffed our way around the green trail. Bristol Wood. It sounds like a place of elves and fairies, a place Shakespeare might set a comedy. We regularly left the difficulties of our day and disappeared into it, emerging after an hour or two refreshed.

The megaphone served as a resting spot on the trail. Like little kids in a fort, we’d crawl inside and soak up the sun. Often we’d pass a small bottle of wine and snack on broken chips from a ziplock bag. Sometimes we’d talk. Mostly we listened, closed our eyes, felt the warmth of the day.

We stopped going to Bristol Wood when the county contracted with an adventure company to build an extensive ropes course in the center of the woods. Suddenly, our sanctuary was transformed into an amusement park. That was 3 or 4 years ago.

On a lark, we drove to Bristol. It was an unseasonably sunny day, mid-week, the ropes course closed until the weekend. No one was there. We tied on our boots and stepped into the woods. We went back in time, our feet shushing through the leaves.

Our bodies knew the trail, pulled along by remembrance, we smiled at the familiar trees. Old friends. At one point we stood silent and still on the trail as the autumn leaves rained down. It seemed that Bristol was happy to see us, too.

And, then, we came upon the megaphone. “It’s still here,” she said, crawling inside. I followed, nestling into the sun, feet planted firmly on the curving side wall.

“I could fall asleep,” I said, knowing we might be risking a Rip-Van-Winkle. A deep and dreamless sleep. If we slept for a hundred years, I wondered what world we’d step back into?

As if she read my mind, she snuggled into the megaphone and said, “This world is so different than the one we knew the last time we sat in here.” True. Too true.

Our time capsule. Nature’s megaphone.

read Kerri’s blogpost about the MEGAPHONE

Open The Time Capsule [on DR Thursday]

Morsel - Waterfall Dreams copy

Kerri calls this morsel ‘Waterfall Dreams’

This week some long lost paintings came home.

Nearly 15 years ago, an acquaintance opened a physical therapy office. She asked if I would hang my work in the reception area, hallways and therapy rooms. I was delighted and installed 8 paintings, all wildly colorful. I was in my phase of vibrant swirling color. The local galleries told me that my work was too colorful so I was delighted to have any opportunity to share my paintings. Over time, three of the paintings sold. I brought in a few more. They sold. Ownership of the office changed but the paintings remained. Years went by.

When I left Seattle, I left those paintings behind. I couldn’t get to them. I counted them as lost. And then, a few weeks ago an email popped into my box. They were looking for my address. They wanted to ship to me the paintings. Three remained.

Opening the box was like opening a time capsule into my past. A life I remember but am almost too far distant to recognize. They were a delightful abstraction like a TIME magazine from 1950 would be interesting, a curiosity, but intangible.  It was looking at the baby shoes your mom saved for you, the drawing you did in kindergarten.

Skip and I talked yesterday about points of orientation. We – all humans – story ourselves based on events. We orient according to the passages of our lives. Every so often life pitches an event so profound that it reorients everything you knew. It changes who you know yourself to be. The first stage of reorientation is disorientation. Getting lost. Struggling to know who you are. And, in being lost, the very first thing we do is try to make the old orientation points valid. It is deeply human to hang on to what you know, to try to fit into an old suit even after the body has forever changed. In the story, the knight takes off his armor. He weeps. He can never go back.

Leaving Seattle was one of those passages for me. Looking at these three paintings was like looking at the old armor. I had a double rush of appreciation. The first for having armor when I needed it. The second for being so far from the place where I stripped it off and left it behind.

hot springs copy

I can’t remember if I ever gave this painting a name so Kerri has dubbed it ‘Hot Springs.” acrylic on panel, 2′ x 2′

 

standing in vail website copy

waterfall dreams/hot springs ©️ 2018/2004 david robinson