Eat And Wait [on KS Friday]

“Neither the hummingbird nor the flower wonders how beautiful it is.” ~ unknown

Jay, Gay, and Kerri are waiting. They are watching for the return of the hummingbirds. The anticipation is palpable. Each day I come upon Kerri, staring out the kitchen window at the untouched feeder. She turns, and, mimicking a voice-over from a commercial for the television show, Wicked Tuna, she asks “WhehAuhThey?” I shrug. She returns to her watch.

A line from a book flashed into my mind. “I can think. I can wait. I can fast.” Siddhartha replies to the beautiful Kamala when she asks what he can do. Hold on! Waiting is a marketable skill! Of course!

Inside my mind, I practice my answer in an imaginary job interview: “Now, tell me, Mr. Robinson, what are your most valuable skills?”

“I can think. I can wait.” I say to the too-serious-HR manager. Note how I cleverly omitted the part about fasting. As a rule I’m hungry all of the time. I want to create the illusion of value without having to outright lie. If I don’t eat, I can’t think. Period. And, if I can’t think, waiting-to-eat is virtually impossible. Just ask Kerri about that day in Minturn, Colorado. It was almost ugly. I have a long way to go before I add fasting to my short list of valuable skills.

In my mind I don’t get a second interview. “We want someone who can fast,” the too-serious-HR manager smiles thinly.

“I’m certain I can work on my delayed gratification skills,” I say as I’m escorted to the door. Wow. Another lie. I’ve been working on delayed gratification for a lifetime and have made very little progress. “I didn’t want that job anyway!” I declare as I stumble onto the noisy street-in-my-mind.

All of this fantasy lying to myself has made me hungry. “Do you want to eat something?” I ask Kerri who’s keeping her hummingbird vigil. “I’m starving.”

“Yes,” she says. “When do you think they’ll get here?” she asks, suddenly becoming a 5 year old. “How will they find us?”

“They’ll be here soon,” I say, perhaps telling another fib. I have no idea when they will be here. “All we can do is wait,” I offer, quickly adding, “So, what do you want to eat while we wait?”

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about HUMMINGBIRDS

waiting/joy! a christmas album © 1998 kerri sherwood

If you like this post, let us know or share it. Or, buymeacoffe.com. Thank you, all-ways.

Value The Cake [on Two Artists Tuesday]

available copy

When you choose an artist’s path the odds are you will always be looking for work. In the United States it is the rare artist that makes their living through their artistry. Staying afloat requires a layer-cake-strategy: the bottom layer is the job you take to make money (waiting tables). The second layer is the job you take that somehow relates or comes close to the artistry (teaching). The top layer, the holy grail layer, is the art itself. Few artists resent or resist this reality. They are called to it. It’s more a question of who they are than what they choose to do. It’s also true that few artists survive the hardship beyond the age of 30.

In my life I have dug ditches, cleaned chicken coups, delivered bread, unloaded mattresses from semis, waited tables and been licensed as a massage therapist (to name only a few). I’ve been credentialed twice, been an adjunct professor a few times, founded an experiential learning program, been a general manager and managing director of theatre companies, and an artistic director twice. I’ve had a consulting practice, an international coaching practice, run around in the world of entrepreneurs, drawn cartoons and children’s books. I’ve painted all my life. I’ve directed plays and written plays. I have seven book outlines in my files, none of which will make it to a final form. I’ve performed with symphonies, written and told stories at conferences. At this point, I have a very hard time answering the dinner party question, “So, what do you do?”

What do I do? My friends in Seattle used to tell me that I was the most successful unsuccessful person that they knew. Yes. I am an artist.

If I answer the dinner-party-question with the truth, I am an artist, the inevitable follow-up question,”Do you make a living doing that?” used to make me cringe and feel as though I needed to hide or make excuses for my life. Or lie. “Well, I have this layer cake…” Last year my dear friend, Dwight, popped back into my life for an evening. He asked the question and I started the old tap-dance. I thought if I talked long enough I might find credibility in the eyes of my friend. And, then I remembered that the life lesson is not to find credibility in my friend’s eye, but in my own. I stopped the dance and said, “I don’t know what I’m doing.” We laughed.

I do know this: I am an artist. I chose this path and it chose me. Sometimes I make money through my work. Mostly I do not. I’ve tried putting that piece of myself on the shelf in the closet and I failed. I can’t do it. Artistry, for me, is about much more than making paintings or plays. It is not something I do. It is something I am. It’s a path, a way of fully living this life.

I am in the job hunt cycle again. Writing resumes feels akin to answering the dinner-party-question. How can I make you see that I have value when the only value you recognize is monetary? I can’t. How can I make potential employers see value in my rich diverse set of experiences and, therefore, skills, when the bot weeds me out because I am not singular? I can’t. What the HR-world sees as unfocused is, in actuality, a hyper focus. How can I make the HR-world see the rich value of an artist when they only understand the word as an ego-uplift-phrase for hard working sandwich makers? I can’t.

I just read this question: what are the limits you have set for your life? Many years ago I worked with a man. He owned a tent and party supply business. He worked very, very hard. He drank too much. He bought the business on the day he forever stopped playing his trumpet for a living. I asked if he ever missed playing. He looked away and said, “I can’t think about it.”

I think about it everyday. And, luckily for me, I know beyond doubt that my artistry is central, essential. It is who I am, not what I do. It is not a word I’d pair with “sandwich.” It is what calls me beyond limits. It serves as a constant threshold. It stirs me, challenges me, causes me to listen deeply and feel keenly. It requires me to take chances. It asks me to open my eyes and see beyond what I think. Is there value in that?

 

read Kerri’s blog post about ARTISTS (sandwich and otherwise)

 

donnieandmarie uke website box copy