Scratch The Soil [David’s blog on DR Thursday]

For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.

There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.

It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.

Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.

read Kerri’s blogpost about CORN

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See The Bounty [David’s blog on Not So Flawed Wednesday]

I doubt that our bird feeder experience is different than most people. The chipmunks and the squirrels get most of the bounty and the birds play clean-up.

In another life, were I to aspire to be an acrobat or gymnast, I’d study the amazing antics of chippies and squirrels. They scale the impossible pole. They leap the impossible leap. And then they fill their cheeks to bursting, kick gobs of seed to the ground, and fling themselves – fully loaded – into space and somehow catch a limb or bit of fence and escape into the great unknown. They are fearless.

The birds alight on the feeder, too, but mostly they find their fortune on the ground.

Over the summer, directly beneath the feeder, corn plants appeared. We let them grow for a while. I confess, the corn made us smile. “We have corn!” we’d giggle at the absurdity even though the origin was obvious. Apparently we are easily amused.

And then the corn plants sprouted across the yard. A stalk grew right next to Breck-the-Aspen-Tree. And then we found a few lively plants pressing through the tall grasses in the front yard. We’d unintentionally set into motion a small-sample-experiment of corn migration as carried by birds and mini-beasts.

Across many cultures, corn has long been a symbol of prosperity and representative of the cycle of life. It’s easy to understand why. The fields are magical places. In our film mythos, baseball teams of yore emerged from the corn, bringing good fortune to the family that built a field on their farm. Giver of dreams. Fulfiller of hope. Ancestors return to the corn.

In addition to the summer of the bunny and the surprise frog-named-Hope, this is the summer of corn-on-the-move. As the leaves begin to turn, as the harvest comes in, we take comfort knowing that we are surrounded by so many symbols of plenty.

read Kerri’s blogpost about CORN

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Feel The Rhythm [on Not So Flawed Wednesday]

We lay awake in the night listening to the waves pound the shore. Boom. Rest. Boom. Rest. This lake that is sometimes glassy-in-stillness can rival the Atlantic Ocean in restlessness. It has many moods. It can turn on a dime. I have found great peace walking the shores. I have stood in awe as it blasted those very same shores, hurling boulders with ease.

When we were fortunate to live for a summer in the littlehouse, right on the lake. Kerri had to adjust to the constant sound. Her musician’s ears were caught in the rhythm of sound lapping the shores. Nature’s metronome. We teased about parking a piano on the back deck so she might compose an album of pieces set to the lake’s pulse.

The most striking visceral-revelation that I brought back from Bali is that we function together. Just as I am impacted by the lake, my pace and rhythm are impacted by the people around me. No one is an island. David Abram wrote in The Spell of the Sensuous that it is nearly impossible to meditate in the un-united states. We are an angry frenetic lake, fast moving wave. Changeable. I will always remember pausing at the custom’s gate re-entering the country. It was too much. Finally, I stepped through the doors and felt sucked into a chaotic turbulent whitewater river. It was months before I adjusted, before a walk down the street didn’t feel like a fist fight.

Columbus (my dad) would sit for hours each morning, on the porch. Listening. When I was younger I wondered what he was listening to – or for. He grew up in Iowa and came into adulthood moving to the rhythm of the corn. He lived his adult life in Colorado. It was a different rhythm, the metronome of the mountains. For many years he yearned to live where he understood the rhythm. He was, I think, listening for the corn.

When I return to Colorado I feel an immediate recognition. The mountains are the rhythm I was born into. Alignment. My original dance was a mountain dance.

Kerri and I are both transplants to the lake. Perhaps that is why we hear it so clearly. Jim E. told me that people go to the shore to stare into the infinite. We listen to the lake with the same awareness. The lake was here before me. The lake will be here after I am gone. The mountains, too. We are, of course, delusional to entertain the idea that we control it – nature. That we are somehow separate. Sometimes I think it is the artist’s job to bring proper perspective to the community, to pop the separation-notions – even for a moment – out of ego-brains.

This lake could hurl me like a pebble. It also brings peace to my soul. Stillness. We are not as distinct as we want to believe. That recognition is the single greatest blessing of artistry. It’s a circle dance. Just as my dad is disappearing back into the corn, I, too, will someday rejoin my original rhythm and fold back into the mountain.

read Kerri’s blog post about THE LAKE