Come Home [David’s blog on Two Artists Tuesday]

I don’t know why but this photograph reminds me of a song by Dan Fogelberg:

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.
Yellows and grays
Paint the sad skies today
And I wonder when
You’re coming home…

Old Tennessee from the album Captured Angel. I played this album – this song – over and over again when I was painting. I could sing loud in my studio because no one could hear me. So, permission to sing horribly and with gusto. My fantasy musician fulfilled!

Woke up one morning
The wind through the window
Reminded me Winter
Was just ’round the bend.
Somehow I just didn’t
See it was coming

It took me by surprise again.

It was present with me the moment she took the picture and showed it to me. “Lookit!” she said. “It looks like a glimmer wand!” A glimmer wand. A wish ready to be granted. And the lyrics began running through my mind. A song of loneliness. A song of yearning.

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.

Yellows and gray
Paint the sad skies today
And I wonder when
You’re coming home
I wonder when you’re coming home.

Later, looking at the photograph, I realized that we – Kerri and I – are singing a song of yearning. We are awaiting the glimmer wand, the wish to be granted. A coming home. A return to ourselves. Lost jobs, broken wrists, all wrapped up in a global pandemic…Artistry as we knew it went missing. The life that we knew was lost.

For awhile we waited in silence. And then we went looking. And now, we know better. There is and never will be a return to what was. It cannot be found. Rather than seek for what was lost, we realized that it’s time to get acquainted with what is. Not artistry as it was but as it is. As it will be. Learning anew who we are. Now.

This life! As Kerri would say (in her cartoon self): “Sheesh!”

Somehow I just didn’t
See it was coming

It took me by surprise again.

read Kerri’s blog post about GLIMMER WAND

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Study The Studier [on DR Thursday]

I study the studier. She kneels, excited to capture the winter face of plants along the trail. It’s as if they call to her.

Where does it start? An idea. Broad and generic. Spontaneous. Studied.

For months I watched her take photos of the train through the trees. “Here it comes!” she’d laugh and pull her phone from her pocket, running to get the best spot on the trail. Each time as excited as the first. I took photos of her taking photos of the train snaking just beyond the trees.

Mostly she shoots close-up photographs. Spontaneous. She has an eye for detail. She helps me see what I overlook. I have an eye for the big picture, the metaphoric. I study. Pie-in-the-sky.

I think she would have been great pals with Georgia O’Keeffe. They’d have compared notes on the magic world of minutia. The dried flowers, the pattern in the petal. The amazing textures and vibrant winter colors. Some people see only brown. Kerri sees subtle changes, ochre, cream and an array of umber. A universe full of color. Just like Georgia.

This is where my studied painting started:

underpainting: train through trees.

Originally I intended to use a long canvas. The composition-in-my-mind was different, more spatially accommodating of the train. I was going to paint over something I didn’t like but she flung herself between me and the doomed painting, like the angel rescuing Isaac from Abraham’s knife. Needless to say, I shifted my composition. I had another canvas. Large and almost square.

It had been awhile since I attempted a larger painting so I made one rule: I had to have fun. Master Miller sent some cool tools for me to try. They are like large rubber scrappers and brushes. After a hiatus I have a tendency to go to detail too soon so I used his gifts to keep my strokes broad and light hearted.

Okay, I made two rules: I painted in 45 minute sessions. I generally have a 3 hour necessity but the realities of our circumstance make that dedication of time difficult. I start Dan Fogelberg’s album, Captured Angel, and when the last note is sung, I stop. I clean my brushes. It was a great way to stir my process-pot. It was frustrating and liberating at the same time.

This is where it may end. This painting has traveled a long way. Soon, I’ll turn it to the wall. I need to forget about it and will someday see it with fresh eyes. Right now, in a festival of irony, all I can see is the detail so I asked Kerri to come into the studio. Blinded by minutia I needed her wise eyes to tell me what she sees. Globally. The studier becomes the study. A perfect circle.

Train Through Trees, 48x49IN, mixed media

I’m slow-stepping into my new site. The construction continues…

read Kerri’s blogpost about DETAIL

train through trees © 2023 david robinson