Truly Powerful People (431)

431.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Hope is the thing with feathers
That perches in the soul
And sings the tune – without the words
And never stops at all.

– Emily Dickinson

When I lived in Santa Maria I used to run early spring mornings between the strawberry fields. They were alive with birdsong. Sometimes I would stop my run, stand still, close my eyes, and listen. The song always quieted my mind and lightened my heart. It brought the life I yearned to create one step closer; all possibilities were within reach within the magic song of the birds.

This lazy afternoon, twenty years after the birds first taught me about incantation, I sit on the balcony with my eyes closed. My world is alive again with birdsong. It’s as if all the nation’s bird choirs have gathered in the field across the street for a hope-song competition and I have been selected as the sole adjudicator. I’m taking my time picking the winning team because I do not want this hope-fest to stop. If my heart were any lighter I might lift off the balcony and join the singing, disgracing adjudicator’s everywhere. It is moments like this that irresponsible decision-makers like myself award the blue ribbon to all the teams. They are glorious, singing their hearts out trying to distinguish themselves and help me with my soul decision.

I wonder if they know that they are magic? I wonder if they know the power of possibility that they stir in the human heart? I wonder if they know that they bring mighty love one step closer? Fingers outstretched and reaching to touch our heart’s desire; with their birdsong magic entire worlds shimmer, take shape, and perch within grasp.

Truly Powerful People (430)

430.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Sitting in my assigned seat (7B) I was taken by this phrase: Use bottom cushion for flotation device. I’ve flown several hundred times in the past decade and I’ve seen this phrase on every flight and took little notice. For some reason today it struck me as odd. The airline stenciled it in 3 places on the seat back directly in front of me; that makes 9 stencils for every row! There are only 3 exit signs on the plane. The emergency exit rows have some escape hatch instructions that are also written in the language of toy assembly: pull red handle to position “A,” lift hatch bottom until it detaches from slot “C.” Thrust hatch out and let go. These instructions are given only once. Why the flotation device repetition? Getting out of a sinking plane seems a higher priority than knowing that floating is an option. It’s all very corporate. Legal.

I suppose that’s the point. The phrase is there to satisfy a legal requirement and is reiterated 3 times so the airline will not be liable for my death by drowning. The irony of that possibility made me cackle and my seatmates grew nervous. I pointed to the phrase and lied, “I find this a statement of hope!” and my seatmates looked away. In the age of the underwear bomber, humor is suspect. They worked hard pretending I wasn’t there so I made them stretch beyond their limits pointing to the 3 identical stencils saying, “Three times must be a charm.”

That must be the explanation! If my plane went down in the water (unlikely on my flight from Lincoln to Denver) and I survived the impact (unlikely on a flight from Lincoln to Denver) I doubt that I would be thinking clearly. I have a list of the things I’d probably think – none of which I feel good about writing. I cackled again and my seatmates eyed the flight attendant button so I said, “It actually might take 3 repetitions for me to grab my bottom cushion en route to flotation and eventual water rescue.” Their panic was palpable so I said, “I guess you should be glad I’m not sitting by the door. We’d all drown.”

The image of me popping through an airplane hatch riding like a cowboy atop a seat cushion and bobbing to the surface of a mountain lake was too much. I laughed outright and couldn’t stop myself from saying, “I wonder where they keep the oars?”

Truly Powerful People (429)

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I sometimes have to remind myself that everything isn’t a metaphor. The powerful headwinds that slowed our progress but afforded us the opportunity to go slow enough to see and be in our moment (instead of just passing through) might not have been a metaphor. Also, my renewed appreciation for the wind is probably not metaphoric of the unseen forces of my life. No way.

The fish I spied swimming too intently and accidently beached itself on a sandbar and then had to slowly and painfully wriggle it’s way back into water again was clearly not a metaphor for going too fast. My great-aunt Dorothy used to have a sign on her wall that read “the faster I go the behinder I get.” The fish had never read the sign.

The students covered in paint, loving school and their teacher (Melissa-the-inspiration-to-us-all) and their lives, believing anything and everything is possible – that probably wasn’t really a metaphor for the heart of possibilities or perhaps the essence of education. When Kimmie swept up the snow sculptures made from the torn bits of paper that once held the limiting stories of her students – that wasn’t a metaphor. And it really wasn’t a metaphor when she put the bits of paper in a gallon jar so her kids might remember the day they began telling a more loving story.

The sun on my face, the eagle that rode the thermals like a Ferris wheel in what I understood as an act of elation and metaphoric of my moment – was probably not really a metaphor either. But, then again, the world seemed extra alive this week. How else can I explain it?

Truly Powerful People (428)

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“Wherever you are is the entry point.” Kabir

John was my seatmate on the flight from Seattle to Minneapolis. He was in school in Hawaii and returning home to see his parents before he stepped off the edge of the world. He wore swimming shorts, an old (very old) tee shirt, and rope sandals. His blonde-blonde hair had not seen a comb in years (a man after my own heart!) and was more comfortable in the world than almost anyone I’ve ever met. Joyce would call him an old soul: he is at home everywhere.

He told me that during the last semester he felt compelled to travel. He said, “I can go to school anytime – it will always be there. But I’m not always going to be so footloose. I want to learn Spanish so I’m going to South America by way of Mexico.” He told me he consulted his advisor – apparently a wise woman because she cheered his choice and told him to go. “There’s plenty of time to settle,” she told him. “Life begins today.” I told him that I thought his advisor was enlightened.

He squinted at me and told me that I was “different.”

“I get that a lot,” I said squinting back at him. “What do you mean by that?”

“Dude!” he laughed, “people in Hawaii are happy. They are choosing to be happy. You’re like that. I mean, look around this plane! Look at all the serious faces! No body’s talking. People going somewhere and never being anywhere. That’s different.”

We raised our paper coffee cups in a toast to good life, travel, and being different.

Truly Powerful People (427)

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“Art happens – no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.” James McNeill Whistler
Years ago I attended a summer session of The California Arts Project (TCAP). The foundation thought beneath TCAP was that teacher’s could not teach the arts unless they recognized themselves as artists. The amazing educators driving TCAP understood that all people are artists and very few people recognize it. They existed to help teachers recognize (reclaim) their artist identity, activate it, and build community with all of the other newly re-found artists. The work was extraordinary, the revelations transcendent.

Ed was an angry young man. He looked like he’d rather punch you than talk with you. I loved him! He was a wonderful teacher because he’d been a misunderstood student. He had little tolerance for adults who abused their power over children. He was a champion for children; Ed was destined to be shamed, blunted, betrayed, and forced out of education. His administrator sent him to TCAP with the last-ditch hope that the arts would take the edge off of Ed (oh, silly administrator!).

When he came to TCAP he chose dance as his primary art form because he knew nothing about dance. Ed’s choices were usually rooted in resistance and rebellion and that extended to his personal choices. I imagine his inner monologue went something like this: “So you think you can be an artist! Well why don’t you just try dance, Mr. No-Rhythm-Multiple-Clubfoot!” Over the next two weeks at TCAP Ed went through the stages of death; denial and anger led to acceptance and then burst through to another stage: desire. Perhaps it is more accurate to say that desire burst through Ed. He decided to do a solo performance as his final demonstration. He disappeared for hours at a time to rehearse. He began to smile, his brow un-knit, his usual heavy aura sparkled; Ed had a secret and it tickled him.

Ed danced a lifetime of pain away before our eyes. To Seal’s Kiss From A Rose, he moved through darkness to liberation to celebration to elation. He bloomed. 200 teachers, shocked into silence, bore witness to the enormity of the human spirit and the power of the arts. Ed unwittingly called forth the muses and art happened. Pandora’s box was open and the art was out! Ed’s anger was transformed. He returned to his school with more than an edge: he now knew how to wield his power. There is nothing more potent than a teacher who has released their artist from the box.

Truly Powerful People (426)

426.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Lately I’ve been practicing a new form of gratitude. I trace everything I eat or drink back to the plant. So, for instance, the cup of coffee I am enjoying: someone cultivated, cared for and harvested the beans. Someone carried the beans to a market. Someone sold them. They were carried again: lifted, shipped, lifted again, and delivered. The beans were roasted and packaged by someone or many people. The roasted beans were ground. They were brewed for me. Count the people involved in the experience of a single cup of coffee and it will take your breath away. What will further knock your socks off is to not discount the plant. Practice this form of gratitude and everything can be traced back to the plant. We are here by the good graces of the plants. Their health is our health! Now, there is something worth our attention!

For another thrill, take a look at The Biology of Desire; it will pop open your eyes about how truly intimate is our relationship with plants – and how these extraordinary complex life forms change us as much or more than we imagine. We like to think we are in control but, like most forms of control, it is an illusion. We control at our peril. When we participate, everything flourishes.

Martín Prechtel writes that we can only know ourselves fully when we know the origin and story of the seed that feeds us. To know our story we must know the story of our people. To know the story of our people you must know the story of their sustenance. This is not an abstraction. It requires participation. Our identity is told in the story of the plants that feeds us. Without this story, we are untethered, alienated from our community, deluded into thinking we control nature, constantly searching for where we fit and wondering what it all means. If you’re looking, start with a seed.

Truly Powerful People (425)

425.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It’s that time of year again. The crows are barking at me. I thought I would pass the season unscathed but this morning the dive-bombing games returned. To be clear: the crows dive bomb me, I do not dive bomb the crows. I have no reason to aim my beak at their pates and swoop in unannounced.

The attacks often begin with a rowdy barrage of crow insults. At least, I thought they were insults. To the untrained ear it sounds as if they are mocking the shape of my head or saying crude things about my mother. Crows are not subtle.

Since this has been going on for years I thought it would be a good idea to know what they were actually saying! Perhaps my assumptions are wrong! Perhaps there is a reasonable explanation for their barking and diving at me. It might explain why they pick me out of the crowd. So, after some searching I found and hired a crow translator (at the moment there is no app for crow translation).

At first, I thought my translator was crazy or somehow distracted. Her translations sounded suspiciously crow-centric. After a few translations I began to get the gist of things. It turns out that crows bark Haiku! They are especially fond of Basho, the great Haiku master because he penned so many poems about crows. This is what the crow barked just before aiming its beak at me (as translated by my translator):

The crow sits
on a dead branch –
evening of autumn

“Their seasons are all confused!” I protested. “Autumn? What’s this crow talking about and why do they attack me?” The translator smiled knowingly and said:

“This is not attack.
The crow desires your response
This fine spring morning.”

Great. The crows want a poem instead of my usual flailing arms and duck-n-cover maneuvers. All this time it was art that they craved.

Attack someone else,
My head is full of divots.
Nice shot. Hole in one.

Truly Powerful People (424)

424.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Colin was different. Dwight cast him in the play because he wanted Colin to be part of a community of support. Being different, Colin had rarely belonged. He was the outcast kid constantly trying to get into the group. Consistent shunning did nothing to dampen his desire. He wanted to belong. He kept trying. So, he auditioned for a play. Dwight cast Colin because Dwight understands the true nature of art.

One day, a few weeks into rehearsal, Dwight came into the theatre and heard the other cast members belittling Colin. Dwight was stunned. The power of his astonishment shocked the cast into silence. In a quiet voice, filled with love-rage, Dwight delivered a message worthy for the ears of all humanity. “This space is sacred. It is an art space where people come together. It is a space of generosity and courage. It is a place where people reach toward each other to have a common experience. It is a place capable of transforming hearts and lives. Colin’s need is to reach toward you. Can you imagine the courage it must take for him, day after day to show up and to reach toward you knowing that your response will be to push him away? Imagine it because this is what you are creating. And what you are creating is killing the art in you and in him. What do you possibly gain by pushing him away other than a false sense of superiority? You need to mock Colin so that you feel powerful. How does that power feel? What might you gain by opening your circle and letting him in? How powerful do you become when your power is not predicated upon the diminishment of others? Colin needs you but let me tell you something that you may not recognize: you need him far more than he will ever need you. He just might teach you how to be truly powerful and human.”

And then Dwight asked them to leave his theatre. He asked them not to come back until they were capable of respecting themselves, each other, and their play. He came into my office, sat down and wept. And then, he asked me a world-class question: “Why are people so devoted to diminishing themselves?”

Truly Powerful People (423)

423.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

The state of Tennessee recently past a law making it a crime for young people to display affection. No hand holding allowed. Kiss the cheek of your sweet baboo in the movie theatre and you’ll be arrested. Hold his hand as you stroll across campus and you’re off to the klink. The reason: legislators believe the new law will significantly decrease teen pregnancy. And some people said Footloose was far fetched!

The state of Arizona is erasing its ethnic studies programs. They’ve de-funded the classes. They are “boxing” books by Hispanic authors. “Boxing” is a way of banning the books without using the word banning. The books are removed from the shelves and boxed; the books are still there, the students just can’t read them. The reason: ethnic studies has been deemed un-American. Apparently banning books by authors with brown skin is what defines us.

A major oil company is throwing its weight behind a campaign to raise the standards of science and math programs in America. We rank 17th and 25th in the world in math and science. At one time in the not-too-distant past, California had some of the best public schools in the world. The state gutted funding for education and their public schools soon ranked 47th in the 50 United States. The reason: Don’t get me started. It was a great strategy for the decades long impotent campaign to raise standards instead of addressing the challenge.

Legislating behavior is a great strategy for not dealing with the challenges. Why not address the social issues behind teen pregnancy? Oh, yeah. That means we’d also have to talk about sex. Or, we’d have to talk. We’d have to look at who we are instead of flinging propaganda bombs loaded with the illusion of who we say we are.

As Luis Urrea recently said in an interview with Bill Moyers, ethnic studies is a way into American culture, it is expansive and not a door out (education is expansive – that must be the problem that Arizona has identified). In a society comprised of many ancestral lines it might be useful to consider our origins. That would mean we’d have to talk about it so, of course, it makes sense to box the books (we wouldn’t want people to think we banned stuff!). Shhh. No talking.

And, of course the epic and endless conversation about raising standards in education without first addressing how we educate or why we educate guarantees that we’ll do almost anything rather than address the real challenges in education. We’ve managed to ignore 40 years of data and deny the most potent brain research in the history of human kind. Why start now. Shhhhhh.

When did we become afraid of our voices? When did we slide into this epic failure of imagination?

Truly Powerful People (422)

422.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Let me begin by saying that I have always liked big porches. That will mean nothing to you until the end of this post.

Aloof (adj): remote in manner. Separate. The antonym if aloof is friendly – implying that to be aloof is to be unfriendly. Once, many years ago, Tom said that I was the only person on the planet that was more aloof than he was. Out of seven billion people on earth I won the blue ribbon for aloofness. Tom awarded himself the red ribbon assuming the number two spot in the aloof games. I laughed heartily at his scorecard and told him I would have given him the blue ribbon. I was certain that he out-aloofed me by a mile. He snickered at my deflection and I accused him of deflection and his snicker blossomed into a full guffaw. “I’m shy!” I exclaimed. “I’m an introvert!” I claimed a bit too emphatically. I was a victim of my own label-libel. Who might I be if I stopped arguing so adamantly for my reticence?

I’ve been working on being less aloof for a decade. I’d have made an excellent hermit though I know my shack would have had a porch since I like porches. So, I would have been a conflicted hermit. I’ve attended Aloof Anonymous and have learned to make causal conversation at parties. Sometimes I smile when I have my picture taken even though I fear I look like Baron Sardonicus.

Enter the present day. Teresa is helping me market myself. She is brilliant and our first phone call left me speechless: she helped me see that my business is me – so, her homework for me was to discover how I could become more of my self (try this. It is an excellent task certain to lead through madness before illumination. Note: I’m making up the part about illumination). During the second call she reduced my brains to pudding: she agreed with Tom, though she did not know it (and I will not tell either that they have an ally in my blue ribbon aloofness); she said, “Your door is open. You invite people onto the porch. Why don’t you them invite into the house?” When I stuttered she said, “You allow people to see your paintings and have their own response don’t you? You don’t try and tell them what the painting is about or control what they see do you?” “No.” I agreed. “Then be like your paintings. Let people see you. Invite them in!”

In my stunned silence she snickered (suspiciously like Tom!) and said, “You thought you were exempt from this stuff didn’t you.”