Tell The Other Story

740. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Etched in the mirror behind the counter of the Cherry Street coffeehouse is this thought: Love and Kindness work everyday. On the wall opposite the mirror, so that it reflects in the mirror, is a large bright red heart. Heart reflects heart. Kindness begets kindness.

Last week, during a difficult moment, Megan-the-brilliant told me that she silently repeated the Buddhist loving kindness meditation, “May I dwell in my heart,….” After the moment passed she told me the meditation helped. Instead of defensiveness, she chose to breathe in and reflect loving kindness. Love and kindness are intentional acts, especially in difficult circumstances.

It seems so simple. What we put out reflects back onto us. Today as I rode on the light rail to my studio I imagined the riders as mirrors of each other. I saw small acts of kindness: a woman gave up her seat for an elder, a young man helped an older woman with her luggage, a security officer made sure a tourist knew how to get a ticket and pointed her in the right direction; it went on and on.

I wonder how much of the kindness we see? It happens all around us but do we see it? I hear about the other stuff, the complaints, the obstacles, the abuse; I see it, too but it is less frequent than the generosities. I hear less often about the small acts of kindness but I see them everywhere I look. They are literally everywhere. I wonder what world we might create if we told the story of our acts of kindness as often and with as much gusto as we tell the other tales?

Show Me The Gold!

739. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Walking down Queen Anne hill I came upon a man dressed in a green tutu, a sleeveless green low cut blouse, shamrock slathered green knee-high socks, and red high top Chuck Taylors. I said, “Girlfriend, you look lovely.” He said in a surprisingly deep base voice, “Why thank you. Do you really like it?” I replied, “You are my favorite.” He seemed pleased with my compliment.

That was my first clue that it was St. Patrick’s Day. As I continued down the hill I wondered what St. Patrick would think of his celebration. What would a 5th century bishop of Ireland do in the midst of a fun run and pub crawl? I hope he would toss off his miter hat and join the fun. That’s what I would do if I were transported through time; I’d work hard to pick up the local customs. Things need not make sense.

As I crossed the grounds of the Seattle Center, passing by the international fountain I saw more wondrous combinations of green on gender. And green on green! I felt as if I was on the back lot of a film studio (and, come to think of it, life often seems like that to me). I heard a little girl shout with glee, “Momma! I saw a little green man!” Her clearly exhausted mother said with weary expression, “Yes, dear. I saw him, too.” Her brother whispered to no one, “I saw him first.” On any other day, a bona fide Leprechaun would stir enthusiasm even in the most hardened adult; on St. Patrick’s Day, they are common. The little girl’s mom no longer believes in pots of gold found at the end of the rainbow. If she did, that little green man would be in momma’s net and she’d be shaking him shouting, “Show me the gold!”

I’d only been awake for an hour and look what the day provided! The pot at the end of the rainbow is filled with metaphoric gold and I found it! So many rainbows, so many pots of gold!

Start A Fire

738. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Dale was my seatmate on the flight from Minneapolis to Seattle. He’s a firefighter and had donated some time to the nature conservancy to do a controlled burn in northern Nebraska. We started talking before he’d stowed his backpack in the overhead bin and didn’t stop talking until we landed in Seattle almost 4 hours later. It was as if we were picking up a conversation that we started yesterday and continued today on our plane ride.

Dale is like an artist who has mastered the technical skills and now wants to transcend his technique to fulfill his artistry. He knows fire. He knows how fire behaves in a variety of circumstance and in the face of shifting forces – in a windy canyon or in a warehouse filled with chemicals. Fire has been his life’s pursuit. To hear him talk about his work is like listening to a painter whose canvas is combustion and whose brush extinguishes. Fire meets water. He has the utmost respect for his medium.

What baffles him is people. He can talk to fire easier than he can communicate with his fellow firefighters. They don’t get him and he is at a loss to understand them. People behave unpredictably in the face of shifting forces. Of course, the person that baffles him the most is himself. He asked, “Why do we put so many limits on ourselves?” He knew the answer even before he asked the question, so I sat still and kept quiet. After a moment he said, “I don’t hesitate to run into burning buildings but it terrifies me to show up as I am. All of those limits keep me safe in my comfort zone.”

I asked him if he granted himself as much respect as he granted to fire. He knit his brow. “What if you are your medium? Could you study yourself with the same passion and respect as you study fire?” I asked, followed by, “What would you need to let go to show up?” He eyed me for a long moment and then said, “I’d need to let go of my belief in all of these limits.” After another moment he added, “I’d need to give up my dedication to staying in my comfort zone.” When I smiled he said, “Sometimes it is so simple. Easy to say, hard to do.”

Follow The Energy

737. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It is a basic tenet: form follows energy. Another way of stating this basic tenet is: what you think is what you create. Thought is energy. Recently, Mark shared another way of saying the same thing: what you focus on expands. Focus placement is more powerful than you might imagine. It is a creative act. You see it because you believe it, and not the other way around.

Yesterday Vesna and I had a call. We talked about the difficulty of building a website with a clear offer when you are an artist, coach, teacher, facilitator, entrepreneur,…. What single label covers all forms of expression? How can people possible know how to hire you if you are a circus of gifts waiting to be given? Vesna told me the experience was like trying to squeeze herself into too small of a box. She doesn’t fit in any of the labels. Neither do I. So, we talked about not fitting. We talked about releasing completely the intention “to fit.” What if, rather than fitting, we came to the party as we are? The form will follow if we allow the energy to express. We talked about identifying the single, central purpose that unifies all of the forms of what we do. Here’s mine:

Sam used to call me his Virgil. In the Divine Comedy, Virgil is the Roman poet who guides Dante through hell and purgatory before passing him off the Beatrice who leads him the heaven; it is an allegory of the soul’s journey toward heaven. That makes me, in Sam’s definition, a guide for souls on their journey to heaven. Heaven is a metaphor for wholeness and that makes me a guide for souls on their journey to wholeness. That’s what I do. Guidance can take many forms and in my life, it does. My website will state in bold letters at the top: If you’re looking for Beatrice you’re in the wrong place! She’s not here but I know how to find her.

And, the secret of my trade: form follows energy. Place your focus on your innate wholeness: it will expand. Stop trying to fit in too small of a box; if you need a box make one that fits you. No one gets to Beatrice without taking the full tour: you can only know and appreciate your heaven if you know its opposite so take the full tour and stop trying to protect yourself from experience. I recognize this is not great marketing language for a website – especially in a culture dedicated to comfort – and now that I’ve told you all of my secrets and put myself out of business I probably no longer need a website! I have no business being in business anyway; I’m an artist…I mean I’m a teacher…uh, a coach. Well, what I mean to say is…I facilitate…make speeches…. Ah, hell…if you need me, you probably already know where to find me.

Amplify The Possibilities

736. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Vanessa’s business is called Visual Minutes. She draws conversations. She maps discussions. She and a colleague, Amber, mapped the recent Transformational Presence Summit in Vught, Holland that Alan and I facilitated. Her work was gorgeous, informative and inspiring. The dynamic of a group changes when there is an artist working in the room. When a group’s words and thoughts serve as the source of a communal image, something shifts. A loop forms: people visit the image during breaks. They take ownership of what emerges. The images inspire conversations and the conversations show up as images. The resonance amplifies the possibilities.

Over the four days of our summit the mural began to stretch around the room. Soon, we were surrounded by our conversation; the four walls of the conference center were changed by Vanessa’s work; we no longer sat in a generic space but occupied a room specific to us, designed for and by us, a chronicle of our unique wisdom. The art transformed us. We were 35 people from 11 countries made one through our intention and the circle that the art invoked.

Vanessa shared with me a letter written to her from Canadian artist Robert Genn. She thought it might tickle my imagination. He writes about artists as a tribe (a universal tribe). Here are three snippets from the letter worthy of tickling the imagination and also descriptive of Vanessa’s gift to the world:

“The idea that art has the ability to rise above religion, nationality and race is well understood.”

“…I get the idea that art might even be a vehicle for peace. We artists certainly bring a worldview based on respect, observation, play, learning, celebration and mutuality. In the machinations of humanity, these traits must surely hold some value.”

“We dine at a table of many nations. As artists we celebrate our creative joy and toast our mutual humanity. While we all speak with some sort of accent, we do so in the universal language of art. At your table, when you get a chance, please consider raising a glass to our tribe. It is a tribe beyond tribes, and in my heart of hearts I believe our tribe has an illustrious future.”

Make A Nap

735. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today is one of those post travel days. I’m exhausted. I avoid the mirror because my face feels like the face of a Basset Hound: droopy, blood shot eyes. My synapses are lethargic. Like half-hearted trapeze artists they leap but do not reach for the catcher. My thoughts fall to the safety net where they bob and refuse to get up. “This feels nice,” they say as they relax into the net, smacking their thought-lips while slipping into a nap. “I’ll be there in a minute,” they call to me from a sleep state, words slurred and intention clear (you are on your own without synapses so find something useful to do).

I used to call these “no-power-tools” days – as I appreciate my digits and I know better than to get near blades when my thoughts are asleep on the job. When I wear the mask of the Basset Hound I usually spend the day filing papers. I am an out-of-sight-out-of-mind kind of guy so I have no expectation of finding anything once it is filed. Since I am on the road and away from my files and my paper stacks I had no truly safe activity to keep me busy.

I managed to take Bodhi the dog for a walk. I couldn’t find his leash so I used my belt, which sounded like a good idea until I realized that using my belt for a leash created a whole new set of problems. While Bodhi proudly wore my belt I struggled to keep my pants up. We looked like a clown and his dog. I have the same problem going through security at airports, especially now that they make you raise your hands in the full body scanner. Three seconds is an eternity when your pants are edging down. With this knowledge in my memory bank you’d think that I would have solved my leash problem another way.

With my belt safely restored to my pants I watched Bodhi settle in for a snooze on the floor. Although his face is Australian Shepherd and not Basset Hound, Bodhi has a legitimate dogface; he was in no way resisting his impulse to nap. He wasn’t resisting his need to sleep. As I watched the natural wisdom of this special dog I wondered why I needed an excuse to nap. Humans are funny animals; rather than follow the simple impulse, rather than do the thing our bodies are telling us to do we need to create a reason. Bodhi snored and I remembered a quote from Jarod Kintz. He wrote, “I made a nap this afternoon. I made it out of two pillows, a bed, a sheet, a blanket, and exhaustion.” Perfect.

You’ll never guess what I made this afternoon.

Leap Or Show Up

734. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

My inner sociologist shared his notes with me. He tugged on his sweater and pushed his glasses back onto the bridge of his nose before positing that personal edges only come in two varieties. Both varieties, he asserts, fall under the single category of “where the known meets the unknown.” Just as the sea meets the shore, the known meets the unknown in a convergence of elements. He told me that it makes no difference whether you are a sea or shore dweller, the other place, the unknown place, marks the line between comfort and discomfort. It also marks the line between stasis and growth. Stay in the known and stagnation is a certainty. Put your toes in the water or your fins on the shore and you will learn something new. I nodded my head. I agree with his assertion.

He tapped his pen on his yellow pad (my inner sociologist eschews technology) as he knit his brow and told me that stepping across the line into the unknown defines the first variety of edge. He labeled this first variety of edge, “The Leaping Point.” Apparently we visit the leaping point many times before actually leaping. We know what we need to do long before doing it – yet we pretend that we don’t know what we need to do. He explained that the most common mistake we make is to think that the discomfort comes from stepping across the edge; it doesn’t. The discomfort comes before the step. The discomfort is what drives us to finally do the thing we know we need to do. The discomfort comes from delaying the step. The step is liberating. The step transforms the discomfort.

He cleared his throat before telling me the second variety of edge comes from facing the thing we fear the most: being seen (note: fulfilling your potential is a subset of being seen). Being seen is a mirror-action to the first variety of edge. In this variety, the step is not from the known into the unknown; it is a step from the unknown into the known. He explained that the unknown in this case is the accumulated clutter of who we think we “should be;” we reject who we are. And then, one day, when we can no longer sustain the mask, we have to pull the mask off and reveal who we really are. We have to step into who we know ourselves to be. The transformation is from unknown to known.

He smiled, pulling his glasses from his face, and said, “It is really quite elegant if you think about it. Leap or Show Up. Those are our only two edges.”

Revel. Betray. Rediscover

733. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am in Holland for the next 7 days and since I didn’t get my act together and get 7 posts ahead, this will be archive week at The Direction of Intention. This was originally post 469.

As I dust off and relearn the story of Parcival I have decided that it will be the spine of the work I do next week with teachers; we will follow the metaphors; we will open the story so the stories of our lives might open. As I work I am discovering that everything you need to know to be a great teacher is in this story! Parcival is a knight of the Round Table and, depending upon the version you read, he is the knight that finds the grail. Metaphor alert: the grail is not a thing to be possessed. It is what Maslow called self-actualization. It is a metaphor for finding your truth and fulfilling your purpose. What is the purpose of learning if not to seek and find your truth (do not be fooled, passing a test is far from the point of learning and will ultimately leave you empty and the test full)?

I love many aspects of this story and the section I reworked today made me smile. I giggled in the coffee house where I was rehearsing. The other patrons, afraid of the man in the corner talking and cackling to himself, gave me plenty of room to work (have I mentioned that I can’t talk without flailing my hands all over the place. If you ever want me to be quiet, simply bind my hands. I’ll make noises but words will be impossible). The story describes Parcival’s first entry into court. He grew up isolated, deep in the forest (not unlike Arthur, though Parcival did not have Merlin to school him) so he knew nothing of people or manners or custom. He thought dressing like a knight meant he was a knight. He approximated some armor, weaving a breastplate from reeds, a helmet from fronds, and he wielded a stick as a sword. He “borrowed” a mule and rode into Camelot. Arthur and his knights, thinking Parcival was a clown, laughed at him.

Growing up without instruction meant that he had the ideal upbringing for a trickster. He followed his nature without inhibition. Parcival had no inner-editor so the civilized world viewed him as a fool. He acted purely so he threatened custom. He spoke what others could not; he carried no conventions so he had no limits. He had no rules of conduct. Parcival would be the boy in the crowd to say, “This emperor has no clothes!” It would not occur to him to lie. When you are not doubting or protecting your purity you have no reason to deflect or manipulate or withhold. Lies are a byproduct of rules. He was powerful yet his power was raw, unrecognizable, so the world he wanted to enter could only laugh. And their laughter was his fuel. Their laughter propelled him into the world to learn. Arthur was capable of seeing his purity. And Arthur gave him hope. Arthur sent him into the world to prove himself, to learn the rules of society, and invited him to return to court once he’d learned the code and conduct of a knight.

The story is a story of desire; it is a story of following an inner imperative. It is a quest for fulfillment. It has laughter and despair, triumph and shame, obstacles that seem insurmountable; it is a story of perseverance and letting go. It is a story of 2 teachers: one provides the rules for conduct; the other helps Parcival shed the rules of conduct. Both are necessary if you want a shot at entering the grail castle.

If it were a poem it would read like this: Revel in your nature. Betray your nature. Rediscover you nature: Grail.

Use What You Find

732. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am in Holland for the next 7 days and since I didn’t get my act together and get 7 posts ahead, this will be archive week at The Direction of Intention. This was originally post 468.

Sometimes I have the ultimate theatre mentality. Once, in college, I was running a spotlight for a musical; the tube from the fan to the bulb housing fell apart in the middle of the show and between cues, to keep the light working, I was able to build a replacement tube with a paper cup and duct tape. Use what you have. It need not be permanent. It only has to work for a while. The show must go on but no one need know how poorly it is constructed. Sometimes that’s the magic.

This used to drive John crazy. He is a real builder, a master woodworker. John built some stage sets for me that will be here long after they drop the bomb; the only thing left on earth will be the sets that John built. I’d say, “John, it only has to look real, no one will know.” He’d say, ‘I’ll know.” Now, that is a true artist! Once I was hired to provide a set for a commercial featuring the Mutant Ninja Turtles. There was a desert scene: I hauled in sand and dumped it on the floor. I pulled some scrub from the canyon by my house and stuck it in the sand. The producer was thrilled. The real non-construction was for a scene in a cave. Since it was a film my cave only needed to hold together for a single day. Old flats, cardboard, the sand from the desert set mixed with some good goop and lots of runny paint. I stuck it all together with a staple gun and duct tape, stood it up and prayed the turtles didn’t hit the walls. I told John about my cave and he said, “I don’t know how you live with yourself.”

It’s been a long time since I’ve designed or built a set. But, my “use what you find” mentality still comes in handy. Today I needed to ship a painting and it was too large to get into my car and too awkward to carry. The shipping place was only five blocks away so I scoured the building for a hand truck. No luck. I hit pay dirt in the basement when I spied an old wheelchair parked next to the garbage. I tied the painting on to the wheelchair with an old rope and like Nurse Ratchet gone rogue I wheeled my patient through the city to the shipping place. I think I added local color to the neighborhood. Some nice Dutch folks took my picture. Some people along the way gasped and parted as if I was the Loathly Damsel. Their horror might have been commentary on my packing job. The woman at the shipping place called my packing “Frankenboxing” though she gleefully applauded my method of transportation. Both were high compliments. Being from the theatre, I knew that, in such a moment of appreciation from a stranger, it was appropriate to take a bow.

Laugh The Sacred

731. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am in Holland for the next 7 days and since I didn’t get my act together and get 7 posts ahead, this will be archive week at The Direction of Intention. This was originally post 467.

Saul-the-Chi-Lantern turned his back to us. He settled, ready to start the form. We readied ourselves to follow. Just as he was about to take the first step he stopped, turned and said, “A lot of marriages would be saved if only the man knew what color of toilet paper to buy.” It was either a Zen koan or a fragment of his internal monologue and either way we fell on the floor laughing.

“No really,” he continued, as if we weren’t howling. “There’s a right kind of tissue, a right color of Kleenex box and men seem completely oblivious to this fact. It causes a lot of strife!” And then he turned back to the beginning position as if he’d said nothing. We wiped the tears of laughter from our eyes. Wondering what just happened, we followed him into the form. Our hearts were light, our concentration was easy and I suspect we learned to stop being so serious in our approach to our Tai Chi. We certainly found a flow and rode a current when we started from laughter instead of knitting our brows and thinking our way through.

One of my great lessons from Bali was that the sacred is filled with laughter. The holy is ripe with giggling and joy. In addition to reverence, prayer, sermon, hymn, (such heavy words) humor, play, fun, and frolic are forms of worship. The gods might have a better sense of humor if we did. There’d be less road rage. Men would not wear ties and take themselves so seriously. We might not need a 24-hour entertainment-cycle-disguised-as-news to keep us occupied. Of this I am certain: we’d have a better flow of chi.