Change Your World

Today I helped film the final event of an accelerator. Nine business start-ups pitched to potential investors, family, friends and other entrepreneurs. It was a staged experience with music and visuals, awards and introductions, hopes and dreams. It was the graduation of an inaugural cohort for a new accelerator. Everyone put on their best face and brought their best game.

During the event I was interested how many times I heard the phrase, “Change the world.”

“Go out and change the world!”

“We believe our new technology will change the world.”

“Our innovation will change the way business is done. It will change the world.”

What is it in us that needs the world to change? What is it in us that assumes the role of world changer? I hear this phrase daily. I’ve used it myself most of my life. When I was younger I wanted my art to change the world. I’m an idealist so I had (and have) a laundry list of what would make life better. I’m also aware that my list is not universal. In fact, much on my list would seem heretical to many of the people on the planet. What is “better” for me is worse for others. What is the world I wish to change?

On the most superficial level when the entrepreneurs said, “the world” they actually meant “people.” So, they want a change for people. And, by the word “change,” they actually meant “to improve.” Rather than change the world, they want to improve the human condition. Joe once told me that the universe tends toward wholeness and I thought of him today as I listened to the pitches. In order for our work to matter we need to know that it is serving to make things better for someone. We tend toward wholeness though grow blind to it in the routines of our day. The road crew is making my life better. So is the barista, the grocery store clerk, and the woman who tends the amazing flowers in Pioneer Square.

In most cases the entrepreneurs had a unique story driving their innovation. We didn’t hear their stories today but I’ve been paying attention. Each saw a human need or experienced a frustration and wanted to improve on what currently is possible. They want to make things easier for shoppers. They want to make doctors more efficient. They want to help people acknowledge the contributions of others. They want their children to be safe. They want their families to prosper. They want a better world and they want to help create it. They tend toward wholeness though it might not have been apparent in the selling of their idea and the cocktails that followed.

As I watched the pitches I recognized how each person had grown personally through their time in the accelerator. They worked endless days and sacrificed more than sleep in their march to creating a better world. Although this is cliché it occurred to me that the world that they changed was their own. Just like you and me, when we identify our gift, when we see what is ours to do – and actually do it – our world changes. We experience our tendency toward wholeness and are changed because of it. It’s never “the world” we want to change, it’s our world, it’s ourselves.

[898. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.]

For a humorous look at the wonderful world of innovation and new ventures, check out my new comic strip Fl!p and the gang at Fl!p Comics.

Learn To Laugh

Comedy is about other people’s pain. Wiley Coyote going off the cliff one more time is funny. The guy slipping on the banana peel is hysterical as long as you are not that guy. Humor is mostly a status drop for someone.

I’ve been writing and drawing a cartoon called FL!P for almost half a year now so I’m inadvertently making a study of what’s funny and what is not. Recently some acquaintances that know me from my coaching life took me to task because my comic strip seemed out of character. “It’s mean,” they said. “Yes.” I said. That is precisely why it is funny.

The strip is aimed at entrepreneurs and there is a need for a bit of levity in a world so steeped in self-interest and confusing agendas. In many traditions around the world the trickster is an integral part of worship. We are not meant to take our gods so seriously. The reverence is always found in the relationship and the realization that the godhead is in all of us. It is our flaws that take us closer to the creative. Worship is a relationship and a full relationship includes laughter, joy, play, as well as inner quiet and awe. Tricksters break rules and pull the blanket off of societies inequities. Tricksters help us see what we pretend not to see. The Emperor would still be strutting around naked if the trickster boy hadn’t spoken a truth that the rest of the village denied. Truth comes easier with laughter. I can tell you that there is much public prancing in the world of accelerators and incubators but very little real apparel. Humor is necessary in a landscape so rife with pretending.

Artists are often of necessity the tricksters of their culture. It is the artists’ job to open eyes to what is there (versus what we think is there). It is the artists’ job to bring the communal attention into the present, to slap-stop the puffed up importance of things that do not matter so that the things of real importance can be seen. With a 24 hour news cycle and a congress ruled by corporate dollars it is hard for us to sort out what is valuable and what is not. The narrative in the commons rarely reaches the level of significance. It is no wonder that many people confess to getting their news from John Stewart and Stephen Colbert (both heroes of mine).

The greatest lessons of my life did not come gently and I am all the more grateful for the force behind the learning. My lessons came with status drops and like Wiley Coyote I have gone more than once over the cliff with an anvil close behind. Comedy is mean. Learning requires falling down. Stepping into the unknown is potent because of the myriad of things to trip over. If you can’t laugh at the bungle you’ll miss the lesson.

897. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

For a humorous look at the wonderful world of innovation and new ventures, check out my new comic strip Fl!p and the gang at Fl!p Comics.

Accept The Gift

This morning in Tai Chi Saul spoke of his teacher and his teacher’s teacher and soon we students were aware that we are the burning point of a tradition that reaches back thousands of years. We were suddenly alive in a moment that rippled into an unknown future and a distant past. Our study was revealed as a link in a chain. Our weekly meeting dropped into a greater context and mattered in a grander scheme of things. Our practice was no longer about the perfection of a sequence of moves; it became an orientation to life. We realized that we are participants in a tradition in service to the vitality of life as it flows through us and expresses in the world.

I’ve written often about my lessons during this remarkable year, primarily about the release of control. I can control my thoughts. I can control where I place my focus. That’s about it. I can intend (a process of thought). I can control my action (also a process that begins with thought). My work (and I hope my growth) has been about getting out of my way. My lesson over and over has been about listening and letting go. I’ve been amazed how letting go always brings riches unimaginable. Holding on, forcing, resisting, pushing, trying to make things happen always diminishes me – and everyone around me. It has brought great heartache and even greater harm to people I love.

My tai chi practice now extends beyond the studio. Saul tells me to empty. He teaches me to listen. I have become a monk in my studio cell and I spend my days listening and drawing. This morning he led me into a deeper practice when he asked me, “What is your concern?” He showed me how I was orienting myself according to my opponents need. “Address your concern,” he said looking beyond me before adding, “Look into the vast space before you and place your focus on the horizon. Put your energy on a point on the horizon and move to it. Your opponent is incidental. Your opponent gives you their energy, their resistance. Accept the gift and do not give away your energy. Address your concern. You are your concern.”

His lesson: do not engage with the resistance. Do not invest in the obstacle. Place your focus on a point beyond all of the mind games and move your chi in the direction of your chosen point. Move your chi, and yours alone. Others will move their chi as they will. Stop giving your chi away. In this way, you will drop into your present moment. You will drop into your eternal moment and the masters of the tradition will join you there.

(896. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.)

For a humorous look at the wonderful world of innovation and new ventures, check out my new comic strip Fl!p and the gang at Fl!p Comics.

Meet At “We.”

Many years ago I was watching Johnny direct a play. It was one of Shakespeare’s though I can’t remember which play. Suddenly, in the middle of the rehearsal, he was overcome with the recognition that he and his actors where carrying forward a tradition. They were engaged in an artistic tradition that stretches back centuries. They were carrying the torch in this lifetime so that they might pass the flame to the next generation. Johnny’s passion and recognition was infectious and his cast dawned to the reality that they were in service to something greater than their small parts in a singular production of the play. They became priests and priestesses enacting the ritual story for all ages.

They found deeper meaning to their work. It mattered. They found connection to both the past (the tradition) and the future (the legacy). Their work rippled in time and came alive in the present moment because they suddenly understood who they were relative to the past and the future. They located themselves. This play was theirs to do. Their service to the play and the tradition defined their purpose. Their art was their gift to the community and the community the served transcended time: it reached into the past and stretched into the future.

This is the purpose of the arts: to locate us in time relative to our traditions and our legacy. The arts orient us to the question, “Who are we?” The arts do not answer the question, there is no single answer, but they facilitate an ongoing conversation and exploration of what it is to be alive as a member of a community.

Artists are the keepers of the communal narrative. When the artists no longer occupy the center, the narrative dissipates and so does the society. Rules and laws can hold the pieces together for a while but disparity and self-interest are inevitable. They are harbingers of communal collapse. A common narrative is the beating heart of a healthy community.

No plant can live without it root and neither can a community. No person can prosper alone. The purpose is never the “I.” Purpose requires a target so it is by definition the “We.” Greater purpose extends to the past and the future, just as the roots of a plant reach deep into the earth while the branches and leaves reach to meet the sun. This reaching, this connection to past and future that meets and grows in the present moment defines us. It is the two directions of mattering that meets in the moment of “We.”

(895. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.)

For a humorous look at the wonderful world of innovation and new ventures, check out my new comic strip Fl!p and the gang at Fl!p Comics.

Honor The Crow

In my studio are two wood, wire, paper and found-object sculptures of crows I made a few years ago. I made them at the time that crows were plaguing me. For a few years crows were a potent and ever present force in my days, dive bombing me when I least expected it. Once, a murder of crows circled my studio for hours. There were two fledglings in the yard outside of the studio door and I suppose I was perceived as a threat. I perceived the crows as a threat.

I’d like to think that I was in my personal version of an Alfred Hitchcock movie – and sometimes it felt that way – but in truth I think the crows did me a favor. They woke me up. If it is possible for a subconscious to manifest itself then my subconscious came at me in the form of crows. It began one day on Alki beach when a crow went berserk on me and would not let me go home. I’m sure I was the talk of the sidewalk as I fled to the beach and found a stick so that I might defend myself. My animal instinct kicked in and I sought open ground and a weapon to use for a fair fight (crows have beaks). The crow left me alone if I walked away from my home but unleashed a full aerial assault if I tried to walk in the direction of home. Finally, I fled to a coffeehouse and hid until the crow flew away (the time it takes to drink two Americanos and eat a chocolate chip cookie).

Crows have facial recognition so I told myself that someone who looked like me had treated the crows poorly. More than once they picked me out of a crowd and hit me from behind. Crows are masters at surprise attacks. But deep down I knew differently. They weren’t attacking me. It wasn’t malice. It was a wake up call. They were helping me.

As is my custom, I searched the symbolism of Crow and this is what I found: “Crow is the guardian of ceremonial magic and healing. In any healing circle, Crow is present. Crow guides the magic of healing and the change in consciousness that will bring about a new reality and dispel “dis-ease” or illness…. Do not try to figure crow out. Crow represents the power of the unknown at work, and something special is about to happen.”

Something special did happen. Something special continues to happen.

For some reason today, I have been hyper aware of my crow sculptures. I’ve found myself staring at them and remembering the original impulse to make them. I wanted to exorcise the aggression, rid myself of their attacks. Now I see them differently. Given the vast changes in my life this year I see them as harbingers of change. From this vantage point I can see how the unknown was at work and, I believe, continues to work. This year I’ve not had a single crow incident.

I laughed out loud this morning when I realized that every shirt I own is black. I’ve internalized my crow medicine. The crows are to me as bees are to Beowulf. What was once my nemesis may someday become my greatest ally. I hope so. That would mark the closing of a circle and the beginning of a new adventure and I’ll be able to bring my crow medicine with me into the next unknown.

(Post 894. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.)

Give The Gift

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Amy and I meet for coffee every few months. We usually meet early in the morning, bleary eyed and mostly exhausted by the path we’ve chosen to walk in this life. That’s why we schedule the date: we are exhausted and seeking inspiration. By the time we part a few hours later we are on fire with possibility. It happens every time. We spark each other. We ignite the imagination and remind each other of the riches of art and creativity in a community that understands the creative through the lens of commodity. We leave behind our need to assign value to our work and simple revel in our reason why.

Early on in life, artists learn to either diminish or inflate their gift. In looking for their place in this tribe that knows value only in monetary terms – and art cannot really be understood in such an abstract value system – they default to judge their own work. In the absence of any meaningful valuation they create a shadow standard. They cannot find a place so they invent one and the invention usually comes in the form of a value box: good enough, not good enough, appreciated, underappreciated, understood, misunderstood. It becomes an inner debate, a reason to hide, a certainty of inauthenticity, a story of hidden genius, a disdain for an ignorant community. It is a story of separation or suffering, a story as disembodied as the commodity system that inspired it.

I shared with Amy that a major part of my learning this year has been to get out of the valuation game. I’ve surrendered my shadow standard and am no longer interested in placing my work in a value box. I’m out of the business of inflation or deflation. I have a gift and need not concern myself with its reception. Mine is to give it. Mine is to give it as boldly and joyfully as possible. The value debate sucks air from my offer.

I’ve learned that arts live at the center so I need not seek any other place. They are connective tissue and any form of separation (belief that I am special or less than useful) is anesthetic; it is the antithesis of art. Art joins. Art enlivens. It awakens. It unifies. It does not fit in boxes. It is ordinary, ubiquitous, a path available to every human being. Gifts are meant to be given without condition. Gifts are meant to be opened and celebrated..

Listen To Your Voice

892. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today Soleil told me that she didn’t recognize my voice. We hadn’t spoken since last November and needless to say a lot has changed in my life since last November. She told me that I sounded alive and vibrant and last time she spoke with me I was a dead man walking (those are my words. She actually said I sounded sad and tired).

Her comment surprised and pleased me. I’m hearing myself from the inside so I’m not aware of how I sound to others. I feel more alive.

I have in one glorious year blown apart everything I knew, challenged everything I believe, doubted all of my first principles, tossed away all of my safety nets, and whittled away all of my worldly possessions, and a good portion of my body weight. I now own several paintings, a drafting table, an easel, and a rocking chair that needs a seat replacement. I’ve even eliminated most of the clothes I owned last November. I walk a small segment of Seattle each day, in fact, my life paths in Seattle fit within a few blocks. I live nowhere and am alive everywhere. My life is at the same time very small and infinite. Last year everything seemed so complicated and now my life is simple. I think, at last, that the world is my studio. I see art everywhere.

Last week while in Wisconsin, late at night, Kerri found a bat flying around the dining room of her house. She’s lived in the house for 24 years and has never had a bat in the house. We caught it in a mesh trashcan with an improvised lid and released it outside. Later I googled “bat medicine” because I like to know what an encounter with an animal symbolizes, especially when my encounters are unusual. Bats represent rebirth. They mark the passage from old forms into the new. They are symbols of initiation and require the conscious creation of new patterns. I laughed when I read it.

I laugh a lot these days. I laughed when Soleil told me that my voice sounded different. “Tell me what you hear?” I asked. She said, “I don’t know, it’s like you are a wholly different person. I’m having trouble reconciling your voice with the person I once knew. You are so alive!”

Before my call with Soleil I had a conversation with a chiropractor about the difference between choosing a path and defaulting to a path that by being chosen. Both are valid but for me there is an important difference. I started coming back to life when I started choosing. I believe what Soleil hears in my voice is someone who no longer defaults by being chosen. If I don’t want to play on a team I’ve learned to sit down. If I’m not sure which road to take I take a break. I’m learning to listen. I’m going nowhere and that is precisely the door to living. I’ve learned that life is vibrant now; if not now, then never, because I’ve given this moment away and I only have so many moments.

Wake Up To A New World

891. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“It isn’t explanations that carry us forward, it’s our desire to go on.” Paolo Coello, Brida

I had a very late night. Combined with a very early flight I had no choice but to sleep my way across the country. Not only did I wake up in a different city, a different time zone, a different climate, I also felt as if I woke up into a different lifetime. I was away for a very long time. In that time I traveled by car across seven states in less than 24 hours. I stood in the pouring rain. I heard thunder roll without ceasing for over 15 minutes. I drank too much wine, ran from a skunk, loaded a truck with furniture and boxes, played poorly a ukulele, laughed until I had to sit down, cleaned a pond of leaves and debris, put my feet in the waters of the Gulf of Mexico, fell asleep on the sugar white sands of the beach, danced like it was the last day of my life, ate when I was hungry, walked at midnight almost every night, sang a James Taylor song over and over, and took a load of treasured shoes to the salvation army. In that time, Tom died and I was inundated with calls from people who wanted me to know. Friends long lost reached out to me to wrap me in their warmth and condolences. I had conversations of grief and celebration while standing on a pier, sitting on a park bench, riding in a car, sitting in my bed, and walking through the leaves fallen too early. I took off my shoes so I could feel them crunch beneath my feet.

When I stepped off the plane I entered into a familiar airport but it seemed as if it was familiar from another lifetime. I knew the place but was no longer the person who knew the place. I stood in SeaTac for a few moments and wondered if I was dreaming. People raced passed me. They had flights to catch and family to meet. I was in the way so I stepped to the side. I kept waiting for the scene to change. I kept waiting to wake up but I didn’t so I wandered through the airport, I taught a tourist how to buy a light rail ticket, I bought one for myself and rode the train into downtown.

Once, many years ago, I visited my elementary school and although everything was as it had been when I was a boy, it all seemed so small. As I walked from the train station to my studio I had the same impression. This place has become small. Or I have grown and what once seemed boundless now feels tight and confining. Standing in my studio, I opened the windows to let in the air, I remembered Carol saying, “I’ve broken up with the world. I want a whole new relationship with it so I’ve let the old relationship go.” That’s it, I think. I have broken up with the world. I’m not going to wake up from this dream because I woke up into this dream. While I was gone I let the old world go. I can’t explain it. I have new eyes. I’ve awakened to an opportunity for a whole new relationship with the world.

Flip It!

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It has been a summer of flips. Things that seemed so difficult a few months ago are now easy. Things that seemed so easy a few months ago are difficult. My paradigm is flipping. For instance this morning I had a difficult conversation that ultimately became about the necessity of giving voice to the hard-to-say stuff. What seems confrontational often goes unspoken because it doesn’t feel safe. I’ve often withheld what needs to be said so that I might remain safe. Here’s the flip: hiding (not speaking) is an acknowledgement that you do not feel safe. It might feel safe to withhold your voice but it’s not. What goes unspoken festers and grows. It becomes a monster that gobbles you up. In truth, what goes unspoken is fundamentally unsafe. Giving voice to the most difficult stuff is the safest thing you can do. Giving voice in the difficult moments is like shining a light into a dark corner. There may or may not be a monster lurking in the corner but you’ll never know until you shine the light on it. I’ve lost many a precious relationship by withholding my voice, by not saying what needed to be said.

It’s not lost on me that during this time of flipping that I am partner in a business start up, appropriately (and coincidentally) named Flipped Start-up. The original purpose of the company was to flip the perspective of new start-ups. They generally focus on the wrong stuff and step into some obvious potholes because of it. However, there was a false premise lurking under our original intention. I’ve known and taught ad infinitum that you can never control what another person thinks, feels, or sees so to create a company based upon the premise that we could change what people see was…clumsy. It seems that the purpose of Flipped Start Up was to flip me.

People do not change. They grow. They learn. They look into dark corners. They learn to speak. They see that the monsters that they imagined are, indeed, imaginary, self-made monsters. And the primary thing we learn to do when we become powerful is to illuminate, to reveal, to give voice. To show up, not as we think we should be, but as we truly are.

See Her Hands

889. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Alan issued me a challenge today. He asked me, for a few weeks, to write about something other than the events of my day. Perhaps to write about ideas or dreams or imaginings or something that happened in the past. His challenge to me is about moving beyond the role of witness – a role I play well – and to actually inhabit the moments of my life. He asked me to intentionally be a participant more than an observer. It’s a great idea and a worthy challenge. And, I will start tomorrow. Today I have to write about Kerri’s hands.

Kerri is a musician, a composer with many albums to her credit. When she plays the piano she drops into a deep root, she grounds into her music, and a river of sound flows from her. Life flows through her. So much life flows through her that she cannot sit at the piano. She stands and life flows through her hands as sound and vibration and heart. It is her music.

The first time I met her I asked her to play something for me. I stood at the side of the piano and I watched her reach into the earth. I watched life pour through her hands. They knew just what to do. When she grounded and gave herself over to the music, her hands merged with the keys and I wasn’t sure if the hands were playing the keys or the keys were moving her fingers.

This morning while I was talking with Alan she began to play a new composition. I left the call and stood by the piano. The lid to the piano was open so I could see her hands and the hammers touch the strings as she touched the keys. I know this sounds obvious but the piano is an extension of her hands. The piano is a channel for her soul.

Later we stood on the front stoop as a storm blew through. The thunder rolled and rolled without ceasing. It was magic, something I’ve never heard before. The same power I saw in her hands I also saw in voice of the sky. I took her hand and felt the life, the thunder and the power. I felt the music. It was breathtaking.