Show Up

707. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine

“The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.” Neil Gaiman

The clichés are ubiquitous: fingerprints and snowflakes, each of us is unique in the universe. There will never be another like you and if you’ve ever looked through a telescope into the universe you will recognize how profound a recognition that is. The universe is vast and you are unique in it. You are vast.

The paradox of our uniqueness, of course, is that we want to fit in. As E.O. Wilson suggests, the strongest human impulse is to belong. The question becomes do you need to sacrifice something essential to fit into someone else’s idea or is bringing to life your unique perspective the very thing that will make you belong?

I recently heard a speech and the speaker was making a case for self-love. She spoke of the myriad of opposing opinions she’s heard and sometimes entertained about who she should be. Like most of us, she spent many years trying to conform herself to those conflicting ideas – other people’s ideas of who she should be. Aesop wrote a fable about that and the moral was clear: you will lose it all if you don’t listen to yourself. No one has the capacity to love you like yourself. When you come upon your idea of who and what you want to be, and strive for that, there is no conflict or sacrifice. You will fulfill it all when you listen to yourself. This, too, was the speaker’s conclusion.

To me, the shorthand is to orient your life according to what you bring to it and not according to what you get from it. Show up as you know yourself to be not as anyone expects you to be. Let yourself be seen as who you are: unique in all the universe.

Play For Meaning

705. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Horatio took me on a whirlwind tour today. We met his art teacher, Jo, and I listened as they discussed artists like Sylvia Plath and Diane Arbus, artists whose work explores the darker shades of life. Both women killed themselves. Horatio posits that their artistry in some ways chronicled their march toward an inevitable conclusion. Like a raft caught in the current, hurtling toward a waterfall, they determined that there was nothing to be done, no greater meaning to be found, and went over the falls.

Horatio and I often stray into the topic of meaning making. What’s it all about? What is the greater purpose and meaning of this experience of life? I’ve decided that meaning is something we make and not something we find. Meaning is something we bring to the dance. However, we come to the dance with great expectations. We look for someone to dance with, we look for an experience that might lift us from the ordinary routine, we yearn for someone to notice us, we want food to eat, a future to create; we seek experiences. We want more. Life is made sweet in the yearning.

We get lost when we think someone else has what we need or that someone else can fulfill our yearning. Our job is to engage life; no one can do that for us. Our job is to bring our selves to life (I intend the double meaning of that phrase). Our job is not to fulfill another person’s need just as their job is not to fulfill ours. The meaning is in what we bring to the dance; if we bring joy there will be joy. If we bring blame there will be blame.

Tonight Horatio and Teru made a lovely dinner and had a cake for my birthday (coming soon!). Their daughter Nina and her beau Keith came along with Nina’s 4 year-old daughter, Jordan. I spent much of the evening learning from Jordan how to play Chutes and Ladders and a cupcake game. The first rule is that there are no rules. The second rule is that because there are no rules things like winning and losing are ridiculous. The only thing that mattered was that we played. She showed up and I showed up and the rest was imagination and wonder. You’ll be surprised to know that in a single evening I played the role of Santa Claus AND was placed forever on the naughty list (my name is written on the list in magenta crayon). It is an existential dilemma of massive proportion that required the creation of a third rule: naughty and nice are relative terms and who needs lists anyway? Meaning is never found in the list and always found in the play. So, as Jordan taught me tonight: play and the meaning will soon follow.

Make It Ordinary

700. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

A midnight train, an early morning taxi, and a day at the Denver airport. Trains, planes and automobiles followed by a light rail into downtown Seattle and then a ferry to Bainbridge Island. I think in a single 24-hour period I will have only skipped submarine and hot air balloon as viable transportation options, though Judy reminded me that I had not yet traveled by camel. And, the day is not over yet so I knock on wood. These days I can make no assumptions about what the next moment will bring.

The benefit of riding on the rails, in the cab and on the concourse is that I’m very productive in transit. I’m a bit shocked at how focused I can be when rocking across Colorado in the dead of night or in the midst of thousands of noisy airport travelers by day. I finished the first true draft of the book. I caught up on emails (mostly). I untangled a banking knot, I made lists and all the while I watched the amazing dramas that unfold in an airport. I talked with Horatio and Diane and Megan. I had a text fest and toasted k.erle with a great cup of java. Judy played her harp for me just before midnight and it was among my favorite experiences all day.

I’m aware of the varied and glorious textures of this day. The amazing palettes of colors of this life are available if we only choose to see them. I saw the sunrise over the plains. I watched hundreds of small kindnesses and acts of generosity. Many were unknown to the recipient. A man pulled luggage off the train for an elderly couple. A woman quietly helped a young mother herd her children through security, doors were opened for baggage laden travelers, bus drivers waited for tardy riders, a barista left her post to give directions to a lost man and all the people queued for coffee stepped out of line to help.

And think about it – it was just a day like any other day. And, no day will ever be like this one. Little generosities swirl around us. The sunrise will never be the same as it was today; it was not like any other and the same will be true tomorrow. We have the capacity to see. We have the capacity to place our focus wherever we choose. The life we experience is a direct result of what we choose to see, where we choose to stand, how we choose to interpret and what we choose to celebrate. The day can be ordinary or extraordinary and the only difference is what we decide to perceive. Why not make the extraordinary ordinary?

Allow The Silence

698. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“After silence, that which comes nearest to expressing the inexpressible is music.” Aldous Huxley

There are few things more satisfying to me than closing the studio door, picking up a large brush, turning the up the volume on the music, and giving over to the forces that want to find expression through me. The night before my latest trip, without really meaning to do it, I turned from my computer, saw the canvas stapled on the wall, and the next thing I knew several hours had passed, the music was rattling the windows, and both the canvas and I were covered in paint (it’s why I stopped buying new clothes…). It had been too long since I gave myself over to the call.

I used to draw everyday. It was my practice, my imperative. In recent years I’ve moved on to other practices. I write. I facilitate. I walk. I find the quiet. And then, like a starving man who stumbles into a feast, I disappear without warning into a painting gluttony. It is a different kind of quiet, ferocious, vibrant, and necessary. There is no thought; my body takes over and the painting comes through: silence in the center of a hurricane of movement and sound. When finally I step away from the canvas and come back into my body, I discover an image in front of me. It is less correct to say, “I did that,” and more correct to ask, “What just happened?” I’ve spent hours of my life standing in front of paintings that I just painted, thinking, “Whoa. Look at that!”

Once, many years ago, Jim looked through all of my recent work and asked, “What is the significance of the three balls in your paintings?” I had no idea what he was talking about so he pulled out of the rack ten paintings, lined them up, and showed me that each had three balls as if some unseen figure was juggling them. I was gob-smacked. I studied the paintings for a few minutes and said, “Whoa. Look at that!” Jim laughed.

The silence is not empty; it is full. It is rich and vibrant. The silence is what happens when we get out of our own way, open to the forces, and let them come through. Words like “art” or “transformation” or “perspective” or any other word can’t contain all the meaning that becomes available when we learn to step out of the way and allow the silence.

Walk Toward The Vanishing Point

679. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

The other day in Melissa’s class, the students were drawing pictures. They were learning about perspective. Most were drawing according to single point perspective: all lines meet at a single spot called the vanishing point. In the drawings, roads and train tracks ran toward the horizon, telephone poles and barns all followed the lines disappearing into a single point.

The lesson will continue for a long time. Now that the students have drawn lines to a single point they will begin exploring the greater implications of perspective. They will discover for themselves that things look radically different according to where you stand. They will learn that you can never occupy another person’s perspective so you will never be able to see what they see (imagine the implications); they will discover that perspective is personal and as varied at there are people on the planet. The possibilities of an exploration in perspective go on and on. We forget that at one point in history artists were mathematicians. Artists were scientists. There wasn’t the separation or the story that we tell today. Imagine the implications for education if we weren’t so blinded by subject separations and so singly prejudiced against the arts. Music is math, after all. Color is either chemistry or optics depending on whether you are mixing paint or light.

The next day, we met with other teachers, each sharing their experiences in the classroom. Beth (an amazing educator) listened to Melissa’s story and said, “I love the term, ‘vanishing point!’ There’s a whole world happening beyond that point and we just can’t see it.” She was lost in thought for a moment and then exclaimed, “Beyond the vanishing point anything is possible!”

Beth deals in possibilities. She is one of the few people I’ve known who recognizes that we actually live at the vanishing point though most of us pretend that we know what’s going to happen. Beth courts the vanishing point. She plays with it. She tries things just to see what will happen. Hang out with Beth and you will jump in puddles, race through tall grass, and take a turn down a road just to see where it leads. She knows that when you walk toward the vanishing point you walk into possibilities. Beth knows that life is vital in the direction of the vanishing point; the foreground of the picture is the present; it is where we currently stand. Beth knows it is the deepest human impulse to say to your self, “I wonder what’s over that hill?” And then follow the impulse. Beth knows this greatest of human impulses is at the heart of great education. Beth knows like Melissa knows, it is so simple and so possible when they are allowed to walk with their students toward the vanishing point instead of being forced to turn away from the horizon and pretend that there is something standardized about learning.

Live Everywhere

676. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

For the past several weeks I have been in gypsy mode. I am traveling from place to place, landing for a few days and then moving on. There is a great gift that comes when you’re on the road as a rule and not an exception: when you’re not living anywhere, you start living everywhere.

I’ve noticed that I’ve let go of the expectation of norms or routines so consequently I am paying attention to the little things – each day is filled with little amazement, little gifts surround me. I’ve realized that when there are no day-to-day patterns, you cease investing in the comfort of the pattern so are capable of welcoming what is right in front of you. You truly begin to live everywhere because every moment is unfamiliar.

There are tiny arrivals in my gypsy mode, resting places but it is as if I am seeing life without its security mask. Sometimes a cliché is a cliché for a reason: the idea that I possess anything or own anything is an illusion. I am at best, a steward. We are all merely passing through. We are, as Jean Houston wrote, “the burning point” of the ancestral ship. Others came before and were witness to their time and have passed the burning point to me (and you). For this brief lifetime I am the eyes, ears, and hands of the experience; I am the witness; we are the stewards of our time. In gypsy mode there is only one question that really seems to matter: Did I open my eyes and ears and other senses to the full experience of being alive? Was I present during every moment of this incredible ride?

Change Your Song

675. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It is funny to me the confluence of thought-rivers meeting in my life. For instance, Lexi recently introduced me to the Pete The Cat series of children’s books. When Pete’s white shoes turn red from treading in strawberries, is Pete upset? Goodness, no! He simply changes his happy song from “I love my white shoes” to “I love my red shoes.” A very complex thought delivered through a children’s book simplicity; motivational speakers the world over try to convey the same message with startlingly less finesse.

Just as Pete The Cat flowed into my day, Skip and I are in the midst of collaborating on a series of support mechanisms for entrepreneurs. For me, the heart of the series lives in my passion wheelhouse: change your story, change your world. This thought is a simplicity that gets lost in the adult world’s need for complexity. More than once in my consulting life I’ve heard, “But it can’t be that simple!” Translation: that is something I can do so I can either embrace it or insist that it is not possible. Often in the world of adults, complexity is equated with value. If it is simple, it is suspect (note: this is why our education and health care systems are in advanced states of collapse). Our attachment to complexity is often protection against owning our responsibility for change we know is necessary.

And, because Pete The Cat met Skip in the playing fields of my mind, my work with Skip is now finding children’s book simplicity. I heard the adult in me (admittedly a very small, some would say, stunted part of me) just exclaim, “It can’t be that simple!” The voice of Pete The Cat followed immediately saying, “Oh, but it is. It is so simple. Change your song, celebrate your world!”

Exit The Drama

668. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Sitting in the Philadelphia airport I’m thinking about Drama. I watching them unfold all around me.

Drama is the first level of Alan’s elegant and oh-so-potent model, the 4 Levels of Engagement. Drama is story without a root, otherwise known as a victim story. Gossip is drama. Drama is predicated on enabling, there is a self-righteous gravity spinning at the heart of a drama story. I just heard this: “Can you believe what they did to me… Look what they made me feel.” Drama stories are easy to tell and often feel really good; victim stories are like sugar and are addictive. They are only tasty if shared and over time you will find that you need more and more drama to satisfy the need. They are hell if they dominate your thoughts. Literally. You are without power if you give credence to or invest in your victim story, “Can you believe what they did to me!” is another way of saying, “I need to pull someone down to feel powerful.” Drama creates power-over scenarios. Drama is usually carefully crafted to relieve us of the reality and impact of our own choices. Drama blinds us to our participation and that is precisely the point of all Drama stories. Life is happening to you.

You can never know another person’s story. You can never know their point of view, their circumstances or intention. You can never stand in their shoes. It is an easy game to make another’s story about you especially when you have no way of seeing through their eyes. We see their story through our filter. We distort what we can’t possibly know. There is one thing certain, a bet you can bank on with a Drama-teller: they will never ask the other about their story because it threatens their Victim status. They will accuse, they will blame, they will concoct, they will imply, they will manipulate, but they will never ever ask.

To exit the level of Drama requires some modicum of self-awareness and willingness to own your story. It requires acknowledgment of participation; an inward looking eye at your choices. It requires a greater concern for the story that you live than the story you tell about others. Assuming positive intent is great place to start. Asking others about their point of view before whipping up a Drama tale is another healthy technique. Practice challenging your assumptions. Practice listening. Practice focusing on your story more than the story you tell about others.

Being a participant in life requires surrendering your Victim role. It engenders generosity of spirit, an open mind and more importantly, an open heart.

Change Your Story

653. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I just finished reading Thom Hartmann’s book, The Last Hours Of Ancient Sunlight. It’s now on the top of my, “If you want to understand the forces that are shaping our world and thought, you have to read this book” list. Turn off the television and get this book. It’s that relevant; it’s that important. I’ve been diddling around these past few years with my observations and beliefs about power-over and power-with cultures and his book has slapped me into immediacy.

On the front page of my website is the banner, “Change yourself, change the world.” I work with people to change their personal story and it follows that they will then inhabit and create a different world. In reading Thom Hartmann’s book, my words are coming back at me with a force that takes my breath away. It’s not just a good idea to change your story and change your world; it is a necessity. It’s the second time in as many weeks that I’ve been smacked with a call to urgency. Kevin Honeycutt said, “Our kids are dying in our schools. What are we waiting for?” His call to action was a few days before New Town. He meant it metaphorically and the literal horror happened yet again. It is not that we do not know what to do; it is that we do not believe that we have the power to do it. The wall between our political will and the corporate dollar, something our forefathers warned us to keep distinct and well maintained, has disappeared. Is anyone truly in doubt about what force drives our national debate?

I realized this morning that my previous two posts have been about bullying. In a power-over culture like ours there are predictable and horrible impacts on the community. These things, bullies, school shootings, gun violence, disenfranchisement, gang warfare, stupidly high teen suicide rates, etc., are expressions of a power-over culture not anomalies of that culture. Manifest Destiny is a story of violence visited upon others. The narrative of a chosen people is a story of violence perpetrated against others. Power-over cultures wreak havoc on others but ultimately the sword cuts both ways: it is a cancer that eats the communal body from the inside out. Haves must have have-nots. It will always create a resource gap and separation that collapses the center, luxuries are confused as values, money with morality, and resources are exhausted in the insane pursuit of perpetual growth (consumption). Historians will surely write of us that yet another power-over culture relegated itself to the trash heap. We are playing the story perfectly.

I used to teach that there was a radical difference between self-help and self-knowledge: the difference, of course, is where you seek your answers. In a self-help world we look for our answers in other people; we want to be saved (savior stories are big in dominator cultures). In the pursuit of self-knowledge the answer is sought and found within your self. You don’t need saving because you are not broken or separate from the nature that surrounds you. In a power-with culture, your nature is not corrupt so there is nothing to tame or suppress or deny or control. These stories are fundamentally different; they are fundamentally different orientations into life. Cultures of power-over breed stories of self-help as a power-over culture is comprised of people who seek power from others. A power-with culture necessitates seekers of self-knowledge and is comprised of people who know that power is something that is created with others; all are powerful or no one is.

Our challenge is not about guns or violent video games or Hollywood movies; these are expressions of the story we tell and nothing will change, no matter the laws we pass or fingers we point until we decide to tell a different story. It begins with you and me. No one is going to save us. Change your story, change our world.

Take A Number

652. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“A person without a story does not exist.” Shekhar Kapur

Recently, I had to deliver a tax document to the IRS building downtown. Over a year ago I received a letter saying, “Congratulations, you’ve been randomly selected for a special educational audit….” I turns out that it was not a helpful educational audit in store for me but a year of medieval torture. My personal IRS agent has been trying to break me on the wheel. He is new to his job and has something to prove. His investigation is proving fruitless – which has only served to drive him into an income tax fervor, a numbers induced fanaticism – he’s redoubled his efforts, turning over figures, dumping columns, reaching back into my infancy to find anything to justify his time. And through it all I have, despite the stated intention of the audit, remained fairly uneducated and am now distinctly ungrateful for my random selection.

Luckily for me I have an accountant with a sense of humor. She represented me in all of his demands so I’d not met my inquisitor. She told me, “I’ve been doing this for a long time but never met anyone so singly dedicated to a lost cause.” And then she said, “He’s just cold. I think he’s angry about his life and is taking it out on you.” After 12 months – a full year of rooting through my documents, issuing threats, fines, fines revoked, re-requests, forms and re-forms 1120s, 4828, 2848, 6525a, I decided it was time to meet him. He sent a letter demanding that I deliver an original document, the scan that he initially requested was not good enough so he wanted the original and gave me 24 hours to comply (he sent his request via US Mail and I received it 4 days after his deadline). His request for the original was my opportunity to meet this very cold man.

When I first passed through the metal detectors a security guard told me to start my quest on the 34th floor. Exiting the elevator I came to a desk with a “take a number” machine. No human was in sight so I took a number. I realized at that moment that I’d left normal reality and was in Dante’s Inferno. This was the first level of hell. My number flashed on a screen and I was directed to find cubicle 8. Walking down a row of empty cubicles (there were rows of empty cubicles) I came at last to a person imprisoned behind a glass partition. She would not look at me and instructed me to go to the 16th floor. I was descending to the next level. Where was my Virgil?

On the 16th floor, although there were long corridors, I found 3 wall phones next to a locked door. There were no signs. There was not another human. Picking up a phone a person came on the line, listened to my quest and advised me to pick up another phone. My second choice of phone proved no different so I finally found a person through phone number 3 who told me to go to the 24th floor. (note: I am not making this up). On the 24th floor I found an identical set of phones and a single locked door. I looked around to see if I was on Candid Camera; how could I be sure that I’d traveled to another floor? What if this was Ellen DeGeneres’s idea of a joke and I was on live TV and the studio audience was howling at my incredulity? Or, perhaps I’d been hit by a bus and died and this was my version of Sisyphus. It only took two phones to find my tax man. A monotone voice told me that he’d be out in a moment. I made sure there was no food in my teeth – just in case Ellen came around the corner to say, “Isn’t this funny?”

My special agent came timidly out the door. He was very young – someone’s little brother, a son. He was not yet a man and he was shaking. I suddenly realized that he was afraid of me, afraid that I’d yell at him or perhaps hurt him. I knew in that moment that he knew that his audit was unreasonable and mean-spirited. He’d hoped that he’d never have to meet me. The moment was awful for him; filled with shame. I was seeing the Oz behind the curtain and he hated having to reveal himself. He was playing a power-over game with me because he had no real power in his life. I saw it and so did he. I held out my hand and said quietly that I thought it was time that I met him and handed him the original document. As Ann Quinn taught me, I killed him with kindness. Like his counterpart in the cubicle on floor 34, he was unable to look at me. He took the piece of paper and, visibly relieved, he disappeared again behind the door. “I am not in hell,” I thought, “…this man is. This man must come here everyday.”

As I left the building, returning to the land of light and humanity, I felt sick at the system that requires a young man to be a bully in order to feel powerful. His shame was palpable and I am certain I will be hammered because I saw his truth. As a nation we are asking ourselves serious questions about what caused such a horrific act of violence at an elementary school. We look for causes instead of the daily rituals that leave a soul so empty and frustrated that he must flame out of existence and take others with him as the only act of meaning that he can imagine. It is a failure of imagination; life in an empty story. Our rituals have descended to the level of collecting stuff and there is no substance or support to be found there. The daily rituals of our lives are meant to open us to the greater identification with deep meaning and sacred connectivity – with each other and our world. Our daily rituals are meant to bring us to the recognition of the enormity of being alive. I turned back and looked at this building and mourned for the people that must take their hearts from their bodies to go to work everyday; we are a tribe that only pretends to have a story. My heart broke for the young tax man who so early in life has made the choice to not exist.