Give Joy

This is an illustration from my as yet unpublished children's book, Play To Play.

This is an illustration from my as yet unpublished children’s book, Play To Play.

The question was, “What gives you joy?” People responded with things like, “family,” “the sunrise,” and “community.” Someone offered, “Other people’s laughter gives me joy.” There were nods of agreement all around.

It is hard for me to hear a question like, “What gives you joy?” and not think of Viktor Frankel. As a young Jewish man in Nazi Germany, he somehow survived years in a concentration camp. He emerged believing that, other than sheer chance, the line that divided the survivors from those who perished was a capacity to give meaning to life – as opposed to seeking meaning from life. He noted that the prisoners who sought meaning from the experience perished. Those who made meaning from the experience were more apt to live another day; they storied hope instead of looked for it.

Viktor Frankel famously wrote that, “Happiness ensues.” Happiness follows. It is not something sought. It is not found on the outside. Happiness is a response. It comes from within. We bring happiness to a moment. We do not get happiness from the moment.

Joy is like happiness. As I listened to the responses to the question about joy, I thought about the language of “seeking” and “ensuing.” In the English language it is hard not to create a paradigm of separation. We rely heavily on our nouns. Things are distinct. Dissimilar. “It” is found outside; “it” is located inside. “I give meaning” versus “I get meaning.” Give. Get. Either way, within or without, there is a line of division; “it” cannot be in both places. I wondered if the experience of joy and happiness (or sadness and grief, for that matter) are co-creations. I wondered if the language of us/them, within/without actually obscured the other option: we seek it and it ensues because we engage life. We open and life opens. Joy, like happiness, is generated in the relationship space, the space between, and in the relationship space there is no separation. Your actions and my responses are intimately connected. Where is the line between my action and the impact it creates?

After the conversation about joy, Kristi talked about being empathic. She said, “I can feel other people’s pain and then I carry it.” Earlier in the week, Kerri and I had the same conversation. She told me that she wanted to learn how not to take on other people’s stuff. I told her about the time I sought a teacher named Anna Christensen who showed me how to feel but not take on other people’s pain. “We are all empathic to various degrees,” Anna said. “Most people, to survive, need to numb their capacity for feeling. It’s necessary for most people because they need to know where they end and other people begin. They need the illusion of the individual. But, that comes with a cost; it creates the terrible experience of aloneness,” she added.

If other people’s laughter gives joy, and we can universally agree that is true, then my laughter and your laughter give joy to others. Isn’t it really just that simple?

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Learn To Laugh

Comedy is about other people’s pain. Wiley Coyote going off the cliff one more time is funny. The guy slipping on the banana peel is hysterical as long as you are not that guy. Humor is mostly a status drop for someone.

I’ve been writing and drawing a cartoon called FL!P for almost half a year now so I’m inadvertently making a study of what’s funny and what is not. Recently some acquaintances that know me from my coaching life took me to task because my comic strip seemed out of character. “It’s mean,” they said. “Yes.” I said. That is precisely why it is funny.

The strip is aimed at entrepreneurs and there is a need for a bit of levity in a world so steeped in self-interest and confusing agendas. In many traditions around the world the trickster is an integral part of worship. We are not meant to take our gods so seriously. The reverence is always found in the relationship and the realization that the godhead is in all of us. It is our flaws that take us closer to the creative. Worship is a relationship and a full relationship includes laughter, joy, play, as well as inner quiet and awe. Tricksters break rules and pull the blanket off of societies inequities. Tricksters help us see what we pretend not to see. The Emperor would still be strutting around naked if the trickster boy hadn’t spoken a truth that the rest of the village denied. Truth comes easier with laughter. I can tell you that there is much public prancing in the world of accelerators and incubators but very little real apparel. Humor is necessary in a landscape so rife with pretending.

Artists are often of necessity the tricksters of their culture. It is the artists’ job to open eyes to what is there (versus what we think is there). It is the artists’ job to bring the communal attention into the present, to slap-stop the puffed up importance of things that do not matter so that the things of real importance can be seen. With a 24 hour news cycle and a congress ruled by corporate dollars it is hard for us to sort out what is valuable and what is not. The narrative in the commons rarely reaches the level of significance. It is no wonder that many people confess to getting their news from John Stewart and Stephen Colbert (both heroes of mine).

The greatest lessons of my life did not come gently and I am all the more grateful for the force behind the learning. My lessons came with status drops and like Wiley Coyote I have gone more than once over the cliff with an anvil close behind. Comedy is mean. Learning requires falling down. Stepping into the unknown is potent because of the myriad of things to trip over. If you can’t laugh at the bungle you’ll miss the lesson.

897. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

For a humorous look at the wonderful world of innovation and new ventures, check out my new comic strip Fl!p and the gang at Fl!p Comics.