Truly Powerful People (178)

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Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today I cleaned my studio. I made space for the new. There are few rituals I enjoy more and few rituals that I take as seriously. It has been months since I painted. I have been empty, in winter. The first time I experienced this emptiness I panicked! I wondered if my artist had left me. I wondered if the well of my gift had run dry.

The answer to both questions was, of course, yes. I’m not sure if other artists experience what I do, but I have seasons. I go fallow, dark, underground. The first cycle I panicked and pushed and became more empty and dark. It was the magic Karola who told me that my cup could not refill unless I allowed it to drain completely. So I stopped chasing. I sat still, lost in the woods of my self-pity and without faith. One day, months later, I felt a stirring; the seeds buried deep within me began to crack open, tender shoots (impulses to draw) reached the surface and I found myself again with a pencil in my hand.

Now, I know enough to sit still, to be quiet and enjoy being alive without purpose or direction. I’ve even learned to rest (my inner puritan always grouses but I’ve learned to love that voice, too – like a cranky old neighbor who wants attention I listen to the unforgiving work ethic and smile. “More lemonade?” I ask). When I feel the seeds stirring, I set a full day aside. I go into the studio, close out the world, put on some “welcome home” music, and do some spring-cleaning.

Faith is no longer an issue. I’ve learned that faith, like trust, follows experience, not the other way around.

Truly Powerful People (177)

177.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

25 years ago, standing on Pismo Beach staring into the quiet morning surf, Jim E. told me that people come to the ocean to touch eternity; the rhythm of the waves carried the beat of life before you were here and will carry it far into the future beyond your life. Just for a moment, you glimpse the enormity of it all. You glimpse the belonging of it all.

This morning a dense fog blanketed Puget Sound, the foghorn moaned into the soup. The islands, the mountains, the shipping lanes were swallowed – it was as if I was standing on the edge of the world and somewhere beyond the fog was the end of all that is known. The birds were unusually quiet. As I stood at the water’s edge I remembered Jim’s words and realized that I am always standing on the edge of what is known; the gift of the ocean is available all the time when I stop assuming I know what is coming down the road, when I remember that time is a construct. When I recognize that I don’t know, when I stop assuming, then I can see.

Try it: stand in any spot, anywhere in the world and recognize that you do not really know what is coming down the road; take a gander into eternity, glimpse the enormity of it all.

Truly Powerful People (176)

176.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Many years ago I ran a theatre company embedded within a school district. I also founded and ran an alternative school program. They had many things in common but this little aspect was critical: little or no janitorial services – partly because of district budgets and mostly by design. Early on I recognized that ownership of the space in which we worked had a direct impact on the quality of our work; if it’s our space it is ours to care for, to clean, to shape, to decorate, to cultivate the culture of what happens in it. It mattered because we mattered. Initially it was a bloody battle to implant the idea: how you treat your space is a reflection of how you treat yourself. When you believe the work you do is important, when you believe that you are important in the work, then your care for the space. When you care for the space you care for yourself. After the first generation it became a tradition. The older students taught the newcomers: it matters how you embody the space, it matters how you embody your life. It was not uncommon to see students sweeping the parking lot prior to a performance: these kids believed that the audience’s experience of their art began when the car pulled into the parking lot. It mattered. It was theirs to do.

Ownership and mattering are easy words to say – it is easy to say values and ethics and generosity. They are more difficult notions to live.

Each morning I walk down the beach. It is littered with the remnants of last night’s party: old pizza boxes (the birds love that), broken bottles and cans litter the walkways. There is always a clean up crew paid for by the city – apparently it is the city’s job to pick up after the citizens.

We are a people who believe it is someone elses job to clean up our mess. There is scant ownership, no sense of mattering in how we treat our spaces and I can’t help but think it is a reflection of how we think of ourselves. Do you matter? Do your actions matter?

Whose job is it to clean up after our party? How would we live life if we knew that our actions mattered – all of them! When you know you have impact you are conscious of your actions and how they effect other people and the places of your life. You are connected. You own it because you own yourself.

I can’t help thinking about those kids sweeping the parking lot. It is an odd image of powerful people but think of it this way: those kids had no doubt that they mattered and they were bringing it 100%. When was the last time you were that powerful?

Truly Powerful People (175)

175.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I continue to sift through old journals and notes and today between a filing cabinet and the wall I found a small black and red notebook – small enough to fit in a pocket. I like finding these little notebooks because my handwriting is atrocious; it is difficult to decipher when I have full sized paper and nearly impossible in small notebooks. The gift is in the decryption: if I can actually figure out what I wrote it is like having the thought all over again!

I opened the black and red to a page with diagrams and words in circles; notes from a conversation with Joe. This is what I deciphered: circled in the center of the page is the phrase, “Feeling is the arbiter of reality (definitely a Joe phrase – I am not nearly so elegant).” Running vertically up the right side of the page I wrote, “Is the reference inside of you or outside of you?” And then, at the bottom of the page, “The word as reference point versus feeling as the reference point.” Finally, beneath this phrase in impossible-to-read scribbles I wrote either “Two deadly wars” or “Two deadly ways” with an arrow pointing to, “Attachment to outcome” and “Response to circumstances.”

String it all together and this is what you have:

Feeling is the arbiter of reality. Is your reference point inside or outside (are you seeking someone else’s answer or your own, trusting someone else’s feelings/opinions or your own?)? Words are abstractions, feelings are direct: which do you reference or which takes precedence when you locate yourself within your experience? Attachment to outcome and response to circumstance (as your identifiers) are both externally referenced and “deadly” as they start internal “wars” or lead to chaotic “ways.”

Scribbles to make Newton vomit and Siddhartha smile!

Truly Powerful People (174)

174.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It is 1982 and I am in Santa Fe. I’m touring the enchanted state with my college’s touring theatre company, leaving the campus for 2-3 day performance runs before returning for a day to rest and repair the truck. We perform our plays from the back of an ancient farm truck that breaks down on every leg of the tour. The bed of the truck opens to create a stage so you might say that our stage regularly falls apart, scattering parts and props across the highways of New Mexico. So goes the show! Two rudimentary light trees stand at the downstage corners when the bed is open and we open it often to wait for the tow trucks and mechanics that come to our rescue; we cut an odd picture for passing tourists.

It is the night before we are to leave again and the cast is exhausted and doesn’t want to go. The last breakdown took its toll and the upcoming performance is far away – which means we have no faith that the truck will make it to the performance.

Albert listens to our complaints, rolls his eyes, says something about namby-pamby actors and motions me to follow him. We walk through the high-desert summer night to the maintenance yard. The gate is locked so we hop the fence. We are suddenly laughing ninjas – trying not to attract attention but laughing too hard for stealth. Albert tells me to get into the truck and pop the hood. I hear him tinkering with something and then he closes the hood, smiling. “Tour’s cancelled tomorrow,” he says as we climb out of the maintenance yard.

Safely away from the yard he stops and says, “No one is making you guys go. Damn! Either do it – go and be grateful – or stop complaining and do something about it. At the very least, act on what you want.” Albert was always good for dope slaps. And then he said, “That was fun, wasn’t it.”

Sage advice from my laughing ninja friend: Either do it and be grateful or stop complaining. At the very least, act on what you want.”

Truly Powerful People (173)

173.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I spent the last week on the ranch of my great teacher, mentor and friend, Tom. He is very old now, a fragile little bird. Several weeks ago he was taking his daily walk and fell and broke his hip. His hip is on the mend but his mind has escaped the game and the world that he now creates has a new and restricted access code. He can see out (sometimes) but no one can see in. I love him and held his hand and adjusted to this new phase of our relationship as he told me stories that I already know but was delighted to hear as if for the first time.

Several years ago when my grandfather passed away, my father said, “Well, I’m on the front line, now.” Life looks different from the front line. Your priorities shift. Your investments become clear. You are less in a hurry to get through your days. The people in your life become more important than the status you might acquire or the stuff you might attain.

Martin Prechtel writes beautifully of the initiation of the boys into manhood in his Mayan community of Santiago Atitlan. Through his writing I understood for the first time that the initiation is meant to confront the young men with the reality of their own death; people cannot truly serve their community until they realize that they are mortal. Service to something bigger makes sense and becomes a priority when “something bigger” extends beyond your lifetime. What is it to work on the cathedral all of your days and know that you will never worship there?

Common story, community, only makes sense (or is accessible) when you are in service to the seventh generation, when it is more important to build it beautifully than to see the finished form. This, I think, is where we are off the rails. Our immediacy is our Achilles heel and makes our politics ugly, our communities fractured and our debates/concerns inane. Would we pay our teachers better than our athletes if we were looking farther down the road?

I am not yet on the front line but I can see it from here. Would that I’d had these eyes when I was 20! What might you see, what choices might you make, if you understood that you are always on the front of the ancestral line?

Truly Powerful People (172)

172.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

All of us walk a path defined by our assumptions. We see what we expect to see, we see what we believe and when we believe we are not creative or not good enough, that is what we reinforce. That is what we create.

Assumptions are tricky because they are hard to see – they are the rules for the game you play. “That’s just the way things are!” is a statement steeped in assumptions. I once had dinner with a man that lashed out, saying. “That’s just who I am and I’m never going to change!” Now, that’s the statement of a man married to his assumptions! Assumptions can be scary to challenge especially if you need to be right (oily shame thrives in the dark space between right and wrong).

Growth happens when you can see and step beyond your assumptions.

Leaving the path of your assumption set is sometimes called divergence. It is sometimes called insight. It is necessary for this thing we call innovation. Divergence, insight, revelation, inspiration, ah-ha, transformation… is nothing more than seeing and then challenging assumptions. Maybe you are good enough! Maybe you won’t die if you show up and give voice to your thoughts! Maybe no one is trying to put you down. Maybe experience comes before trust.
In the same way, creativity is nothing more than your capacity to step into uncertainty. Try it. Do something without regard to the outcome. Stepping into uncertainty requires releasing control – as does challenging your assumptions. What are you trying to control? Needing “to know” before taking a step is highly over rated – as is being right all of the time – and guaranteed to keep you on a very narrow path. What assumptions are you ready to let go?

Truly Powerful People (171)

171.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

A few years ago Charlie was listening to the radio during his commute home. He heard a news report that the Supreme Court had just removed financial and reporting restrictions on political advertising.
When he got home he went straight to his television, unplugged the converter box (he had an old analog set and needed the box to read a digital signal), and took the box to the garage. In the garage, he took his hammer from the wall and smashed the converter box into bits.

He laughs when he tells this story (and his wife laughs, too – now). Charlie is a father. He said that day in the car he realized what kind of bile was about to pour into his house through the television and that if the Supreme Court was no longer interested in protecting him and his family from vicious untruth that he must do it. He said, “It was an election year. Do you know what kind of trash that ruling unleashed? I didn’t want that to be part of my home.” He told me that it was his responsibility to select what he let into his and his family’s consciousness.

Imagine what might happen if we took responsibility for what we let into our consciousness! What if, like Charlie, we took responsibility for keeping our space (inner and outer space) clean of propaganda, violent accusation, and baseless judgment? Who might we become if we smashed the converter box (literal and metaphoric) and refused to give misinformation any space in our lives?

Truly Powerful People (170)

170.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

There are 3 foundation principles for all forms of the work that I do as The Circle Project with Patti Digh and in my own work as a coach and artist. I reviewed them again this morning in preparation for our September classes:

1) What you think is what you create. The story you tell yourself about yourself is a creative act – it is not happening to you. What you think is what you see is what you create. We talk a lot in the classes and in coaching relationships about where you choose to place your focus: what you choose to see. A great skill for an artist to develop is the capacity to see beyond what they think. There is more color and possibility in the world than your intellect will allow.

2) You are always in choice. Building upon the first principle is the understanding that you are always in choice. You may or may not have any control over the circumstances in your life but you have ultimate control over how you are within your circumstance. One of my favorite practices is to control your control-ables and let the rest go. Most people try to control what they can’t control (for instance, what other people think) and refuse to control what they CAN control (like what they think).

3) You are not broken; nothing needs to be fixed. It is an unfortunate tendency in our self-help world to treat all behavior as pathology, as if something in you is missing or broken. If you work from the basic assumption that you are broken you will forever seek answers that are outside of you. Assume that you are whole; believe that you are the source of your answers. Assume wholeness and your work will be about learning and expansion. Assume wholeness and you will of necessity have to take full responsibility for your choices.

What you think is what you create. You are always in choice. You are not broken. Can you imagine it?

Truly Powerful People (169)

169.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Straying beyond the boundaries of your assumptions is called divergence. We see what we expect to see; we see what we believe, so it is more difficult than you might imagine to truly diverge, to truly see things beyond what you expect to see. That is why problem solving in complex situations (anything to do with people is complex) is so problematic: with the problem solvers comes the assumption set that created the problem in the first place. Most solutions to problems will only serve to complicate the problem.

When working with people wrestling with their creativity, it is inevitably the assumption (belief) that they are not creative that needs challenging. It is not the skills. It is not the eyes or the hands. It is the foot on the brakes, the hands around the throat of their creative impulse.

Divergence is nothing more than challenging your assumptions. Creativity is nothing more than honoring your capacity to step into uncertainty – to see what is there and play with what you find. Stepping into uncertainty requires releasing control (taking your foot off the brake, taking your hands off of your throat, not listening to Mr. So-n-So who told you 20 years ago that you couldn’t sing/draw/dance).

Make a mess. Take a step. Fall down. Throw it away and start over. Be wrong and celebrate the dropped balls. What could be more miserable than to be human (the greatest storytelling creature in the history of the planet and maybe the universe) and believe that you are not creative?