Bang On Stuff

from Lucy & The Waterfox by David Robinson

from Lucy & The Waterfox by David Robinson

John said, “The real challenge is how to help people across the ‘I can’t’ line.” What a great phrase! I imagined myself drawing a line in the sand while my imaginary inner-voice shouted, “Don’t step over this line!”

“Everyone has an “I can’t” line.” John added, “The challenge is never the external stuff. It’s the stuff in our heads that stop us.” Too true!

John is a terrific drummer and extraordinary teacher. He told me that many people come to the drums from the place of, “I can’t” and his job is to hold their hand as they cross the threshold. “Of course they can,” he said, “they just need to know it.”

“How do you do it?” I asked. “How do you help them know it?”

“I have them bang on stuff and I bang on stuff with them.” He smiled.

In other words, gets them to experiment and play. When experimenting, there is no line between can or can’t. It’s a unified space called, “Let’s see!” In play, there is no need for achievement or expertise; there is only play. Bang on stuff and see what happens: it is a great definition for artistry. It is beginner’s mind.

In Austin Kleon’s latest book, Show Your Work, he suggests that we be intentional amateurs. He writes, “Amateurs are not afraid to make mistakes or look ridiculous in public. They’re in love, so they don’t hesitate to do work that others think of as silly or just plain stupid.”

If you desire to step across the “I can’t” line, embrace your inner amateur. Work for the love of your work and not the need to impress or “do it right.” Bang on stuff. Make messes. As Skip says, “Put a stake in the ground and then test it.” Pull on the chain. Walk through the door. Ask questions. Try a new technique. Invent a new technique.

In a bizarre and beautiful chapter in my life I was given a full ride scholarship for a masters degree in costuming. I’d never touched a sewing machine and was a danger to myself and others when trying to cut things with adult scissors. “Why not!” I said to myself and I went for a year. After turning in my first assignment in costume construction, the professor hugged my muslin mess to her breast and laughed, saying, “In the history of garments there have only been 7 possibilities (shirt, pants, skirt, etc.) and you have just created the 8th!” I didn’t know what I could or could not do so I did anything. It was fun. I had no “I can’t line.

John reminded me that the world’s first drum was (and is) a heart. “Everyone’s a drummer,” he said. “The day you can’t drum is the day you are dead.”

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Tell The Other Story

740. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Etched in the mirror behind the counter of the Cherry Street coffeehouse is this thought: Love and Kindness work everyday. On the wall opposite the mirror, so that it reflects in the mirror, is a large bright red heart. Heart reflects heart. Kindness begets kindness.

Last week, during a difficult moment, Megan-the-brilliant told me that she silently repeated the Buddhist loving kindness meditation, “May I dwell in my heart,….” After the moment passed she told me the meditation helped. Instead of defensiveness, she chose to breathe in and reflect loving kindness. Love and kindness are intentional acts, especially in difficult circumstances.

It seems so simple. What we put out reflects back onto us. Today as I rode on the light rail to my studio I imagined the riders as mirrors of each other. I saw small acts of kindness: a woman gave up her seat for an elder, a young man helped an older woman with her luggage, a security officer made sure a tourist knew how to get a ticket and pointed her in the right direction; it went on and on.

I wonder how much of the kindness we see? It happens all around us but do we see it? I hear about the other stuff, the complaints, the obstacles, the abuse; I see it, too but it is less frequent than the generosities. I hear less often about the small acts of kindness but I see them everywhere I look. They are literally everywhere. I wonder what world we might create if we told the story of our acts of kindness as often and with as much gusto as we tell the other tales?

Learn To Fly

724. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“I have a song in my heart and I’m not flying!” He was waving his arms up and down like a bird like all of the other children, his eyebrows knit, with a pout on his face. The other children were flying. Their eyes were closed, faces to the sky, arms riding the imaginary thermals. By the look on their faces they were flying high above the trees and soaring to the clouds.

We were having a storytelling. In our story a little girl (she’s a princess but doesn’t know it) must move from the country to the city with the kind old man and old woman she believes to be her parents. She is terribly sad because in the country she spends her days singing with the birds. In the city, she no longer sings. In the city she pines for the birds. She sits in her bedroom looking out of the window. Concerned for her, the old man and woman buy the girl a yellow bird.

The girl soon realizes that, just like her, the yellow bird never sings. She asks the bird, “Why don’t you sing?” and to her surprise, the bird answers her, “I’m not supposed to be in a cage. Why don’t you sing?” Together the little girl and the bird help each other learn to sing again. The bird finds her song when the little girl sets her free. The girl finds her song when the bird teaches her to fly with a song in her heart.

All the children in the classroom, save one, were flying like the little girl and the bird. “I have a song in my heart,” he insisted, “and I’m not flying!”

“Close your eyes!” someone suggested. “Then you’ll hear your song better. Then you’ll be flying!”

He closed his eyes, arms flapping, and a smile replaced his pout. “I can fly!” he exclaimed and swooped above the treetops and soared into the clouds. A little girl soared over to where I was sitting, perched and whispered to me, “Flying is easy with a song in your heart.”

Yes. Yes, it is.

Truly Powerful People (456)

456.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am hiding today. My heart is breaking for no particular reason. Some people call this, “getting up on the wrong side of the bed.” I think they must experience heartache as anger. They skip the heart part and go straight to throwing punches. To let your heart break often requires tears. Pushing back is less vulnerable. Break something else and perhaps the heart will remain intact, or so the theory goes.

I was tempted to blame this heartbreak on the weather: June is having an identity crisis and pretending it is January. I opened my eyes from sleep and heard the cold rain. In the Pacific Northwest there is a unique color grey that shrouds the time of day: 7am could be noon or 5pm. Timelessness. But, in truth, the heartache was with me before I opened my eyes. I felt it as I swam to the surface from my dreaming.

Once in Bali as I swam to the surface from sleep I heard the doves cooing and it was so beautiful that my heart broke. I lay in my bed with the sun streaming through the open screens and knew I was in heaven (it is not some other place). I learned in my Bali time that being fully alive requires a willingness to feel the full range of life’s emotions. To protect myself from heartbreak is akin to cutting red out of the color wheel. Comfort is nice but not very useful if you desire being fully alive.

Recently I saw a powerpoint presentation on what’s coming down the road in technology. One of the slides in education technology said, “Full Body Learning.” When with my aching heart I got up on the side of the bed I always get up on, I thought, “Ah, a day for Full Body Learning. Hello heartbreak.”

Truly Powerful People (446)

446.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

When I was in college my dear friend Roger gave me a copy of Narcissus and Goldmund by Hermann Hesse. It is an amazing story; a study of what some cultures call the red road and the black road. He said, “This is us. I am Narcissus and you are Goldmund.”

Narcissus is a priest, a teacher, seeking god within the confines of his mind and the institution. His road is prescribed, straight, protected. It has lots of rules. It is well known. This is the black road. It is the road that society recognizes. It is the road that society expects. It is the road of fulfilling expectations.

Goldmund comes to monastery. He is Narcissus’ student; he is restless, a wanderer seeking something indescribable, something that cannot be found in the institution. He seeks with his heart. He leaves the safety of the monastery and has many unpredictable experiences. His life is messy, chaotic, rich and dangerous. His road is twisty, improvisational and unknown. It is natural. It is his road. No one will ever walk this path because it is unique to the walker. This is the red road. This is the road of fulfilling heart’s desire.

The red road is hard. It breaks you down. It opens your eyes and heart to the eternal beyond the temporal. There is no safety on this road; the first thing lost is the illusion of control. The first thing gained is the paradox. This road brings your focus to the present moment.

The black road is hard. It breaks you down. It protects you from too much experience. It keeps your eyes from looking at the ground and heart from seeking the sensual. It is dedicated to safety and the predictable. The first thing lost is the natural impulse, the wild heart of desire. This road separates head from you body. It demands that you keep your focus in the abstractions. It will take you to the big office at the top of the building.

Two roads. Neither is better or worse as both lead to the same place. Roger was right. His road has been within the institution and mine has been undefined. He is at the top of a career and I am wandering a road looking for my next meal. He cannot imagine the life I have chosen and I would have died within the confines of his choices. There are dragons lurking in the weeds of both roads; there are losses and gains either way. I am learning the necessity of rules; he is learning the call of his wild heart. We both die a little bit each day; we both learn a little more. He brings me the wisdom of the anchor; I bring him the wisdom of the wind. I could not ask for a better advisor, counterpart, or friend.