Catch A Glimpse

741. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Deep in the alcove of the side entry to an old building lurked a man wearing a faux bear hat and a too big worn out raincoat. He was doing a slow dance, in invocation and I stopped to watch him. Our eyes met for a moment, just long enough for me to know that he did not mind my witness. His slow pushing and pulling of the air seemed out of joint with the pace of commuters racing to get somewhere. This man seemed to come from another era. He was not of the city; his dance was a nature dance. After a while I left him dancing in his alcove.

I passed a family hunkered down in a doorway. They were tourists. They were dressed for Florida and seemed surprised that it was cold in Seattle. They were confused by the rain; their map of the city was dissolving into mush. “What do you want to do now?” the father asked his kids, trying to buoy their wet spirits. There was no reply. They wanted to be warm. “How about finding that glass blowing place?” he asked.

As I crossed Pioneer Square I saw, laying near the memorial to firefighters, an empty jacket, pants, socks and shoes. It was as if someone had lain on the ground and disappeared, leaving their clothes behind. I wondered if this was the work of faux bear hat man. No one else seemed to notice so I walked on.

A man stepped in front of me and asked if I was up to doing a good deed today. Then, he asked me for a quarter. I imagined he must be a genius marketing executive gone destitute. As it turned out I was up for a good deed this day and thought his ask was too low so I gave him all of the change in my pocket. I had a lot of change in my pocket. He looked at me like I was a slot machine when I handed him a fist full of coins. He smiled when I said, “Great pitch!”

Worlds collide. I once saw Stephen Hawking talk about multiple universes, like bubbles that sometimes brush against each other. In those moments of bubbles touching, we catch a glimpse into the reality of the other universe. Today it seems that we are, each of us, a bubble universe. How else can I explain these strange and wondrous glimpses?

Tell The Other Story

740. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Etched in the mirror behind the counter of the Cherry Street coffeehouse is this thought: Love and Kindness work everyday. On the wall opposite the mirror, so that it reflects in the mirror, is a large bright red heart. Heart reflects heart. Kindness begets kindness.

Last week, during a difficult moment, Megan-the-brilliant told me that she silently repeated the Buddhist loving kindness meditation, “May I dwell in my heart,….” After the moment passed she told me the meditation helped. Instead of defensiveness, she chose to breathe in and reflect loving kindness. Love and kindness are intentional acts, especially in difficult circumstances.

It seems so simple. What we put out reflects back onto us. Today as I rode on the light rail to my studio I imagined the riders as mirrors of each other. I saw small acts of kindness: a woman gave up her seat for an elder, a young man helped an older woman with her luggage, a security officer made sure a tourist knew how to get a ticket and pointed her in the right direction; it went on and on.

I wonder how much of the kindness we see? It happens all around us but do we see it? I hear about the other stuff, the complaints, the obstacles, the abuse; I see it, too but it is less frequent than the generosities. I hear less often about the small acts of kindness but I see them everywhere I look. They are literally everywhere. I wonder what world we might create if we told the story of our acts of kindness as often and with as much gusto as we tell the other tales?

Let Go The Separation

720. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It is Sunday night and I am reviewing my week. Sometimes I am astounded at how much happens in a single week of life. I’m sure this is always true but lately I am acutely aware of the passing of the days, the variety and richness of my experiences every day. I started to make a list and after filling a few pages I stopped. There was no point in going on because the point was made: there is no list capable of capturing the enormity, the passing of a single week of life.

In order for lists to be meaningful the items need to be separate, discreet. Generally, this is how we look at our lives, things on a list: grocery shopping, driving kids to daycare, lessons, dinner with friends, a trip to the gym, etc.; separate achievable actions checked from the list.

From another point of view there is no separation. Place the emphasis, not on the achievement, but on the quality of process, the level of presence and meaningful engagement, and the list blends into a single experience with many textures and colors. The separations are constructs and largely false. How can I separate experiences like the conversation in the gallery from the chips and salsa and beer from the walk along the river?

Last Sunday a friend made me dinner to celebrate my birthday, I flew on a plane with a woman who was very ill so we talked of the comforts of being home, I stood by the river on a freezing cold evening and watched with awe the geese swirling like locust in the sky, I sang “Yesterday” with Lexi on Friday night, drank too much coffee and sat up half the night writing emails, walked through the galleries of the Joslyn museum, stopped in awe at the El Greco and Thomas Hart Benton and laughed through my first grilled peanut butter and jelly sandwich. When did one experience stop and the other begin?

I flew, I sang, I celebrated, I stood, I drank, I walked, I stopped in awe, I laughed… They are only separate actions because the limits of language make them so – or because I might have chosen to see my life as a list. I could write: I lived. I could write: I loved. These are also true.

I stood over the Missouri River watching the ice like enormous frozen lily pads flow beneath me. Depending upon where I looked they seemed to be rushing by or almost standing still. It depended upon where I placed my focus. When I focus on achieving my lists the days rush by as I race through my days. When I let go the separations, all days become varied and rich; the moments like the icy lily pads move by me though I have to distinct impression that I am standing still.

See The Magic

713. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Today I saw thousands of geese fly over the fields at sunset. They were going back to the river for the night. From a distance in the pale blue winter sky, they looked like shimmering strands, forming and reforming, I had the impression that I was looking through a microscope at DNA in flight. And then they flew closer, took on another shape, more dense, all the strands coming together en masse, morphing like magic into a congress of geese. Flying directly over my head their wings took on the gold and purple of the setting sun, shocking me in their transformation. Their direction was specific, intentional, with no visible leader or apparent decision maker; they were of a single mind.

Magic is not the illusion of sawing a person in half; it is not a man who seems to disappear from a locked box. Those things are tricks. Magic is a relationship to something vital and alive. Who would choose to have a relationship with an illusion when it is possible to have a relationship with the setting sun or to participate if only as a witness to a migration that is centuries old? This is why we go to the theatre or visit an artists’ studio; the arts are not illusions they are a relationship to something ancient, a deeply unique human impulse that reaches back millennia. The arts are at one moment both a personal and a shared experience. There is a reason why dictators clamp down on the arts when seizing power: a community with vital living art knows its direction and intention with no visible leader; the decision makers are the stories we tell relative to the actions we take: there is no gap between interests and values. The arts hold the center and when they are lost, the community begins to legislate rather than communicate. Entertainment is, after all, the least of the functions of any art form and become ascendant when rules have replaced stories as the societal glue.

Show Up

707. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine

“The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.” Neil Gaiman

The clichés are ubiquitous: fingerprints and snowflakes, each of us is unique in the universe. There will never be another like you and if you’ve ever looked through a telescope into the universe you will recognize how profound a recognition that is. The universe is vast and you are unique in it. You are vast.

The paradox of our uniqueness, of course, is that we want to fit in. As E.O. Wilson suggests, the strongest human impulse is to belong. The question becomes do you need to sacrifice something essential to fit into someone else’s idea or is bringing to life your unique perspective the very thing that will make you belong?

I recently heard a speech and the speaker was making a case for self-love. She spoke of the myriad of opposing opinions she’s heard and sometimes entertained about who she should be. Like most of us, she spent many years trying to conform herself to those conflicting ideas – other people’s ideas of who she should be. Aesop wrote a fable about that and the moral was clear: you will lose it all if you don’t listen to yourself. No one has the capacity to love you like yourself. When you come upon your idea of who and what you want to be, and strive for that, there is no conflict or sacrifice. You will fulfill it all when you listen to yourself. This, too, was the speaker’s conclusion.

To me, the shorthand is to orient your life according to what you bring to it and not according to what you get from it. Show up as you know yourself to be not as anyone expects you to be. Let yourself be seen as who you are: unique in all the universe.

Play For Meaning

705. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Horatio took me on a whirlwind tour today. We met his art teacher, Jo, and I listened as they discussed artists like Sylvia Plath and Diane Arbus, artists whose work explores the darker shades of life. Both women killed themselves. Horatio posits that their artistry in some ways chronicled their march toward an inevitable conclusion. Like a raft caught in the current, hurtling toward a waterfall, they determined that there was nothing to be done, no greater meaning to be found, and went over the falls.

Horatio and I often stray into the topic of meaning making. What’s it all about? What is the greater purpose and meaning of this experience of life? I’ve decided that meaning is something we make and not something we find. Meaning is something we bring to the dance. However, we come to the dance with great expectations. We look for someone to dance with, we look for an experience that might lift us from the ordinary routine, we yearn for someone to notice us, we want food to eat, a future to create; we seek experiences. We want more. Life is made sweet in the yearning.

We get lost when we think someone else has what we need or that someone else can fulfill our yearning. Our job is to engage life; no one can do that for us. Our job is to bring our selves to life (I intend the double meaning of that phrase). Our job is not to fulfill another person’s need just as their job is not to fulfill ours. The meaning is in what we bring to the dance; if we bring joy there will be joy. If we bring blame there will be blame.

Tonight Horatio and Teru made a lovely dinner and had a cake for my birthday (coming soon!). Their daughter Nina and her beau Keith came along with Nina’s 4 year-old daughter, Jordan. I spent much of the evening learning from Jordan how to play Chutes and Ladders and a cupcake game. The first rule is that there are no rules. The second rule is that because there are no rules things like winning and losing are ridiculous. The only thing that mattered was that we played. She showed up and I showed up and the rest was imagination and wonder. You’ll be surprised to know that in a single evening I played the role of Santa Claus AND was placed forever on the naughty list (my name is written on the list in magenta crayon). It is an existential dilemma of massive proportion that required the creation of a third rule: naughty and nice are relative terms and who needs lists anyway? Meaning is never found in the list and always found in the play. So, as Jordan taught me tonight: play and the meaning will soon follow.

Make It Ordinary

700. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

A midnight train, an early morning taxi, and a day at the Denver airport. Trains, planes and automobiles followed by a light rail into downtown Seattle and then a ferry to Bainbridge Island. I think in a single 24-hour period I will have only skipped submarine and hot air balloon as viable transportation options, though Judy reminded me that I had not yet traveled by camel. And, the day is not over yet so I knock on wood. These days I can make no assumptions about what the next moment will bring.

The benefit of riding on the rails, in the cab and on the concourse is that I’m very productive in transit. I’m a bit shocked at how focused I can be when rocking across Colorado in the dead of night or in the midst of thousands of noisy airport travelers by day. I finished the first true draft of the book. I caught up on emails (mostly). I untangled a banking knot, I made lists and all the while I watched the amazing dramas that unfold in an airport. I talked with Horatio and Diane and Megan. I had a text fest and toasted k.erle with a great cup of java. Judy played her harp for me just before midnight and it was among my favorite experiences all day.

I’m aware of the varied and glorious textures of this day. The amazing palettes of colors of this life are available if we only choose to see them. I saw the sunrise over the plains. I watched hundreds of small kindnesses and acts of generosity. Many were unknown to the recipient. A man pulled luggage off the train for an elderly couple. A woman quietly helped a young mother herd her children through security, doors were opened for baggage laden travelers, bus drivers waited for tardy riders, a barista left her post to give directions to a lost man and all the people queued for coffee stepped out of line to help.

And think about it – it was just a day like any other day. And, no day will ever be like this one. Little generosities swirl around us. The sunrise will never be the same as it was today; it was not like any other and the same will be true tomorrow. We have the capacity to see. We have the capacity to place our focus wherever we choose. The life we experience is a direct result of what we choose to see, where we choose to stand, how we choose to interpret and what we choose to celebrate. The day can be ordinary or extraordinary and the only difference is what we decide to perceive. Why not make the extraordinary ordinary?

Allow The Silence

698. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“After silence, that which comes nearest to expressing the inexpressible is music.” Aldous Huxley

There are few things more satisfying to me than closing the studio door, picking up a large brush, turning the up the volume on the music, and giving over to the forces that want to find expression through me. The night before my latest trip, without really meaning to do it, I turned from my computer, saw the canvas stapled on the wall, and the next thing I knew several hours had passed, the music was rattling the windows, and both the canvas and I were covered in paint (it’s why I stopped buying new clothes…). It had been too long since I gave myself over to the call.

I used to draw everyday. It was my practice, my imperative. In recent years I’ve moved on to other practices. I write. I facilitate. I walk. I find the quiet. And then, like a starving man who stumbles into a feast, I disappear without warning into a painting gluttony. It is a different kind of quiet, ferocious, vibrant, and necessary. There is no thought; my body takes over and the painting comes through: silence in the center of a hurricane of movement and sound. When finally I step away from the canvas and come back into my body, I discover an image in front of me. It is less correct to say, “I did that,” and more correct to ask, “What just happened?” I’ve spent hours of my life standing in front of paintings that I just painted, thinking, “Whoa. Look at that!”

Once, many years ago, Jim looked through all of my recent work and asked, “What is the significance of the three balls in your paintings?” I had no idea what he was talking about so he pulled out of the rack ten paintings, lined them up, and showed me that each had three balls as if some unseen figure was juggling them. I was gob-smacked. I studied the paintings for a few minutes and said, “Whoa. Look at that!” Jim laughed.

The silence is not empty; it is full. It is rich and vibrant. The silence is what happens when we get out of our own way, open to the forces, and let them come through. Words like “art” or “transformation” or “perspective” or any other word can’t contain all the meaning that becomes available when we learn to step out of the way and allow the silence.

Walk Toward The Vanishing Point

679. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

The other day in Melissa’s class, the students were drawing pictures. They were learning about perspective. Most were drawing according to single point perspective: all lines meet at a single spot called the vanishing point. In the drawings, roads and train tracks ran toward the horizon, telephone poles and barns all followed the lines disappearing into a single point.

The lesson will continue for a long time. Now that the students have drawn lines to a single point they will begin exploring the greater implications of perspective. They will discover for themselves that things look radically different according to where you stand. They will learn that you can never occupy another person’s perspective so you will never be able to see what they see (imagine the implications); they will discover that perspective is personal and as varied at there are people on the planet. The possibilities of an exploration in perspective go on and on. We forget that at one point in history artists were mathematicians. Artists were scientists. There wasn’t the separation or the story that we tell today. Imagine the implications for education if we weren’t so blinded by subject separations and so singly prejudiced against the arts. Music is math, after all. Color is either chemistry or optics depending on whether you are mixing paint or light.

The next day, we met with other teachers, each sharing their experiences in the classroom. Beth (an amazing educator) listened to Melissa’s story and said, “I love the term, ‘vanishing point!’ There’s a whole world happening beyond that point and we just can’t see it.” She was lost in thought for a moment and then exclaimed, “Beyond the vanishing point anything is possible!”

Beth deals in possibilities. She is one of the few people I’ve known who recognizes that we actually live at the vanishing point though most of us pretend that we know what’s going to happen. Beth courts the vanishing point. She plays with it. She tries things just to see what will happen. Hang out with Beth and you will jump in puddles, race through tall grass, and take a turn down a road just to see where it leads. She knows that when you walk toward the vanishing point you walk into possibilities. Beth knows that life is vital in the direction of the vanishing point; the foreground of the picture is the present; it is where we currently stand. Beth knows it is the deepest human impulse to say to your self, “I wonder what’s over that hill?” And then follow the impulse. Beth knows this greatest of human impulses is at the heart of great education. Beth knows like Melissa knows, it is so simple and so possible when they are allowed to walk with their students toward the vanishing point instead of being forced to turn away from the horizon and pretend that there is something standardized about learning.

Live Everywhere

676. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

For the past several weeks I have been in gypsy mode. I am traveling from place to place, landing for a few days and then moving on. There is a great gift that comes when you’re on the road as a rule and not an exception: when you’re not living anywhere, you start living everywhere.

I’ve noticed that I’ve let go of the expectation of norms or routines so consequently I am paying attention to the little things – each day is filled with little amazement, little gifts surround me. I’ve realized that when there are no day-to-day patterns, you cease investing in the comfort of the pattern so are capable of welcoming what is right in front of you. You truly begin to live everywhere because every moment is unfamiliar.

There are tiny arrivals in my gypsy mode, resting places but it is as if I am seeing life without its security mask. Sometimes a cliché is a cliché for a reason: the idea that I possess anything or own anything is an illusion. I am at best, a steward. We are all merely passing through. We are, as Jean Houston wrote, “the burning point” of the ancestral ship. Others came before and were witness to their time and have passed the burning point to me (and you). For this brief lifetime I am the eyes, ears, and hands of the experience; I am the witness; we are the stewards of our time. In gypsy mode there is only one question that really seems to matter: Did I open my eyes and ears and other senses to the full experience of being alive? Was I present during every moment of this incredible ride?