Make Space

Posted on April 2, 2013 by davidrobinsoncreative

754. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am cleaning out and clearing space. It is spring and spring-cleaning is normal at this time of year but my impulse to make space is deeper than the cycle of spring. I’m giving stuff away. I just threw away half of my clothes (they needed throwing away) and the other half will soon go to the thrift store.

I’m purging the studio. I installed paintings at Geraldine’s Counter yesterday and Gary, the owner, asked why I had not included prices on the labels. “They are old paintings,” I said, “and I’m in the mood to bargain.” I don’t want the paintings to come back. I need the space for the new creation. I need the space for ideas.

Possibilities require space. Sometimes life stories get over crowded with drama and details. Sometimes our days get too crowded with tasks. Possibilities will never shoulder their way into cramped courters. Why should they? Lack of space is a signal to the universe that you are doing what you want to do. Or, lack of space is a signal to the universe that you are afraid of doing what you want to do; existential hording leaves no room for possibilities to breathe.

Once, I ran a school and I encouraged my students to look out the window. Daydreaming is intensely important for healthy living and a vital creative life. Daydreaming is space creation. I encouraged my students to imagine. I encouraged them to breathe and make space and wander. I encouraged them to explore and discover and uncover. We were constantly cleaning out the building. We were constantly making space for the new. Those lessons are coming home to me again this spring. On my horizon a tsunami of potential is flowing toward me. I know it is coming because I am making space.

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Open The Door

Posted on March 27, 2013 by davidrobinsoncreative

748. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“The artist vocation is to send light into the human heart.” George Sand

The first of the Four Noble Truths of Buddhism is that all of life is suffering. In this context the predicament of the artist is no different than that of a plumber or a president though I’ve yet to find a plumber who considers suffering necessary to his or her vocation. With artists (in the USA) suffering is central to the narrative. It is an expectation and seems to be a prerequisite. Why do artists think they need to suffer or believe that suffering unlocks the door to their artistry? It doesn’t.

Here are some conditions central to unlocking the door to artistry: curiosity, experimentation, exploration, discovery, passion, investigation, play, “What if…?”

We do not easily walk into our shadows. One of the roles of artist is to go where others choose not to go. A walk into the shadow may be uncomfortable but it is equally as liberating. An artist is supposed to see what others cannot and sometimes that is painful. An artist often acts as a bridge between worlds of perception, living on the edge of the village, translating the signs. As the god of transitions and boundaries, Hermes was of this ilk. He was also the protector of poets. Sometimes it is the role of the artist to travel into the netherworlds to retrieve a truth or a lost soul. Orpheus descended into the underworld to reclaim Eurydice. He did not trust so he lost what he most desired. His artistry was a gift of the gods. His suffering was from distrust of the gods’ gift.

At times artistry may be solitary or scary but it is always transforming. Always. An artist rarely “fits” the social norms but continually serves the health and growth of the community. Artists are transformational.

The coaching work I do with artists (myself included) often requires a stroll into this misguided ideal or expectation of suffering. What are the underlying assumptions that make suffering or madness an erroneous precondition for artistry? This is what I know: suffering is what happens when we ignore our innate artistry or smother our essential creative spark. Suffering is not a prerequisite to anything. Suffering is a sign that the artistic door is closed.

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Learn To Fly

Posted on March 3, 2013 by davidrobinsoncreative

724. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“I have a song in my heart and I’m not flying!” He was waving his arms up and down like a bird like all of the other children, his eyebrows knit, with a pout on his face. The other children were flying. Their eyes were closed, faces to the sky, arms riding the imaginary thermals. By the look on their faces they were flying high above the trees and soaring to the clouds.

We were having a storytelling. In our story a little girl (she’s a princess but doesn’t know it) must move from the country to the city with the kind old man and old woman she believes to be her parents. She is terribly sad because in the country she spends her days singing with the birds. In the city, she no longer sings. In the city she pines for the birds. She sits in her bedroom looking out of the window. Concerned for her, the old man and woman buy the girl a yellow bird.

The girl soon realizes that, just like her, the yellow bird never sings. She asks the bird, “Why don’t you sing?” and to her surprise, the bird answers her, “I’m not supposed to be in a cage. Why don’t you sing?” Together the little girl and the bird help each other learn to sing again. The bird finds her song when the little girl sets her free. The girl finds her song when the bird teaches her to fly with a song in her heart.

All the children in the classroom, save one, were flying like the little girl and the bird. “I have a song in my heart,” he insisted, “and I’m not flying!”

“Close your eyes!” someone suggested. “Then you’ll hear your song better. Then you’ll be flying!”

He closed his eyes, arms flapping, and a smile replaced his pout. “I can fly!” he exclaimed and swooped above the treetops and soared into the clouds. A little girl soared over to where I was sitting, perched and whispered to me, “Flying is easy with a song in your heart.”

Yes. Yes, it is.

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Allow The Silence

Posted on February 5, 2013 by davidrobinsoncreative

698. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

“After silence, that which comes nearest to expressing the inexpressible is music.” Aldous Huxley

There are few things more satisfying to me than closing the studio door, picking up a large brush, turning the up the volume on the music, and giving over to the forces that want to find expression through me. The night before my latest trip, without really meaning to do it, I turned from my computer, saw the canvas stapled on the wall, and the next thing I knew several hours had passed, the music was rattling the windows, and both the canvas and I were covered in paint (it’s why I stopped buying new clothes…). It had been too long since I gave myself over to the call.

I used to draw everyday. It was my practice, my imperative. In recent years I’ve moved on to other practices. I write. I facilitate. I walk. I find the quiet. And then, like a starving man who stumbles into a feast, I disappear without warning into a painting gluttony. It is a different kind of quiet, ferocious, vibrant, and necessary. There is no thought; my body takes over and the painting comes through: silence in the center of a hurricane of movement and sound. When finally I step away from the canvas and come back into my body, I discover an image in front of me. It is less correct to say, “I did that,” and more correct to ask, “What just happened?” I’ve spent hours of my life standing in front of paintings that I just painted, thinking, “Whoa. Look at that!”

Once, many years ago, Jim looked through all of my recent work and asked, “What is the significance of the three balls in your paintings?” I had no idea what he was talking about so he pulled out of the rack ten paintings, lined them up, and showed me that each had three balls as if some unseen figure was juggling them. I was gob-smacked. I studied the paintings for a few minutes and said, “Whoa. Look at that!” Jim laughed.

The silence is not empty; it is full. It is rich and vibrant. The silence is what happens when we get out of our own way, open to the forces, and let them come through. Words like “art” or “transformation” or “perspective” or any other word can’t contain all the meaning that becomes available when we learn to step out of the way and allow the silence.

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Flip it!

Posted on January 7, 2013 by davidrobinsoncreative

669. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

I am in New England and it is winter. This morning as the sun rose, as the sky progressed through purple and orange to steel grey there was a very light snow falling. The world was so quiet that it inspired inner quiet. I think this is what is supposed to happen in winter: we are meant to slow down, get quiet, to go inside, reflect, keep warm, catch up on some sleep, and touch the eternal in ways that are only accessible when the days are short and the ground is frozen.

Yesterday, as Alan and I planned the summit that we will facilitate in Holland in March, we strayed from our task and talked about separation and connectivity. I am oriented into the world according to my cultural defaults: separate from all of nature (including my own), a dominator, steeped in the notion that I can control things and given to the hubris that one of the things I can control is nature. And yet, I am at odds with my orientation. I don’t believe any of it. My life’s work (for myself and others) is to flip it, to offer a different, healthier narrative.

Once, many years ago, when I was in Bali, I had a conversation that helped me clarify what would become the work of my life. I was explaining to a Balinese man what it was to be an artist in America and he was deeply perplexed by my premise. He said to me, “But, all people are artists; all people are creative.” To be alive is to be creative. It is a mark of the culture of separation to believe that you are or are not creative, to see creativity as a limited resource or a perhaps an endowment for the special. It is a characteristic of a culture of connectivity to understand that all of life is creative and to be alive is to be a participant in the vibrant, creative, ever changing flow of life – as a vibrant, creative, ever changing being.

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Open The Door

Posted on December 17, 2012 by davidrobinsoncreative

648. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

When I was a kid I was standing on a barrel so I could reach the pencil sharpener. I sharpened my pencil with such fury that I tipped the barrel over and landed on the pencil: it stabbed my right palm and the lead snapped off. I was in a hurry because I was drawing a picture and I wanted to capture the image before the magic dissipated. That’s how I experienced artistry as a boy: a magic door opened. I saw an image on a blank piece of paper and it was my task to bring it into the visible world before the door closed. Sometimes I knew I had lots of time; sometimes I knew the door was only going to be open for a moment and it was a race to get enough of the image so that I might complete it after the door closed. I had a muse and she lived on the other side of the door. I spent many hours staring at blank sheets of paper willing her to open the channel and send me an image.

My fall off the barrel was over 40 years ago and I still carry the lead mark in my palm. It has become a reminder of the magic. It took me 30 years after the fall to realize that I had control over the door; the magic was not separate from me. I merely had to turn the knob, I simply needed to open and receive the image. Like two people in love but afraid to reveal their feelings I came to realize that the muse was waiting for me and I was waiting for the muse. She wanted me to turn the knob and say, “I’m here.” I was waiting for her to turn the knob and say, “I’m here.”

I look at the pencil mark on my palm when I need to remind myself that there is no door; my muse and I are now one. There is no hurry. In fact, what I came to understand was “the door” opened when I became present. As a boy, staring at a blank piece of paper, counting my breaths, I unwittingly developed a nice meditation practice and when I dropped into the moment the door opened. I work with many people and what I’ve learned is that magic is not unique to me – it is available to everyone. We are magic – all of us. If the nozzle is closed it is because we stand in the past arguing for the wound or seeking a future place, somewhere out there where there is magic to be claimed. My work is to say, “Slow down. There is nothing broken so there is nothing to be fixed. Look at what is right in front of you. Stand here and nowhere else: let the world see that you are magic.”

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Tug On The Idea

Posted on November 30, 2012 by davidrobinsoncreative

631. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Sean drew a picture of a tug-of-war. The rope was taut. He said, “Any good process has two sides pulling on the idea. To stay out of the extremes and off the margins we need the tension from the other team. We need the other side to pull as hard as we do; that’s what makes it all work. That’s what keeps us playing in the center. ” And then he paused and thought about it, adding, “In a way, it’s this kind of tension that makes collaboration happen. Collaboration isn’t about absolute agreement – that’s not generative at all; collaboration is how we do conflict. Collaboration is healthy conflict.”

I laughed at the phrase and I think it is accurate. If we can pull on the idea rope without negating each other, if it’s not personal, then it is healthy. It’s all about focusing on the idea, pulling on the idea instead of diminishing the other; a great collaboration is subject centered, it is about a better idea and that requires some tugging. It is not about being right or winning; it is the game that is essential.

I once took a class from the great Kichom Hyashi. One day he divided the class into two teams from a mock organization: 1) the finance folk and 2) the creative team. He posed a challenge and asked the two teams to try and pull the other side into their point of view. We immediately began diminishing the ideas of the other side. Kichom stopped us. He asked us to begin again only this time he would facilitate our conversation. He did not allow us to diminish or negate the other team. We entered the heat, argued the idea instead of negating the people, and an extraordinary thing happened: the tension mounted until it was palpable, crackling, and then a 3rd channel broke open. A better idea, previously hidden, burst forth. It was not a solution but a better idea, an expanded vision. The tension transformed into excitement. The two teams were now one voice chattering about the possibilities.

Kichom sat back in his chair and smiled, saying, “It’s not a mystery. This is how it is supposed to happen.”

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Step Toward The Wolf

Posted on November 14, 2012 by davidrobinsoncreative

615. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

It’s an analogy I use often with groups: In the story of Little Red Riding Hood, which character is necessary to move the story forward? The wolf. Without the wolf, there is no story. Without the wolf there is no conflict. In story terms, conflict is the motor that drives a story forward. In personal and organizational growth terms, conflict serves the same function; remove the conflict and you will impede your growth. Conflict, obstacle, hurdle, challenge,…chose your word; it is the wolf, the trial that serves as midwife for the opportunity to emerge. New perspectives become available and necessary when old perspectives snarl and howl.

Processes of change in an organization are exactly the same as processes of change in an individual. The mistake we make in both cases is to attempt to eliminate the wolf from our story. We’ve confused good process with comfort. Discomfort, not comfort, is the hallmark of a vital change process.

Teams that always agree are inert. Teams that know how to disagree are dynamic. The greatest artistic collaborations I have ever experienced were comprised of people with opposing points of view and no investment in being right. They were artists dedicated to bringing their best ideas to a team, knowing that there would emerge from the group a vision greater than any single member could imagine. Collaboration is a cauldron that requires heat. It also requires an understanding that agendas like “needing to be right” or “have things my way” will sully the gold. Great collaborators step into heat unguarded; they do not attempt to eliminate the heat because they are in service to a vision and not a scorecard.

Collaboration is a group of people evoking the best from all involved; they are invested in the success of the whole, they are actively creating power with their team. The fear of conflict is a sure sign of power-over games; it is the sign of individuals pretending to be a group, seeking their worth from their peers instead of bringing their worth to the collaboration. When a group attempts to eliminate conflict it is a sure sign they are afraid and, therefore, necessarily invested in control.

If you or your team feel stuck, it is a good bet that you’ve eliminated the wolf from your story. Like all good growth steps, the thing you need to do often feels counterintuitive; rather than play nice, play honest. Bring your best offer and don’t forget to invite the wolf to your party.

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Diverge

Posted on November 10, 2012 by davidrobinsoncreative

611. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Earlier today I laughed when an artist friend said to me, “I felt like an alien when I was a kid. And then I grew up and my friends started taking drugs; they finally saw the world the way I saw it! It was great!” Being an artist can feel like living in a perpetual altered state.

Artists often have to walk far down the road of their lives before realizing that their greatest gift is their divergent point of view; it is not what they do, it is how they see. It is a great day in their lives when they realize that they need not bend their view to match “the norm,” they simply need to give themselves permission to see what they see. They need only grant themselves permission to want what they want and express what they perceive; they go so far as to let go of the notion of a norm. Until then they think they are aliens, deficient or are somehow broken; they travel through life thinking, “Either this place is insane or I am?” No matter how you toss that coin, you will not come up a winner.

The first phase of my graduate program was called divergence. We were encouraged to deviate from our path: to pursue something that either scared us or challenged our fundamental assumptions. It was a brilliant educational design and unusual for a university program. Throughout the process I pondered why intentional divergence wasn’t the organizing principle behind all levels of education. A student must diverge to converge; a student must not-know en route to knowing. Divergence requires stepping into unknown territory. Wandering beyond the boundaries is the only way to understand the usefulness or uselessness of the boundaries. Step into the bog, get lost, run from noises that may be nothing or just might be a tiger. How will you ever know if you will fly or fall until you leave the nest? Of this you can be certain, diverge and you will return to the nest knowing more than when you left or, more likely, you will know more than when you left AND have no need to return. No matter how you toss that coin, you will come up a winner.

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Get Lost

Posted on September 5, 2012 by davidrobinsoncreative

545. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

Pete is my neighbor and an excellent photographer. And, although he is retired, he is new to the idea that he is and always has been an artist. Last week he stopped me on the street and asked for my help. He said, “I’m stuck. I’m lost. I’m wearing slippery shoes and walking on ice.” We laughed at his analogy explosion. “Seriously,” he said, “You help artists and I need your help.” So, we made a date to talk.

Today was our talk. We sat on the balcony in the afternoon sun; I already knew what Pete was confronting (he was stuck, he was lost, he felt as if he was slipping and sliding on ice), and was not surprised when he said, “I’ve lost my way. I don’t know what I’m doing with my art anymore and the more I try to produce decent work, the worse it gets. I’m scared.” I could see the fear and frustration in his face. What do you do when you feel as if your muse has abandoned you?

I asked Pete if he’d ever in his life experienced any personal growth (what a set up!). “Of course. Too much!” was his reply. I asked him what the process of personal growth felt like; how did it begin? “I felt lost,” he said, smiling, understanding. “And then I felt really lost.” In order to grow, you must first get lost. There must be winter if there is to be spring. You must get lost before you find the new direction. It is natural process and is only made difficult when we resist it.

The resistance we experience is rooted in the notion that we have to be productive all the time. To exclusively focus on the outcome comes at great expense: forfeit of healthy process and the eventual death of artistry. It is unnatural to be productive 24/7, 365 days a year. Feeling fallow is a necessary phase of rejuvenation. Mastery is never outcome focused because, like the cycle of seasons, there is no end: there is good natural process. Fallow time can be deeply satisfying and enormously revivifying when we understand that artistry has nothing to do with outcomes and everything to do with a way of being in the world. Being an artist is not about playing the piano or dancing or painting pictures. It is about presence; it is cultivating your natural capacity to step into the unknown. Of course, stepping into the unknown is simply another way of saying, “Learning to get lost.” Pete laughed hysterically when, at the beginning of our conversation he wrinkled his brow and said, “I’m lost.” And I said, “Oh, thank god! Now you are an artist!”

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