The Direction of Intention

635. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

[continued from 634]

One of the greatest dysfunctions in a power-over story comes with the emphasis on individual achievement. The dog-eat-dog story is only sensible to a community (I use the word “community” loosely) that suffers from the illusion that the members are distinct and separate…and consumable. Claw your way to the top, get your slice of the pie, and push others down to elevate yourself. Someone eats, someone starves. Isn’t it a mighty paradox that we individualists are rabidly eliminating cultural and ecological diversity from the face of the earth – the stuff of healthy life? We homogenize. We homogenize seeds to our great peril, shop from the same six stores, have proudly invented the cubicle, and embraced the standardized test as a measure of individual achievement. Power-over stories are riddled with insanity and isn’t it the hallmark of the insane that they can’t see their psychosis? Psychosis leads one to believe that they are all alone.

Picasso, arguably the most innovative western artist of the past century didn’t create anything that didn’t already exist. He is the artistic gold medal winner of the 20th century. Yet, when you understand what he was doing, you recognize that he played with forms from all over the world, combining and recombining. He knew that he did not create from a vacuum. He knew his roots, his artistic ancestors and his influences. He said, “Good artists copy, great artists steal.” He was a mighty thief. We place great emphasis on innovation in the arts – we want to make people see something anew – ours is an art of abstraction. A shift of perception is highly revered. Seeing differently, opening to a new perspective – noble stuff. And, to facilitate the new perspective our artists must stand outside of the society so that they might see it with some clarity. They must isolate, separate. Cubicles commenting on cubicles. In a power-with community the artists live at the center; they are the keepers of the story, they are the guardians of the communal identity. In a healthy power-with culture, the arts carry, nurture and maintain the identity of the community. Art is not meant to make you see differently; it is meant to help you know yourself in relationship to the community, and beyond.

No one creates in isolation. No athlete becomes a champion without a coach. We stand on the shoulders of our ancestors, we owe a great debt to our teachers and mentors and cousins and friends. We eat because someone grew, picked and shipped the vegetable. The atmosphere we enjoy is not separate from the trees that exhale it or the ocean that churns it. Power-over storytellers have the insane notion that they can control it, the consumer is somehow distinct and impervious from toll of consumption. Individual merit, the inane notion of a chosen people, and the equally insane roll to Armageddon, are rooted in the same narrative. They (we) are outcome focused, forgetting that this magic life is nothing if not a continuing dynamic relationship. Separations are fantasy and outcomes are illusions.

A community celebrates individuals because of what the individual brings to the community. A power-over community is destined to collapse because its members understand themselves to be distinct and are oriented according to what they can get from the community. An individual is not a center; only a relationship can serve as the core; relationship is the gravity that holds. Every community is nested in a greater community. There is no greater imperative than to see the power-over story that we play and the misery it causes (us and others) and begin entertaining a narrative of power-with. It is simple to begin the shift: start by asking yourself, “What do I bring?”

Filed under: Art, Awakening, Power, Seeing, Story, Truly Powerful People |